Les 18 armes légendaires du Kung Fu

A fairly ridiculous martial arts movie.I don't know if you would even call it martial arts as the fighting consists of a lot of special effects eg-leaping up and clinging to a ceiling,but most of the fight scenes are just preposterous,like blades being shot out of someone's back,limbs being cut off and blades coming out of them and guys that can make explosions by just pointing at things.The dialogue is laughable,with lines like"You're really crappy!!"which sounds like a funny thing to say in ancient Japan.It is clearly meant to be a comedy with lots of Monkey Magic-esque gags,which fall completely flat.

This could have been a great movie if it was treated more seriously,as the filmakers had some great costumes,sets and especially actors,but the end result is complete boredom

This is a great kung fu movie once you get the opening done with. The storyline is fairly confusing in the beginning, but that passes with time. The fight scenes are neat to watch, but they get exponentially better as time goes on. The fight with Gordon Liu (36th Chamber) is good and the final fight WAS FANTASTIC! This isn't a movie to sit down and watch for the stimulation. The character development isn't as good as FIVE VENOMS, or SWORDSMAN II, but it's fair. The weapons fighting is just unbelievable in the last fight scene. All in all, if you are a fan of kung-fu movies, get around to checking this one out. The three-section-staff work is even better than in 36th Chamber.

The Yi Ho Society wrongly think that their magic and pugilism skills will protect them from any weapon, including the guns used by the West. Lei Kung (Chia-Liang Liu) realises that this belief will only result in senseless bloodshed and attempts to dissolve the society to save lives. In doing so, he is branded a traitor and is hunted by several of Yi Ho's best fighters.

I love weapons work in kung fu films and Legendary Weapons of China naturally features lots of it, mostly in the second half; unfortunately, the movie also has rather a lot of comedy (in the first half), something that I always struggle with in kung fu films, making the film as a whole something of a mixed bag for me: desperately unfunny nonsense for the best part of an hour, but ending on a high with plenty of crazy fight action employing the eighteen main weapons of Chinese martial arts: rope dart, double tiger hook swords, double hammers, battle axe, snake halberd, kwan dao, twin broadswords, double-edged sword, Chinese spear, three-section chain whip, double daggers, double crutches, monk's spade, staff, tiger fork, rattan shield, single butterfly sword and three-section staff.

Also adding to the fun are the film's sillier weapons, including booby trapped capes and explosive darts, and some really daft moments, best bits being a bonkers fight in the rain and the unforgettable sight of two warriors mutilating themselves, the first poking his own eyes out and the other ripping his goolies off!

5.5 out of 10, rounded up to 6 for IMDb-not the classic of the genre that I had expected, but entertaining enough.

I think watching Shaw Brothers movies is a bit like doing martial arts; if you go a while without practice, you lose the progress and skills you built up. I went on a binge of the studio's movies early last year, then went away for a bit, and now I'm back, feeling out of shape and out of breath trying to keep up with Legendary Weapons of China.

It could be partly or wholly on me, but I'm also open to the idea that this one might just be a bit much. It throws many characters and concepts (voodoo, invulnerable warriors, mistaken identities, disguises, magic, etc) at you so quickly; I was confused from the start and just got more confused as I went on.

Now, a confusing plot hasn't got in the way of me really enjoying martial arts movies before, but I was also confused during various fight scenes in Legendary Weapons of China. It's hard to get a handle on how some of the fantasy elements work, and who has the power to do what, and with the usual fast pacing and feeling that everything is slightly sped up (not just in the fight scenes either, unusually; I think that added to the confusion for me), I couldn't keep up.

Now, if that's on me (and I'm sure at least some of it is), I can't call this terrible. There is at least the ability to admire its ambition and unique qualities, even if those things did make me lose track of the things I'd usually enjoy. And the final fight scene did redeem things in my eyes a little. It downplays the crazy magic stuff to mostly just be a one-on-one fight that goes on for a while and involves many different weapons, and it was easily the most impressive sequence from a stunt/choreography perspective.

This is the kind of film where anyone who can keep up is likely to have a blast, but for whatever reason, tonight, it was just a little too much too fast for me personally. Gotta get back to my Shaw Brothers training regime, maybe...

This is a brilliantly constructed film. I suppose those who remark it having a 'poor plot' long for something more simple, more direct, more traditionally 'Shaw Bros.' To be sure, the plot is intended to provide support for the interlaced themes, but it is complex and meaty on its own terms.

However the themes are indeed the heart of the film. The comic scene of the fake kung fu battle is clearly intended as a parody of the traditional swordplay film, down to the hand-squeezed blood-squib. The use of magic kung fu is, less clearly because more subtly, intended to debunk the myth of such magic, reducing it to a kind of martial-arts parlor trick - magnificently staged, but of course ineffective against anything other than itself. The real martial arts are at last presented with considerable credibility in the final third of the film, but is intended to remind us that, as powerful as it could be, the martial arts cannot compete with modern weaponry. Along the way, we also deal with problems of family loyalty, national loyalty (vs. phony 'patriotism'), and the nature of the spirituality necessary to master the martial arts, which requires an open mind and compassion rather than blind dedication.

What director Liu is reaching for is nothing less than a complete debunking of all the nonsense that had wrapped itself around the study of the martial arts in the 19th century and which was resurrected in the wake of the kung fu film phenomenon of the 1970s. Liu is asking us to respect, even admire, the martial arts, perhaps to learn them - but on their own terms, without all the myths that obscure their real essence.

This makes for a highly sophisticated script, which Liu carefully keeps popularized not only through the use of humor but, more importantly, by tight compression of story and editing. Blink and you will surely miss an important event.

As for the staging and camera-work some have remarked - technically, this film is pure classic Shaw Bros.

And as for the martial arts in the final battle - absolutely magnificent.

Unique in its genre and a real treat.