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Tootsie

  • 1982
  • Tous publics
  • 1h 56min
NOTE IMDb
7,4/10
119 k
MA NOTE
POPULARITÉ
3 665
606
Dustin Hoffman in Tootsie (1982)
Official Trailer
Lire trailer1:20
3 Videos
99+ photos
ComédieDrameRomanceComédie romantiqueComédie très conceptuelleFarce

Michael Dorsey, un acteur sur le déclin se déguise en femme pour obtenir un rôle dans un feuilleton de mauvais goût.Michael Dorsey, un acteur sur le déclin se déguise en femme pour obtenir un rôle dans un feuilleton de mauvais goût.Michael Dorsey, un acteur sur le déclin se déguise en femme pour obtenir un rôle dans un feuilleton de mauvais goût.

  • Réalisation
    • Sydney Pollack
  • Scénario
    • Don McGuire
    • Larry Gelbart
    • Murray Schisgal
  • Casting principal
    • Dustin Hoffman
    • Jessica Lange
    • Teri Garr
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,4/10
    119 k
    MA NOTE
    POPULARITÉ
    3 665
    606
    • Réalisation
      • Sydney Pollack
    • Scénario
      • Don McGuire
      • Larry Gelbart
      • Murray Schisgal
    • Casting principal
      • Dustin Hoffman
      • Jessica Lange
      • Teri Garr
    • 279avis d'utilisateurs
    • 88avis des critiques
    • 88Métascore
  • Voir les informations de production sur IMDbPro
    • Récompensé par 1 Oscar
      • 26 victoires et 31 nominations au total

    Vidéos3

    Tootsie
    Trailer 1:20
    Tootsie
    Tootsie
    Trailer 2:05
    Tootsie
    Tootsie
    Trailer 2:05
    Tootsie
    Tootsie
    Trailer 2:03
    Tootsie

    Photos232

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    Rôles principaux69

    Modifier
    Dustin Hoffman
    Dustin Hoffman
    • Michael Dorsey…
    Jessica Lange
    Jessica Lange
    • Julie Nichols
    Teri Garr
    Teri Garr
    • Sandy Lester
    Dabney Coleman
    Dabney Coleman
    • Ron Carlisle
    Charles Durning
    Charles Durning
    • Les Nichols
    Bill Murray
    Bill Murray
    • Jeff Slater
    Sydney Pollack
    Sydney Pollack
    • George Fields
    George Gaynes
    George Gaynes
    • John Van Horn
    Geena Davis
    Geena Davis
    • April Page
    Doris Belack
    Doris Belack
    • Rita Marshall
    Ellen Foley
    Ellen Foley
    • Jacqui
    Peter Gatto
    • Rick
    Lynne Thigpen
    Lynne Thigpen
    • Jo
    Ronald L. Schwary
    Ronald L. Schwary
    • Phil Weintraub
    Debra Mooney
    Debra Mooney
    • Mrs. Mallory
    Amy Lawrence
    • Amy
    Kenny Sinclair
    • Boy
    Susan Merson
    Susan Merson
    • Page
    • Réalisation
      • Sydney Pollack
    • Scénario
      • Don McGuire
      • Larry Gelbart
      • Murray Schisgal
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs279

    7,4119.4K
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    Avis à la une

    cougar78

    BRILLIANT!

    This is a wonderful film,I can't remember how many times I have seen it,I love it! Dustin Hoffman is brilliant as Michael Dorsey and Dorothy Michaels.Along with Jessica Lange and Teri Garr and fantastic direction from and co-star Sydney Pollack,this couldn't be any better.It's a great story and well scripted and very funny besides.If you love films you can't not love this one.This is my 2nd favourite film in the world only because ''Some Like it Hot'' is my first choice.Dustin is one of the best actors in the business and continues to be to this day.
    10prodigaljon

    They Don't Get Better Than This

    Remember when comedies used to be actual movies with actual stories with actual points and the funny just flowed out of them, instead of just a flimsy excuse to string together jokes and funny scenes and stock situations? Yeah, me too. What happened?

    If you're in the mood for a great movie that will get you to cough up a boatload of honest laughs, then you ain't gonna do better than TOOTSIE. You are not going to find a better written, acted, and directed comedy anywhere. There are plenty as good - but none better. This is a career highpoint for all involved, and when "all" includes names such as Sydney Pollack and Dustin Hoffman, you know that's a sentiment that carries some significant weight.

    And it just reaffirms the old adage that every single comedy should have Bill Murray in it.
    PADMark1984

    Absolutely Brilliant Comedy

    This movie just has to be one of the greatest comedies ever made. It is hilirious. Struggling and notoriously hard to work with actor Michael Dorsey (Dustin Hoffman) takes on the role of a woman in a daytime television soap opera, basically because he cannot get any more jobs as a male actor due to his reputation. The fun starts early on in the film with Dorothy Michaels appearing in the New York crowd suddenly and going for the script reading. From then on the film is sentimental, touching, dry and absolutely side-splittingly funny. The other actors/actresses in the film really do make it work. It is brilliantly cast with comedic moments from Teri Garr, Dabney Coleman, Charles Durning and the ever-brilliant and sarcastic Bill Murray. I wasn't even born until two years after the movie came out, but it's still so fresh and full of life after 22 years that you just have to love it. It's definately a five star for this. ***** out of *****
    10TOMASBBloodhound

    Funny AND intelligent.

    There is so much more to this film than Dustin Hoffman running around in a dress trying to act like a woman. Tootsie is one of the most intelligent comedies I've ever seen. It is perfectly cast, well-layered, and full of surprises.

    Dustin Hoffman plays Michael Dorsey. He seems to know everything about acting except how to stay employed as an actor. In an early montage we see him auditioning for numerous plays where he is either too old, too young, too short, simply not the right guy for the part, or in some cases impossible to work with. We also see him trying to teach his craft to some young wannabe actors, and working at a restaurant to pay the bills. After a hilarious argument with his agent, he is simply told "No one will hire you!" The very next shot has Hoffman in drag walking down the street to an audition for a soap opera part his friend (Terri Garr) was unable to land. So intent is the chauvinistic director (Coleman) on casting a woman that looks tough enough for the part of a hospital administrator, Hoffman is denied without so much as a reading. He responds with a hilarious tirade that opens the door to his television career. Hoffman lands the part, and is soon winning over fans all over the country.

    While Hoffman finds it wonderful to be working regularly, his personal life is understandably put to the test. He alienates Garr, is constantly made fun of by his roommate (Murray) and falls in love with one of his co-stars (Lange) who of course cannot learn his secret or he's out of a job. Things are further complicated when two older men fall in love with him. It would be pointless to try and describe some of the awkward situations he finds himself in. You must see the movie to experience them for yourself.

    The film is so well-cast it's incredible. There are so many fine actors at work here that it almost becomes a contest of who can steal the scene first. Murray gets his share with his improvised lines. His lamenting of the state of his plays during a party scene will have you howling. The icing on the cake was director Sydney Pollack agreeing to play Hoffman's agent. They only have a few scenes together, but they are the film's best.

    Tootsie is head and shoulders above other films I've seen that deal with men in women's clothing. Mrs. Doubtfire for example was all slapstick without much heart. In the end it tried to redeem itself in that department and just got way too sappy. Tootsie also wisely holds back in the feminism department. Although Hoffman's Dorothy Michaels is clearly a woman who inspires others to stand up for themselves, he is advised to tone it down by Pollack in one scene. Hoffman feels his Dorothy character should be doing specials and giving advice and whatnot, but Pollack reminds him, "You have NOTHING to say to women, Michael." In other words, you're lucky you've gotten away with the stunt up to this point, now you should be looking for a way to get out.

    Overall Tootsie is wonderful experience. It made a fortune when released, and is still very relevant today. Don't miss it! 10 of 10 stars from the Hound.
    Michael_Elliott

    One of the Greatest Comedies Ever Made

    Tootsie (1982)

    **** (out of 4)

    Michael Dorsey (Dustin Hoffman) is an unemployed actor who is told by his agent (Sydney Pollack) that there's no one in the country that will hire him due to his attitude. Dorsey, seeing this as a challenge, decides to dress as a woman calling herself Dorothy Michaels and gets a job on a soap opera where he strikes up a relationship with one of the stars (Jessica Lange) on the show. As more and more pressure begins to mount, Michael must decide how to get out of the woman's outfit and reveal the truth.

    TOOTSIE is in my opinion one of the greatest comedies of the decade and I'd go even further and call it one of the greatest comedies ever made. There are so many wonderful things in the film and it works on so many levels that it's almost shocking when you look back at the film and see how wonderful it is. Not only does the "comedy" of a man dressing as a woman work but the film is more than just laughs as it hits on what it means to be an actor struggling to get work but there's also a lot of heart to the film and there's certainly many underline themes dealing with the differences between men and women.

    There are a lot of great things in this movie but there's no question that the true magic belongs to Hoffman who turns in one of his greatest performances. It's rather amazing to see him work here because he's basically got two different characters that share certain things but in the end they have to be separate characters. What impressed me the most was how believable he was as the female character. Not only does the supporting characters have to be able to believe he's a woman but the magic comes because when you see Hoffman as the woman, you believe it to. I think it's somewhat fitting that during the closing credits the character gets separate credits as does Hoffman. I think his performance as the woman is so great that many probably would believe that a real woman was playing her.

    The supporting cast is wonderful as well with Lange certainly deserving her Best Supporting Actress Oscar. She gives her character so much heart and pain that you can't help but root for her. Dabney Coleman and Charles Durning are both terrific in their roles as is Teri Garr who is downright hilarious as a somewhat psychotic friend. THen there's Pollack who is simply great as the agent. Bill Murray gives one of his greatest performances here because the story itself is quite out there yet his dry one-liners are just so hilarious that you can't help but have tears running down your face.

    Again, the film works perfectly as a comedy but it's so much more than that. The relationship between Dorothy and her co-worker is very believable and the various twists that happen in the plot seem real and they're never forced. The comedy comes in a very natural way and the realistic characters seem real and not something faked or made up. To me TOOTSIE is a flawless movie that manages to get funnier the more times you see it, which is something hard for a comedy to do.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The character of Dorothy originally did not speak with a Southern accent, but in doing research, Dustin Hoffman discovered his voice fell more closely into the range of female pitch while doing the accent.
    • Gaffes
      Sandy tells Michael to take Vitamin C "with milk only." Vitamin C should never be taken with milk, other dairy products, calcium supplements, or antacids that contain calcium. Calcium may make it harder for your body to absorb certain minerals.
    • Citations

      Dorothy Michaels: Thank you, Gordon. Well, I cannot tell you all how deeply moved I am. I never in my wildest dreams imagined that I would be the object of so much genuine affection. It makes it all the more difficult for me to say what I'm now going to say. Yes. I do feel it's time to set the record straight. You see, I didn't come here just as an administrator, Dr. Brewster; I came to this hospital to settle an old score. Now you all know that my father was a brilliant man; he built this hospital. What you don't know is that to his family, he was an unmerciful tyrant - a absolute dodo bird. He drove my mother, his wife, to - to drink; in fact, she - uh, she she she went riding one time and lost all her teeth. The son Edward became a recluse, and the oldest daughter - the pretty one, the charming one - became pregnant when she was fifteen years old and was driven out of the house. In fact, she was so terrified that she would, uh, that, uh, that, that, that the baby daughter would bear the stigma of illegitimacy that she, she - she decided to change her name and she contracted a disfiguring disease... after moving to Tangiers, which is where she raised the, the, the little girl as her sister. But her one ambition in life - besides the child's happiness - was to become a nurse, so she returned to the States and joined the staff right here at Southwest General. Well, she worked here, she knew she had to speak out wherever she saw injustice and inhumanity. God save us, you do understand that, don't you, Dr. Brewster?

      John Van Horne: I never laid a hand on her.

      Dorothy Michaels: Yes, you did. And she was shunned by all you nurses, too... and by a, what do you call it, what do you call it, a - something like a pariah, to you doctors who found her idealistic and reckless. But she was deeply, deeply, deeply, deeply, deeply, deeply loved by her brother. It was this brother who, on the day of her death, swore to the good Lord above that he would follow in her footsteps, and, and, and, and, and, and, and, and, and, and, and, just, just, just, just, just, just, just, just, just, just owe it all up to her. But on her terms. As a woman. And just as proud to be a woman as she ever was. For I am not Emily Kimberly, the daughter of Dwayne and Alma Kimberly. No, I'm not. I'm Edward Kimberly, the recluse brother of my sister Anthea. Edward Kimberly, who has finally vindicated his sister's good name. I am Edward Kimberly. Edward Kimberly. And I'm not mentally ill, but proud, and lucky, and strong enough to be the woman that was the best part of my manhood. The best part of myself.

    • Crédits fous
      Dustin Hoffman is credited twice: Dustin Hoffman .... Michael Dorsey Dustin Hoffman .... Dorothy Michaels
    • Versions alternatives
      Original UK release was cut by 6 seconds to obtain a "PG" classification. Subsequently passed uncut with a "15" certificate.
    • Connexions
      Featured in At the Movies: Tootsie/The Verdict/Sophies Choice/Airplane II (1982)
    • Bandes originales
      Tootsie
      Lyrics by Alan Bergman & Marilyn Bergman

      Music by Dave Grusin

      Sung by Stephen Bishop

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    FAQ

    • How long is Tootsie?
      Alimenté par Alexa
    • Why won't anyone hire Michael? What's his agent trying to tell him?
    • What is Jeff talking about at Michael's birthday party?
    • The movie's title probably refers to Dorothy but where does it come from?

    Détails

    Modifier
    • Date de sortie
      • 2 mars 1983 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Would I Lie to You?
    • Lieux de tournage
      • Hurley Mountain Inn, Hurley, New York, États-Unis(bar scene)
    • Sociétés de production
      • Columbia Pictures
      • Mirage Enterprises
      • Punch Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 21 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 177 200 000 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 5 540 470 $US
      • 19 déc. 1982
    • Montant brut mondial
      • 177 200 285 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 56 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 2.39 : 1

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