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Having a "squiz" is Oz slang for looking at something. SQUIZZY TAYLOR is a dark and slightly menacing minor gangster film with a very good cast and well researched production values. Set in the 1920s and part of a time Australian film makers love making films about (KITTY AND THE BAGMAN, CADDIE etc) SQUIZZY TAYLOR was a ratty tough guy not unlike a mini Cagney hoodlum. Atkins, a stage and screen dancer by trade made a strong actor and was convincing enough not to get rapped for this serious attempt. One of the problems with a lot of 70s/80s Oz pix is that our voices come across as squeaky and funny to International audiences. Good voice coaching had never been a big part of many good Australian films and it is often the one major flaw that has never been properly corrected. I would unfortunately suggest that listening to Atkins threaten everyone else here is a bit mousey. It sounds like a high school production of GUYS AND DOLLS. Which is a pity because overall it is a good small gangster film about a real little tough guy who was a real criminal of Australia's sly grog days in the pre depression snazzy 20s. Deserves a DVD release and a new audience. Would probably work quite well to a new generation.

Moderately entertaining drama, detailing the life of a gangster in 1920s Melbourne. Interesting mostly from an historic perspective.

However, not very compelling. Is pretty much a blow-by-blow biopic, with very little in the way of background or motivations. Character elaboration is basic. Ending is overly abrupt.

Performances are so-so. David Atkins is okay as Squizzy Taylor. Kacki Weaver had yet to find the form which saw her receive Best Supporting Actress Oscar nominations for Animal Kingdom and Silver Linings Playbook. Her performance is a touch irritating, in fact.

As mentioned, interesting mostly from an historic perspective, especially if you want a glimpse into 1920s Australia.

I've always been of the opinion that Australian-made movies/TV programs were less than when compared with movies made in UK or USA. Even low budget American sit-coms seem to have higher production values than the big-budget Australian extravaganzas. Compare 'Burn Notice'(USA) with the latest (Australian) produced version of "The Great Gatsby"! I could never put my finger on the reason. The only exception to the foregoing statement would be "Phar Lap"(1983) directed by Simon Wincer.

Back to "Squizzy Taylor": a nasty little film about a nasty little man. According to Australian actor/critic/bore Graeme Blundell: David Atkins, since his starring role in this turkey, went on to become a film producer! Atkins has never been a household name and now we all know why. Even the much used Jacki Weaver can't save this tripe. Switch channels, mental note to self: never again. There we go: over ten lines already and I've hardly gotten started! Be warned.

Generally entertaining and interesting screen portrayal of the life and times of Australia's most notorious underworld figure.

David Atkinson did a fine job of capturing the true essence of Squizzy Taylor and there was some excellent support from the rest of the cast as well.

The film has a good look about it and seems to have been fairly well researched.

The only minor fault that I could spot came near the end. In the scene where Taylor emerges from his flat to be driven to his showdown with Cudmore. Those with an interest in architectural history will immediately detect that the building in question obviously dates from a later period than the 1920s. But, that it definitely nit picking.

On the whole,this production was a credit to all concerned.

Squizzy Taylor is the Bonnie & Clyde of Australian films. It is set in 1920's Melbourne, Squizzy Taylor is probably the most nutorius gangster of his time.

This film was the combination of a talented Australian cast. Though afterwards he did no films, David Atkins shines as Squizzy Taylor and he managed to pull of a near perfect performance. Derry Hinch's former wife, Jackie Weaver, had already shown her talent before appearing in Taylor and it is little reason to wonder why her character of Dolly was so captivating.

1920's Melbourne was pulled of perfectly by the production company. Filming around Melbourne proved a great success, for those who know Melbourne much of its original architecture can still be found throughout the city making it easy to film such a periodical film. It is little wonder that Logan Brewer was nominated for a AFI Award for his work in production of the movie.

This film was made a year after Mel Gibson's famous "Gallipoli" and its influences can definitely be seen in Squizzy Taylor.

It isn't a movie for kids as it often deals with adult concepts. But for someone who enjoyed Bonnie & Clyde or other Australian films such as Gallipoli it's a must see!

This film captures sensibilities of a by-gone era in Australia. Thankfully David Atkins and the film's makers understood that crims like Squizzy knew how temporary and relatively small-time they were. Atkins' portrayal is spot on because he has Squizzy revel in his unexpected "fame" and success as only a boy from the gutter can due to his underlying fatalism - "When you live, live in clover; cause when you're dead, you're dead all over." Atkins' Squizzy knows the score, lives for the moment and smirks at the ridiculousness of a world that has temporarily turned in his favour.

The film is infinitely better than the Underbelly T.V.series "depiction" of Squizzy because it didn't glamorize him or use language or attribute motivations to him that were just not representative of Australians of the 1920-30's. I hate films that pander to modern day sensibilities because the makers think that it will sell the film to an audience - eg. "Titanic".

Jackie Weaver, as always, jumps off the screen at you. Again, it was the world that turned to meet her rather than Jackie changing or improving anything she was doing. She was always a star. Think of how Geoffrey Rush would probably still be doing bits and pieces of stage work in Australia without "Shine". Jackie, like Squizzy, must be smiling at the thought that people want to take so much notice of her after years as a relatively small-time actress.

Great to see another very talented actor/writer in Fred Cul Cullen in one of his last roles. He deserved at least as much fame as his younger brother Max Cullen but many remember his Logie award winning script "The Friendly Fellow" - an episode of Homicide. When the part of the central character became unavailable, Cul played the part. All rounders like Cul were products of the times. I just wish that I could sit down and have a beer and a yarn with Cul.

Lastly, it is good to see parts of Melbourne that have since been torn down and "developed".