Poltergeist

Imagine the archetypal middle class family - mum, dad and three kids - all muddling along nicely in their home next to a graveyard, until things really do start going bump in the night! Doors, chairs and drawers start having minds of their own; the lights come on when it suits them, not you... Well initially, the "Freeling" family think this is just a bit of a giggle - that is until their daughter "Carol Anne" (Heather O'Rourke) disappears and when the paranormal investigators discover she is in an other dimension, only able to communicate via the white noise of the television screen, the battle is truly on to retrieve her from her truly malevolent captors. Zelda Rubinstein is super as the medium "Tangina" and Tone Hooper really does manage to use her character, and that of the little girl - as well as some pretty eery light works to create a suspenseful couple of hours that have you on the edge of the chair. Not, I have to say, because I particularly wanted the child back - I'm a bit with Ian Fleming on that front; but because these evil spirits could easily subsume the whole of humanity! Chilling stuff!

In the Cuesta Verde suburb, in California, the real state agent Steve Freeling (Craig T. Nelson) lives a comfortable life with his wife Diane (Jobeth Williams) and their children Dana (Dominique Dunne), Robbie (Oliver Robins) and Carol Anne (Heather O'Rourke). Now Steve has decided to build a swimming pool for the family. One night, the Freelings witness Carol Anne talking to the static in their television set and telling that they are here. On the following days, the family witnesses weird events in their house and Carol Anne vanishes. Steve and Diane visit the parapsychologist Dr. Lesh (Beatrice Straight) from the university and she goes with her team to the Freelings' house. Soon she realizes that the family is living a poltergeist phenomenon. Further, Steve has a conversation with his chief Mr. Teague (James Karen) and learns that the community was built on a former cemetery. Will they be capable to retrieve Carol Anne from the demon that is holding the little girl?

"Poltergeist" is a horror movie written and produced by Steven Spielberg but directed by Tobe Hooper due to the contract of Spielberg of exclusivity while making "E.T., the Extra-Terrestrial" film. "Poltergeist" can be considered a classic of the horror genre, with an original story of haunted house. There are two sequels and one remake of this movie but none of them comparable to the original film. My vote is seven.

Title (Brazil): "Poltergeist: O Fenômeno" ("Poltergeist: The Phenomenon")

I've read several reviews of Poltergeist and most people (including Siskel & Ebert)don't seem to have seen the same film as i did! All the criticism surrounding the storyline as how ridiculous and unbelievable it is. Well it's a ghost story, although i've always felt it was closer to a modern day fable in which the parents have to prove their love for their daughter going so far as to having to go to another dimension to retrieve her (well, the mother does that). People keep saying that the ghosts are in the TV and that Carol Anne was sucked into the TV, for Christ's sake, have these people actually watched the film? Another thing is that some critics complain that after the film was over they still didn't get what the spirits wanted and why they targeted the little girl. What about the sequence between Steve Freeling and his boss and the monologue delivered by Tangina where she EXPLAINS what is going on?! Sure, the film is not perfect, there's that infamous edit jump, too much cutesy with the burial of the bird and the lack of complaint from the neighbours about the thundering, thumping, screaming sounds that go on in the house, but it is a fable people! The acting is great, we really care about the characters, and because of some great dramatic sequences with Diane Freeling (brilliantly portrayed by JoBeth Williams)we realize that (SURPRISE!) the film isn't so much about the ghosts and (iconic) special effects, as it is about the drama of parents thrown into a supernatural situation they never saw coming and having to bring their daughter, that they hear THROUGH the TV (she's NOT IN the TV), back into our world. The action sequences are greatly imaginative and entertaining, Jerry Goldsmith's score is his best, being horrific, tense, spectral, childlike and such a masterpiece. I do love this film and wish that people would actually see it instead of making erroneous assumptions about it.

Truly spooky and disturbing horror film from the early-1980s that will make you jump from your seat. Craig T. Nelson and JoBeth Williams seem to lead a normal life. He is a successful real estate agent and she is a loving housewife. They have three beautiful children, but one night all that slowly changes. The youngest child (Heather O'Rourke) starts talking to unseen spirits through a scrambled television station. The parents don't think much of it, until furniture starts to move on its own. However, the real terror does not start until O'Rourke is taken to another dimension by "the TV people". Now paranormalists led by Beatrice Straight must come in and try to get O'Rourke back to her family. Tobe Hooper, who is best known for the highly over-rated "Texas Chainsaw Massacre", does an admirable job here with the film's direction. However, it is rumored that Steven Spielberg came in during his "E.T" days and did the bulk of the work. This makes more sense as the film is really frightening and disturbing. The special effects are also impressive and "Poltergeist" ends up being one of those films that just sticks with you for a long time after you first see it. 4 stars out of 5.

I left the lights on the night I saw it. Because this does not take place in some classic looking haunted house, with some scary mythology attached to it. This happens in a modern house in a typical suburb. It looked like a house in my neighborhood. That nobody could afford to own at the time because of 18% interest rates in 1982, but that's another story.

It involves a typical family. The wife is a homemaker. The husband sells new houses in the same neighborhood that the family lives in. It must have been a slow work day for him because who could have afforded these houses in 1982 with 18% interest rates? But I digress. There is a teen daughter from some unmentioned first marriage because she only looks 15 years younger or so than Jo Beth Williams who plays the mother. There are two kids age 7 and 6 that belong to the second wife. The youngest, Carol Ann, was born in the house.

So the horror starts with harmless stuff like the kitchen chairs rearranging themselves when you're not looking but escalates quickly. And the movie tag line "It knows what scares you" turns out to be so true. Remember when you were a kid. What scared you? Lightning storms? Big leafless trees that looked like some kind of being with lots of arms? Clown dolls with macabre smiles? It all plays into it.

Stephen Spielberg "ghost" directed this one. You could always tell by the preponderance of wind machines and seemingly meaningless close ups - hallmarks of 80s Spielberg.

The one thing that really dates this - The poltergeist originally gets into the house when the husband falls asleep in front of the TV late at night, the Star Spangled Banner plays, the channel signs off, and then there is no signal. Cue the poltergeist. Today, channels never sign off. There is always some infomercial, with the set dressed like the old CNN Larry King Live show to add credibility, yelling at you how you can have product X for only 19.99 a month. The poor poltergeists of today are trapped listening to this nonsense, waiting for a chance to escape that will never come! Oh the humanity.

It doesn't hit me like it did when it first came out, but it is still good enough with a very shocking ending that it is still worth a a look.