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Dressé pour tuer

Titre original : White Dog
  • 1982
  • 12
  • 1h 30min
NOTE IMDb
7,0/10
11 k
MA NOTE
Dressé pour tuer (1982)
Trailer for White Dog
Lire trailer1:14
2 Videos
75 photos
B-HorrorPsychological DramaPsychological HorrorSplatter HorrorTragedyDramaHorror

Un dresseur tente de rééduquer un chien hargneux qui a été élevé dans le but d'attaquer les personnes de couleur.Un dresseur tente de rééduquer un chien hargneux qui a été élevé dans le but d'attaquer les personnes de couleur.Un dresseur tente de rééduquer un chien hargneux qui a été élevé dans le but d'attaquer les personnes de couleur.

  • Réalisation
    • Samuel Fuller
  • Scénario
    • Romain Gary
    • Samuel Fuller
    • Curtis Hanson
  • Casting principal
    • Kristy McNichol
    • Christa Lang
    • Vernon Weddle
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,0/10
    11 k
    MA NOTE
    • Réalisation
      • Samuel Fuller
    • Scénario
      • Romain Gary
      • Samuel Fuller
      • Curtis Hanson
    • Casting principal
      • Kristy McNichol
      • Christa Lang
      • Vernon Weddle
    • 111avis d'utilisateurs
    • 107avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Vidéos2

    White Dog
    Trailer 1:14
    White Dog
    White Dog: Attack
    Clip 2:51
    White Dog: Attack
    White Dog: Attack
    Clip 2:51
    White Dog: Attack

    Photos75

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 69
    Voir l'affiche

    Rôles principaux37

    Modifier
    Kristy McNichol
    Kristy McNichol
    • Julie Sawyer
    Christa Lang
    Christa Lang
    • Nurse
    Vernon Weddle
    Vernon Weddle
    • Vet
    Jameson Parker
    Jameson Parker
    • Roland Grale
    Karl Lewis Miller
    • Attacker
    Karrie Emerson
    Karrie Emerson
    • Sun Bather
    Helen Siff
    • Pound Operator
    • (as Helen J. Siff)
    Glen Garner
    • Pound Worker
    • (as Glen D. Garner)
    Terrence Beasor
    Terrence Beasor
    • Pound Driver
    Tony Brubaker
    Tony Brubaker
    • Sweeper Driver
    Samuel Fuller
    Samuel Fuller
    • Charlie Felton
    Marshall Thompson
    Marshall Thompson
    • Director
    Paul Bartel
    Paul Bartel
    • Cameraman
    Richard Monahan
    Richard Monahan
    • Assistant Director
    Neyle Morrow
    Neyle Morrow
    • Soundman
    George Fisher
    George Fisher
    • Gondolier
    Lynne Moody
    Lynne Moody
    • Molly
    Hubert Wells
    • Trainer
    • Réalisation
      • Samuel Fuller
    • Scénario
      • Romain Gary
      • Samuel Fuller
      • Curtis Hanson
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs111

    7,011.3K
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    Avis à la une

    8laszlo-11

    Sometimes the harshest subjects require a no-holds-barred approach; whether you care to take the journey is your decision

    As someone who was raised to abhor racism & any discrimination for that matter, maybe there is some truth to the idea that a person's beliefs (whether questionable or not) all begin with how they are raised. This could very well transfer to the animal kingdom if WHITE DOG is any indication.

    Just from reading the synopsis of the film, I was prepared for a movie that would not be making its points subtly, but rather pulling no punches whatsoever. Director Samuel Fuller was always known for telling it like it is, as well as maintaining his independence from the Hollywood mainstream. At first, Paramount had intended to distribute this movie after owning the rights to Romain Gary's story for years. However, I can guess that the powers that be were still very afraid of the adverse reaction WHITE DOG was likely going to generate, mainly by people who either had not seen the movie, or had misunderstood it. That was why Paramount pulled out before the film's American release, and to this day, it has not been seen in our theaters.

    It is thus easily understood why Fuller never made another American film (to which I say, good for him!) because even as liberal as we Americans often claim to be, sometimes a certain subject such as that portrayed in WHITE DOG hits a little too close to home. Fuller dared to talk about racism (a problem still alive & well even decades after the advent of civil rights) without any sugarcoating whatsoever, and it was this take-no-prisoners approach that meant curtains for the film even before it had a chance. No surprise, European audiences & critics loved WHITE DOG, and understood the movie for what it was: a statement against racism, not condoning it. Furthermore, Fuller dared to put forth the theory that racism can be taught to another person (or in this case, animal) by careful teaching. Whether or not deprogramming in the opposite direction can happen is unclear. WHITE DOG succeeds by not giving any clear-cut answers, and that is another reason why Americans probably would not have taken to it well: for every message picture we get, we expect to see some solutions for the problem. WHITE DOG does not do that.

    To say WHITE DOG is a film ahead of its time would be an understatement because I do not think even today, a movie like this could be green-lighted by a major studio. Coalitions & interest groups would likely protest loudly enough to force WHITE DOG off the screen. Some would say the violence is to blame, and yes, it IS graphic. But the film does have a PG rating, so it is not gore of the highest order. Even when the film did make it on to American cable, cuts were made so that the dog merely bit its victims rather than killed them. Others would say the mere plot of the movie itself is hateful enough, but sometimes an unvarnished approach to a brutal subject is necessary to get the point across. All I can say is be prepared to have the film's message beat you over the head, for I highly doubt Fuller would have done it any other way. It will also cause heated debate & discussion, yet another result that Fuller (R.I.P.) would also have appreciated totally.
    Alba_Of_Smeg

    Hate is a powerful thing..

    White Dog (1982) is about an attack dog specifically trained to attack and kill black people. Some obviously shocking moments and plenty awkward acting and closeups. The dog acting was Oscar worthy. Shame Kristy McNichol didn't take tips, her performance was amateurish and off-putting throughout. The whole the film has a made for TV movie feel it can't quite shake. A remake with a bigger budget would be interesting but no one would have the balls to make this now.
    6imauter

    The dog should have earned Academy Award nomination

    Quite an interesting film about a hound trained to attack black people, and a black animal trainee, Keys, played by Paul Winfield, for whom it becomes a very personal matter to do a difficult job of deprogramming a dog. Misunderstood by many as a racist film at the time it came out, now it became sort of cult-classic. The most remarkable thing about this movie is certainly the most amazing performance from the main character - which is the dog itself. Only to see this dog acting is a sufficient reason to see this film. 6/10
    10guigui-paul

    underrated and heartbreaking

    "white dog" is one of the best films of the 80's,it's a very very hard film but also a really clever and lucid film about racism,conditioning,hatred and the complex connections between people and animals. The acting (especially from Kristy McNichol and Paul Winfield) is great,Fuller's direction and his sense of editing and use of slow motion are really effective,the screenplay is brilliant and ennio Morricone's soundtrack is really beautiful and haunting. I have only an old VHS (with bad dubbing and full screen format)of "white dog"...this underrated masterpiece really deserves a beautiful edition on DVD!
    7ghayes-2

    Not what you might think

    If you get the chance, by all means see this movie, but try to leave your preconceptions aside.

    Before this movie came out, it was roundly denounced by people who misunderstood what it is about. The story is not, as many feared, about a dog trained to attack black people. It is the story of a man (Paul Winfield) and his determination to do something that everyone says cannot be done - FREE the dog of its programming. Unfortunately, it seems that too few people were able to break THEIR programming and give this movie a chance.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This film is based on a true story. While she was living in Hollywood with her husband, writer Romain Gary, actress Jean Seberg brought home a large white dog she had found on the street that seemed friendly and playful. However, when the animal saw her Black gardener, it attacked him viciously, injuring him. Afterward, the couple kept it in the backyard, but one day, it got out and attacked another Black man on the street, but no one else. After this happened a third time, they realized that someone had trained the dog to attack and injure only Black people. Gary wrote a short piece about it for "Life" magazine in 1970, which eventually became a full-length fiction novel.
    • Gaffes
      Just before the white dog finally takes the hamburger from his trainer, he looks up at him and, just under his lip, shows the edge of the prosthetics that hold his cheeks in a snarl.
    • Citations

      Roland Gray: You got a four-legged time bomb!

    • Connexions
      Featured in From the Journals of Jean Seberg (1995)

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    FAQ

    • How long is White Dog?
      Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 7 juillet 1982 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Le chien blanc
    • Lieux de tournage
      • Wildlife Way Station - 14831 Little Tujunga Canyon Road, Sylmar, Los Angeles, Californie, États-Unis
    • Société de production
      • Paramount Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 8 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 46 509 $US
    • Montant brut mondial
      • 46 509 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 30 minutes
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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