Horreur dans la ville

This movie is pretty much how everyone describes it (a B-grade flick), but there is one worthy element that I feel most people have missed. Brian Libby's character creation was nothing short of brilliant. During the first half of the movie this might not be so noticeable, but towards the end, and especially during the final fight sequence, his movements and mannerisms are highly original and unique. The director would have told him to play the part of a man that has become almost zombie-like, and who has the ability to recover quickly and suddenly, and then left the rest up to the imagination of Brian. Well Brian certainly rose to the occasion, and his work in that last portion of the movie alone should have earned him an award. So yeah, the movie overall might be B-grade stuff, but Brian Libby deserves credit and recognition where it is due, and it is worth while seeing the film just for what he brings to the screen in that last half. I'll add an extra few points out of respect to Brian Libby, and give the film 7/10.

At a little town from Texas a tough sheriff (Chuck Norris) and his helper (Stephen Furst) pitting a dangerous series killer with a supernatural force. The monstrous man is a Frankesntein-alike creation from scientits (Steven Keats, William Finley, Ron Silver) and acting similarly to Jason Vorhees and Michael Myers.

This Chuck Norris vehicle contains action-packed, thrills, chills and lots of blood and violence. The comic relief at charge of Stephen Furst as silly and botcher police telling stupid things , furthermore imitating Taxi Driver's Robert De Niro. Chuck Norris demonstrates his qualities as action hero in violent fights against some nasty punkies at a saloon by means of punches, kicks , slaps and leaps. Peter Bernstein's screeching musical score is composed by synthesizer . The motion picture was regularly directed by Michael Miller. This is an inferior Norris film in spite of it , he was on his best period with his various hits, such as ¨The Octagon¨, ¨An eye for an eye¨, ¨Forced vengeance¨, ¨Lone Wolf MacQuade¨, and ¨Missing in action¨ among others. Rating : Average but entertaining. The picture will appeal to Chuck Norris fans.

I liked it. With Norris you expect lots of martial arts and/or guns versus normal criminals and terrorists. But then you run across this flick! This is as close to a supernatural flick as you can come without any actual suernatural elements. The mute killer is one scary guy, far more terrifying than Jason Vorhees or Michael Meyers. Oh, and like all good Frankensteinian critters, he's still there at the end, waiting for a sequel that will never get made. As most people are used to seeing Stephen Furst doing comedy, it's really disturbing to see him die in a flick.

Not often can two strongly defined movie genres come together and present such a wild mash-up and fun viewing experience. Silent Rage effectively connected Chuck Norris's kung fu action talent in combination to the typical 1980's exploitation of evil, horrific serial killers. The unexplainable madness of Brian Libby's murderous character is similarly crafted to what Michael Myers was in Halloween. There are a lot of comparable features Silent Rage has with Halloween without being a direct rip-off at all. In fact, Michael Miller as the director, attained a great outcome with suspenseful storytelling, humorous dialogue, and exciting sequences that were all his own. Silent Rage may come off outdated and downright silly at certain points but there is also a great deal of entertainment provided.

A young, unstable man hacks to death the lady and man he lives with, and Texan Sheriff Dan Stevens comes face to face with the killer, to only see him gunned down by his men after he tries to escape when captured. At the hospital, he's pronounced dead, but secretly he's used in an experiment by some surgeons working on a formula to help the body genetically heal in quick succession. They thought they could control him and this development would bring them success, but now this homicidal murderer is an unstoppable killing machine and Sheriff Stevens and his rookie Deputy are on the trail.

Norris' fans might dig it, but others might find this cheap-jack b-film a boring chore. I thought it was fair. Anyhow who's the man, Chuck's the man. Not much of an actor though, but we know. He gets by with that golden blonde hair and legendary chop-suey who-ha…. And not forgetting that distinguishable fuzz above the lip. The premise is like an over-extended episode of "Walker, Texas Ranger" meets John Carpenter's "Halloween (1977)". Actually a lot scenes and filming techniques closely resemble "Halloween" and even its first sequel, but the main difference it's headed by Norrissssssss. The far-fetched concept isn't bad with slasher tones, a lady in peril get-up and a mad scientist theme, but it throws so much in that there seems to be too much useless filler (like the corny romance sequences, biker trouble (nice work in the bar Chuck, but we already know how good you are), scientific moral dilemmas and non-effective comic humour) interrupting what could've been more fun. Silly it is to begin with, but do we want to see Norris romancing, or kicking ass? These redundant acts only slowed it up and got in the way on the main story. What outweighs the film is the weakly lacking script with many clumsy dialogues. Norris even gets time to share some heart-warming advice. Director Michael Millar starts off pretty slowly, but in the second half demonstrates well-shot camera placement and steady pockets of poignant tension. The atmospheric synthesizer score seemed to work. Chuck gets his hands dirty with some gusty scuffles involving the super-human killing machine, like the modest, if unspectacular showdown with him using his jump-kicks (in slow-motion of course) and sudden close-ups to show that focuses on his face. Norris' chimes in with a stoic performance, but goes gusty when the action calls. Brian Libby's menacingly towering figure is effective. Ron Silver sticks out as the humane doctor, while William Finley goes all-smarmy as deceitfully mad doctor looking for that Nobel Prize award. Stephen Furst as the overweight, downright clueless deputy was there for the laughs, but where were they. Toni Kalem looks all-sweet as Norris old flame.