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Shepard et Powell policiers de New York travaillent sur une étrange affaire de meurtre rituel aztèque. Pendant ce temps, quelque chose d'énorme attaque les habitants et seul Jimmy Quinn, un ... Tout lireShepard et Powell policiers de New York travaillent sur une étrange affaire de meurtre rituel aztèque. Pendant ce temps, quelque chose d'énorme attaque les habitants et seul Jimmy Quinn, un petit escroc, sait où se trouve son repaire..Shepard et Powell policiers de New York travaillent sur une étrange affaire de meurtre rituel aztèque. Pendant ce temps, quelque chose d'énorme attaque les habitants et seul Jimmy Quinn, un petit escroc, sait où se trouve son repaire..
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Q is a fun film but the main problem with it is that monster in the title is rarely seen or is just a simple plot device and the end result is sorta unsatisfying. The story is more about the Aztec cult and their human sacrifices to their god, a Quetzalcoatl (hence Q), and the cops trying to figure what's going on than anything about the flying serpent. There is a lot of padded moments in this film. But like I said, it's fun nonetheless and is more enjoyable than Cohen's heavy handed GOD TOLD ME TO.
Q is an homage of the monster movies of the 1950s, with lower production values and even more questionable acting than their 1950s counterpart. If you don't like those movies, you'll certainly won't like this homage. But if you're like me and enjoy watching those classic genre films, Q will make you smile. I just wish there was less talk and more monster action.
Q is an homage of the monster movies of the 1950s, with lower production values and even more questionable acting than their 1950s counterpart. If you don't like those movies, you'll certainly won't like this homage. But if you're like me and enjoy watching those classic genre films, Q will make you smile. I just wish there was less talk and more monster action.
This flick is a distinctive and haunting oddity , concerning about a winged serpent , a dragonlike , which carries out creepy killings , happening in N.Y. City . A pair of detectives (David Carradine , Richard Roundtree) are investigating the strange events . As the giant winged bird hungry for sunbathers and rooftop construction workers . Thanks help a delinquent (Michael Moriarty) who encounters the monster's hidden nest on the Chrisler building , detective Sheperd discovers that several murders committed in violent manner have been executed as bloody sacrifices to Aztec God named Quetzalcóatl , a feathered serpent whose two halves are a serpent and a bird .
This is a rough-edged chiller and results to be an entertaining return to monster movies from the 50s . Simple and stop-motion monster special effects by recently deceased David Allen , usual to 'Full moon' and 'Empire' Factory . Good cast as an overacting Michael Moriarty and David Carradine , Richard Roundtree as Police Inspectors ; and nice support casting as Eddie Jones and Candy Clark as crooks'fiancée . The film is well produced by Samuel Z. Arkoff who along with James H. Nicholson financed numerous movies of various genres , including monster movies , during the 50s, 60s , and 70s for their production company called ¨American International Pictures¨ . Atmospheric photography by Fred Murphy who has a successful career as an expert cameraman . The picture was compelling and originally written/realized by Larry Cohen . He's a B series craftsman , such as : terror genre (Stuff , Return to Salem's Lot , It's alive I ,I and Island of the alive) , hard hitting crime films (FX , Ambulance) and Blaxploitation(Black Caesar , Hell up in Harlem , Original gangsters) ; plus , a prestigious screenwriter (Phone booth , The ex , Invasion of privacy) and usually writes all his own scripts . This is a cult movie to be liked for chillers and monster films admirers .
This is a rough-edged chiller and results to be an entertaining return to monster movies from the 50s . Simple and stop-motion monster special effects by recently deceased David Allen , usual to 'Full moon' and 'Empire' Factory . Good cast as an overacting Michael Moriarty and David Carradine , Richard Roundtree as Police Inspectors ; and nice support casting as Eddie Jones and Candy Clark as crooks'fiancée . The film is well produced by Samuel Z. Arkoff who along with James H. Nicholson financed numerous movies of various genres , including monster movies , during the 50s, 60s , and 70s for their production company called ¨American International Pictures¨ . Atmospheric photography by Fred Murphy who has a successful career as an expert cameraman . The picture was compelling and originally written/realized by Larry Cohen . He's a B series craftsman , such as : terror genre (Stuff , Return to Salem's Lot , It's alive I ,I and Island of the alive) , hard hitting crime films (FX , Ambulance) and Blaxploitation(Black Caesar , Hell up in Harlem , Original gangsters) ; plus , a prestigious screenwriter (Phone booth , The ex , Invasion of privacy) and usually writes all his own scripts . This is a cult movie to be liked for chillers and monster films admirers .
Writer/Director Larry Cohen is the genius that brought the world such classics as Hell Up in Harlem, Original Gangstas, Special Effects, and the It's Alive series. Nearly all of his movies are examples of low budget filmmaking at its best. Q (standing for Quetzecoatl, the flying Aztec god) is his giant monster movie in the tradition of King Kong and Godzilla. It's an excellent movie and succeeds best because of it's quirky qualities.
An excellent B-movie cast combined with Cohen's wonderfully realistic dialogue makes for some excellent characters. Micheal Moriarty (from "Law and Order" and Cohen's The Stuff) plays a loser who finds the nest of the beast, and Richard Roundtree (Shaft) and David Carradine (Death Race 2000 and Kung Fu: The Legend Continues) have excellent roles as two detectives trying to locate it before it devours more construction workers.
The plot has some great twists and turns and there's some great obligatory B -movie gore in this one, too. The monster plucks heads off of window washers and snatches sunbathers off of rooftops. Blood and body parts rain down on the unsuspecting citizens beneath. Meanwhile, some lunatic is busy skinning people alive. Is there a connection? The special effects are limited and not too spectacular, but effects don't make a movie (as is apparent in the 1998 remake of Godzilla), and everything else about this movie makes it a winner. The uneven effects actually add to the fun of this movie if you can appreciate low budget horror. Q constantly amazes me with its quirky attitude, great sense of humor (maybe the window washer's head "just fell off" says one of the detectives), creative characters, camp value, and energetic cast. This 1982 cult classic is further proof that Larry Cohen is nothing less than a god.
Final Review 98/100 (A+)
An excellent B-movie cast combined with Cohen's wonderfully realistic dialogue makes for some excellent characters. Micheal Moriarty (from "Law and Order" and Cohen's The Stuff) plays a loser who finds the nest of the beast, and Richard Roundtree (Shaft) and David Carradine (Death Race 2000 and Kung Fu: The Legend Continues) have excellent roles as two detectives trying to locate it before it devours more construction workers.
The plot has some great twists and turns and there's some great obligatory B -movie gore in this one, too. The monster plucks heads off of window washers and snatches sunbathers off of rooftops. Blood and body parts rain down on the unsuspecting citizens beneath. Meanwhile, some lunatic is busy skinning people alive. Is there a connection? The special effects are limited and not too spectacular, but effects don't make a movie (as is apparent in the 1998 remake of Godzilla), and everything else about this movie makes it a winner. The uneven effects actually add to the fun of this movie if you can appreciate low budget horror. Q constantly amazes me with its quirky attitude, great sense of humor (maybe the window washer's head "just fell off" says one of the detectives), creative characters, camp value, and energetic cast. This 1982 cult classic is further proof that Larry Cohen is nothing less than a god.
Final Review 98/100 (A+)
Q the Winged Serpent is basically a cheesy low-budget '50s monster movie updated to the blood & nudity era, still low on budget and high on cheese. The story has the Aztec flying serpent god Quetzalcoatl coming to modern-day New York and biting off heads and such. It's a pretty creative film, effectively written and directed by Cohen, with a good cast and shot on location in New York City. Michael Moriarty shines as a petty thief who stumbles upon the monster's nest and tries to use it to his advantage. His eccentric performance is a delight to watch as he never sits still and seems to be making his lines up as he goes along. David Carradine and Richard Roundtree are also good, albeit in more traditional ways, as the two detectives investigating the killings. Candy Clark has a small role as Moriarty's girlfriend but she makes the most of it. Everyone who shares scenes with Moriarty seems to be either amused or frustrated by his acting. We don't see the monster much but, when we do, the special effects used are solid if not overly impressive. The King Kong climax is great fun. It's my favorite Larry Cohen movie, a solid horror flick but with quirky humor that sets it apart from being just another monster movie.
A prehistoric serpent-type Aztec god soars high above New York attacking various people. Ex-con Jimmy Quinn (Micheal Moriarty) is the only living person who knows where it resides. And it's up to Detective Shepard (David Carradine) and Sergent Powell (Richard Roundtree) to find the creature in this cheese-fest. This is one of those films that you have to check your brain at the door for. Unlike most of Cohen's directorial efforts there's not even a hint of social commentary in here. Mindless entertainment B-movie fluff, but really GOOD mindless entertainment B-movie fluff.
My Grade: B
Blue Underground DVD extras: A humorous commentary by Larry Cohen; Teaser; Posters and Stills gallery; Larry Cohen bio DVD-ROM: Q Memorabilia
My Grade: B
Blue Underground DVD extras: A humorous commentary by Larry Cohen; Teaser; Posters and Stills gallery; Larry Cohen bio DVD-ROM: Q Memorabilia
Le saviez-vous
- AnecdotesWriter-director Larry Cohen, according to interviews, once looked at the Chrysler Building and said: "That'd be the coolest place to have a nest." This single thought was the idea which began the creation of this movie.
- GaffesWhen Shepard visits the museum to ask about human sacrifices, the curator explains Aztec practices while gesturing and referring to the displays around them. These are however not Aztec, but North-Western Native American costumes and artifacts made at least 400 years later by a different culture thousands of miles to the North. However, the curator explains that the displayed artifacts are not from the Aztec culture under discussion.
- Citations
Jimmy Quinn: Eat 'em! Eat 'em! Crunch crunch!
- Versions alternativesBoth the VHS releases in Norway, SAV (18 year limit) and Mayco (16 year limit) were cut for all bloody details. Several of the victims were even cut almost out, including the monster itself. Which left both versions with little scenes of the flying monster.
- ConnexionsFeatured in At the Movies: Dueling Critics (1983)
- Bandes originalesLet's Fall Apart Together Tonight
Music by Andy Goldmark
Lyrics by Andy Goldmark and Janelle Webb (as Janelle Webb Cohen)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Flic de Choc
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 200 000 $US (estimé)
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By what name was Épouvante sur New-York (1982) officially released in India in English?
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