Vice Squad: Descente aux enfers

In theory, "Vice Squad" is nothing more than good guy versus bad guy. However, it is done with such raw energy and flawless execution it remains one of the most intelligent and dramatic police films of the past two decades.

The story is about a hooker with a heart of gold named "Princess," who ends up on the run from her pimp named "Ramrod," (played brilliantly by the underrated Wings Hauser). After she agrees to bait him for the cops after he violently murders a fellow prostitute, he escapes police custedy and is hell-bent on one thing: finding Princess, torturing her, and killing her. It's that simple. A cop named "Walsh" (also played wonderfully by Gary Swanson) has the responsibility of finding either her or him, before Ramrod succeeds in his mission.

The film takes place in one night throughout the streets of Hollywood, and never lets up for a second. The plot is thick with suspense, the characters are three dimensionally layered, and the action is non stop. It's influence can be seen in many of todays films such as "Training Day," and even "Seven" just to name a few. However, its greatest testament may be from a better known movie tough guy named "Dirty Harry." At one point, when Walsh catches up with Ramrod he sticks his gun in his mouth and mutters "Make a move, and make my day!" Sound familiar? It should, because the famous line was uttered some five years later, even though the phrase was coined here, and in much better fashion I might add.

To sum it up, "Vice Squad" is a hard hitting, no nonsense, throw back to when quality films could be made on shoe-string budgets, and without millions in special effects. It walks the walk, and talks the talk without making excuses for its realistic subject matter. Unfortunately, the film is hard to find, so if you get the opportunity to see it, do not pass it up. For it will no doubt become one of your favorite "Vices," I garantee it.

"Princess" (Season Hubley) is what is known as an "outlaw" hooker, meaning that she answers to no pimp. She's also the mother of an adorable little girl. She agrees to help intense vice detective Tom Walsh (Gary Swanson) trap a particularly evil pimp with the memorable moniker of "Ramrod" (Wings Hauser). Ramrod is a sadist who enjoys mutilating prostitutes, and has the tenacity of The Terminator. When he realizes that Princess set him up, he becomes determined to get revenge. After he makes an escape from the cops, he spends an action-packed night hunting her down.

"Vice Squad" is a solid credit for the under appreciated director Gary A. Sherman. Sherman had already made two excellent fright features, "Raw Meat" and "Dead & Buried". Loathe to be typecast as a genre director, he took on this project, and does a fine job with it. He gives it great pace and entirely convincing atmosphere. This movie really does immerse its viewers in a seedy L.A. underworld. The characters are often flamboyant but believable. Cinematographer John Alcott gives everything a stylish look. To be sure, the material is plenty sleazy, but that's entirely the point. The script was written by co-executive producer Sandy Howard, Robert Vincent O'Neill (director of the exploitation classic "Angel"), and "Kenneth Peters", a pseudonym for a real life L.A. detective who provided all important technical advice.

The violence is as harsh and off putting as it should be, and there's great curiosity value in discovering the various fetishes and perversions that johns are prone to enjoy.

Hubley is good in the lead role; Princess may take her lumps before the story ends, but she also gives Ramrod a hell of a good fight. Swanson is likewise effective as our hard assed hero. A steady parade of familiar actors play roles big and small: Pepe Serna, Beverly Todd, original MTV VJ Nina Blackwood, Lydia Lei, Kelly Piper, Fred Berry, Michael Ensign, Jonathan Haze, Robert Miano, Stack Pierce, and Cheryl Smith. But the person who leaves the biggest impression is the excellent Hauser, who gives us a creepily charismatic villain for the ages. Furthermore, Wings also entertains us by growling and snarling the ultra catchy rock theme song "Neon Slime".

This is a gem of a B movie: flashy, trashy, and most certainly *not* dull.

Eight out of 10.

Here's one B movie, I must say did one better then I thought it would. The cat and mouse plot, throughout with many a turning points, makes it an electrifying movie, and scary mainly due to Hauser's pimp, Ramrod, an unforgettable masterpiece of evil, at times his presence is almost choking and unbearable. He is so SCARY! Good hearted cop, Swanson, Hauser's one true enemy, uses pro, Hubley (the young lass from Hardcore) to set up Hauser, after he beat up one of his girl's so bad, she didn't make it. Hubley trying to make enough money to support her little girl, her reason for flocking to the city of dreams. Swanson is so likable, you'll be rooting for him, to take care of Hauser, even though personally, Hauser's one of my favorite actors. When he escapes a cop car, thanks to two "Not much up there cops", he has only one mission, hence the plot of this very effective action piece drama. If have not videe'd this one, track it down. It rises about the sleaze, and does have a funny scene near the end with Hubley and one of her tricks. Such a talented and dramatic actress, Hardcore a prime example, Hubley was another actress who went off the radar. Although there are clichéd moments between cop and pro, Vice Squad has a solid, hard on quality about it. It's a well made compact drama, worth it's time in viewing.

I remember this movie very well as one of the most suspenseful movies of the 80's. Definitely Wing's best performance. Very menacing as the pimp "Ramrod". You really feel for his victims and want to see him get his.

Don't watch "Terror in the Isles" before you see this movie. The clips they show give the ending away.

Watch for a small part by Re-Run (What's Happening).

Where's the DVD?!?!

Nine out of ten stars.

Gary Sherman's "Vice Squad" is all show, but powerfully biting and sordid exploitation of the seedy strip of Hollywood and Sunset Boulevard when the sun finally goes down. For such luridly unpleasant context, the film manages to amuses with rousing suspense, sharply-witted (if foul) script and its authentically raw atmosphere. Even the performances figure prominently. Wing Hauser deservedly dominates the limelight as the frighteningly, aggressive pimp Ramrod. His turn is that of pure spontaneous and nightmarish intensity. Truly hard to forget. Gary Swanson's courageously humane performance as Detective Walsh, the leader of the 'Vice squad' is downright solid, and there's a confidently brassy and strong-willed go-it-alone portrayal by Season Hubley as the prostitute Princess that Ramrod is after for setting him up. The support cast racks up recognizable bit players (Pepa Serna, Beverly Todd, Maurice Emanuel, Nina Blackwood, Michael Ensign, Cheryl Smith, Fred Berry and the list goes on) of rich characterisations. Sherman's sensationally gripping direction doesn't let up or beat around the bush, as he cranks up the energy and brutality. Still there's a slickly professional manner about it, and cinematographer John Alcott shots it with great ticker, and stylish verve. The screeching rock title track "Neon Slime" sung by Hauser sets the tone, and the saucy score has a feverish pitch that enhances the downbeat atmosphere and daring intensity.