Pink Floyd: The Wall

Roger Waters has weaved a compelling visual of the journey of a disturbed and misled mind. Though the viewer is sometimes left to sort out obscure animations and confusing images, it is not without direction. Subsequent viewings of this film reveal substance that only a genius could imbue in his writing. Character development through such subtle action in places casts a light upon Roger Waters as a person who understands the frailty of the human mind. The main character, Pink, portrays angles of the human condition we all face at some point by embodying a victimized character: sick over the loss of his father to the war; negatively spotlighted at school for talents that are apparently unfavorable at the time; unable or just unwilling to relate to his wife; and ultimately shut off from effectively relating to others because of an inability to express himself in ways that others understand.

Not only is the story captivating, but the music is such that it will always be noted as not only ahead of its time, but timeless.

The Wall is a masterpiece of storytelling, but not in the traditional sense. One must not watch this film expecting everything on a silver platter. Symbolism and metaphors abound, leaving a great deal of interpretation and adaptation to the viewer. Sit with an open mind and let Waters' character help you read into yourself.

Wow. this is truly a work of art. No, that isn't doing this movie justice. This is a masterpiece. No other rock opera, or most movies in general, can top the insanity that is this movie. This movie peers into the mind of an over protected, reclusive, and sometimes violent rock star, who has taken enough of life and the people in it.

This is the story of Pink, poor old Pink, who's father left him one morning in black 44', and who's mother was so protective she smothered him with her love and all of her fears; who's wife tried so hard to open his heart, but found that nobody was home; and who eventually built a wall so high that he could not break free, and eventually his seclusion from the outside world brought out a side of Pink that he, nor the rest of the world, would wish to ever see. Soon his sadistic, Hitler-esc side takes control of the world, with help from his zombie like fans who follow any command that is thrown at them.

But by the time the dictator is mentally faded away by Pink, and he is able to see that shielding himself from the world with his now endless wall is only driving him crazier, it could be too late. So goes the quote above, taken from "The Trial", which is the end of the Wall, and Pink's last chance for freedom from his Wall.

This is just an outstanding movie. Everything works in this movie, the twisted live action, the animation that probably is what being insane is like, and, most of all, the music that is, in my opinion, the greatest album ever created (to Hell with Dark Side of the Moon, it was good, but it doesn't even compare to "The Wall"). Pink Floyd is my favorite band (along with The Who and The Rolling Stones, an odd combination, I know), and when their best album was made into a movie, I knew that Hollywood had at least a little common sense, even though Hollywood shunned it, and most of the reviews I've read here are negative, but I don't care, I'm watching it and enjoying for me, and no other opinion matters.

My favorite songs off of this movie/album are "Mother", "One of My Turns", "There's Nobody Home", "Comfortably Numb" (probably my favorite song, actually), and, of course, "The Trial". One last thing, if you are ever in a position where you have to choose between this and "Tommy", pick this, because "Tommy" wasn't very good. In-fact, if it didn't have the great music of The Who in it, I would say it blew. Just a quick reminder. 10/10

The opening tracking shot of a hotel hallway that resembles a prison should clue you in as to what awaits. There are so many things to like and be fascinated by in this movie. And for all of its avant-garde leanings, this is actually a very classically designed story. An iconoclastic music star, Pink Floyd, tries/tries not to think about his past and how he got to where he is, which is borderline psychotic. And because he's so disturbed, he can't even think in a linear way, so the journey we take into his mind is necessarily whacked-out.

We also get to see how fascism is born from misdirected hate and idolatry. As a rock star, Floyd has seen the adulation of his audiences, so he's familiar with the phenomenon. But at the same time, he detests them for buying into his act. It's like the old Groucho Marx joke about refusing membership to any group who would let you in. He knows he's a fake (his teachers and people like his wife have told him so), so everyone else who thinks he's real must be fakes also. It's a big cyclic game. So he can't let any of them in, behind his wall, because they are, by definition, phony.

It's interesting, also, to think about how he has turned full circle into fascism. It's just part of his dream and how he deals with his anger, but it's also an interesting reaction to the absent father. Had there been no homosexuals or Jews etc., there would have been no need for a Hitler, and therefore there would have been no need for his father to die. But instead of hating Nazis, he hates the people that "provoked" the Nazis. (I could go on for days with stuff like this, but I'll stop here.)

Just watch the movie and be impressed with the way it works on so many levels.

"Pink Floyd The Wall" is a great film, based on the already great album by Pink Floyd! I was stunned by the use of imagery, combined with the great soundtrack of the album, which gave us a strange, drugged up vision of what a burnt out rock star would see. It's really crazy! Yet it shows how these famous rock stars are bombarded with fame and applause, and how insane it can drive an already disturbed person. "The Wall" itself, is the isolation and separation from society and saneness, which is a place that can easily be avoided if only people gave us a fair chance to. The depressing part about the film is that none of this is the rock star's fault. He was driven to it by loneliness in his growing up years(since he lost his father to the war), along with psychological torment by his teachers, parents, and above all, his sexually controlling wife. The movie is twisted because this is how the lead character sees the world. Worse yet, after he has already been driven to the edge of his own sanity, in his mind, the people who drove him to that edge, come back to testify against him. It's weird the first time you watch it, and looks a lot like a crazy music video that was pulled out of MTV. The only difference is that this one is telling a story, and has been transferred to the big wide screen. Alan Parker has directed the film, but Roger Waters seems to be in charge here, because it's his album, his story, and his conception. All that's really been done here is transforming the album to celluloid. I in some ways, like this better than the album, because now we have images to reinforce the songs and the story. I wish I could have seen this on the big screen, because the variety of images and the loud music seem compressed and compacted on a small TV set. You might not understand this the first time, especially if you haven't heard the album yet. But it really is a great film, and it actually has a story and a point that most music videos today unfortunately lack! I think that this film will teach people the reasons why these talented individuals suffer and lose their minds. The people that have guided and taken care of them while they grew up, often take away their ability to happily and normally function on their own. And the album and film's lesson is for not only the people who drove him to his wall to back off, but for him to pull himself out.

If for whatever reason you should find yourself in the company of aliens from the planet Nietsche , a planet whose inhabitants have gone beyond what can be described as human nature so much so that they have no knowledge of what being human is , then show them this film that explains everything

The story starts with the Anzio landings that sees the death of Pink's father . As Plato said " Only the dead have seen the end of war " and that is bitterly true , man will always be man and man will always kill man until the end of time

Pink goes to school and education is a double edged sword . It has the potential to educate young humans but as often happens these young humans find themselves being used as victims of whatever mood the teacher is in . Someone must pay for authorities inaquequacies

Pink leaves school and falls in love , but love is the sharpest and most double edged sword in all of creation . It inspires but it also destroys us . Despite hundreds of millions of human beings being killed in wars , genocide and purges there is nothing so personally painful or as cruel as the betrayal by a lover . The darkest pits of Hell can not be as hellish or as sadistic as infidelity

As Pink descends further into his personal madness we see him take his revenge . Humans are sexual beings and perhaps this is what makes us both demons and avenging angels . Irony is to the fore as he stops becoming a victim and turns into unfeeling fascist dictator . Someone must pay for all the wrongs Pink has endured and it's the innocent that must suffer

You could go to the planet Nietsche with all the written works of every human philosopher who ever lived and that still wouldn't be enough to explain what it's like to be human . As it stands Alan Parker and Roger Waters have made a cogent film explaining why humans are the way they are and how they react to the surrounding universe . It's a film whose soundtrack is every bit as powerful as the human condition