After MASH

I, for one, am tired of "AfterMASH" being the TV industry joke; the joke being that a spin off of a popular series can't survive without major cast members. AfterMASH was a fine series, with Potter, Klinger, and Mulcahy dealing with issues which occur when the bullets stop flying. (Potter fighting the VA to provide disability for a cancer patient who was stationed at A-bomb tests, is just one example.) Viewers finally met Mildred Potter, and were introduced to Bob Scannell, who served with Potter in WWI. Jay O. Sanders (now a semi-big name in movies) played Gene Peiffer, a likable surgical resident whom Potter took under his wing. Mike D'Angelo (John Chappell) was the bumbling administrator, with his aide, Alma Cox (Brendis Kemp), who always locked horns with Klinger. AfterMASH ended it's 1st season ranked #15 in the ratings.

So why did this series fail? Two reasons in my opinion, for what it's worth. First, some genius at CBS decided to move the sitcom from MASH's old time slot of Mondays at 9:00, to Tuesdays at 8:00, where it went up against NBC's "The A-Team". AfterMASH didn't stand a chance. Second, the character of Gene Peiffer was written out (with no explanation), to be replaced by Dr. Boyer (played by David Ackroyd). Boyer, who didn't even have a first name, was handicapped, having lost his leg in the Korean War, and lashed out at everyone who thought less of him because of it, at least in his mind. Most viewer, I believe, want characters they can identify with or understand, and a brawling, self-pitying loner with a chip on his shoulder doesn't cut it. In reality, such a person couldn't remain employed in any hospital.

AfterMASH will never be a lost classic; rather, it's a what-might-have-been, and television's loaded with them. Still, the show comes up in any TV Guide fall preview that includes a spin-off, with the usual line, "Does anybody remember AfterMASH?"

Finally, if there's any spin-off that merits being the industry joke, it's "The Sanford Arms", NBC's ill-fated attempt in 1977 to continue "Sanford and Son" without Fred and Lamont. It ran for 4 episodes. At least AfterMASH made it to 30 before being axed in December, 1984.

Eventually, AfterMASH will be released on DVD. After all, shows with fewer episodes are. Glad I won't be trampled in the stampede to buy it.

More than half of the original M.A.S.H. cast was doing other projects when this sequel aired. As previous commenters have mentioned the jokes were stale, and the antics appeared staged. The episode I remember was that Klinger was back in the U.S. and married to his Korean wife. Klinger got in some scuffle and the ending scene showed him in jail with the overprinted statement "Stay tuned will return in 6 months." I thought at the time, "why the h@** should I wait 6 months to see how Klinger gets out jail". If the producers thought they could bulid the public suspense by waiting 6 months, they lost!

OK,choose your three favorite characters from MASH. Now scratch them from your memory as you watch After MASH,one of the biggest disappointments as well as one of the worst TV shows of all time. I saw this recently on FX,and I'm surprised that they showed it,but you get a sinking feeling you got upon realizing that a new episode of MASH would focus on either Klinger,Radar or Father Mulcahy? Well,with After MASH you had a two-out-of-three chance of being let down and this follow up to one of the most successful series of all time,which spawned from it could be so disastrous by all means,and it shows here. Klinger(Jamie Farr),Radar(Gary Burghoff),and Father Mulcahy(William Christopher)joined Colonel Potter(Harry Morgan) in a Missouri hospital after the Korean War to heal the sick,annoy the bureaucrats,give longwinded speeches and actually make Larry Linville glad he left the 4077th as early as he did. To make matters worst,several episodes were directed by Harry Morgan as well as fellow MASH alumnus Mike Ferrell,and Alan Alda.

The producers were trying to hold on to it but it was time for the series to die since in my opinion after the huge success of the first one,why try to hold on to something that won't last.....Let it go guys. That is what CBS did when they pull the plug on the series when the network axed it in December of 1984. The series did however survived its entire one season run at 30 episodes where some TV executive at CBS had the not-so-bright-idea of taking the show from its Monday night time slot(where the old M*A*S*H series was)and moving it to Tuesday nights opposite NBC's "The A-Team" which clobbered it in the ratings. However,the show that replaced it on that powerhouse Monday night timeslot was "Newhart".

I don't think the series 'After M*A*S*H' was made to 'cling onto M*A*S*H's former glory' thats just bull. I think that people wanted a continuing story. They wanted to know what did happen when they returned. We know nothing compares to the original M*A*S*H but sometimes people just want an ending. And not just an ending of the 'war'.

If I remember this program, the first season was acceptable, though kind of boring, but it did improve as it went along. However, what bothered me, as a writer, is that it took the two truly interesting endings from the two hour final episode of MASH and basically trashed them.

For the most part, all of the characters on MASH were leaving Korea on the last episode, and would assume the lives that they left behind, without much deviation. The two exceptions were Klinger, who shocked everyone by remaining in Korea, and Father Mulchachy, who was rapidly losing his hearing after standing on top of an explosion. These were intriguing plot twists, and when MASH ended, the audience was left with the questions of whether or not Klinger would ever leave Korea, and whether Mulchachy would regain his hearing or go completely deaf.

The first episode of After MASH quickly resolved both of these cliffhangers in a schmaltzy, unsatisfying way. Klinger was home, and Mulchacy had an operation that immediately restored his hearing. Two cheap cop outs for strong plotlines. The quality of After MASH was not good enough to justify ruining the ending of one of the best television programs in history.