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IMDbPro

Pink Floyd: The Wall

  • 1982
  • 12
  • 1h 35min
NOTE IMDb
8,0/10
88 k
MA NOTE
POPULARITÉ
4 994
530
Pink Floyd: The Wall (1982)
Home Video Trailer from MGM Home Entertainment
Lire trailer1:47
2 Videos
99+ photos
DrameFantaisieMusiqueDrame psychologique

Un rockeur renfermé sur lui-même et tourmenté plonge dans la folie alors qu'il s'isole de tous, physiquement et socialement.Un rockeur renfermé sur lui-même et tourmenté plonge dans la folie alors qu'il s'isole de tous, physiquement et socialement.Un rockeur renfermé sur lui-même et tourmenté plonge dans la folie alors qu'il s'isole de tous, physiquement et socialement.

  • Réalisation
    • Alan Parker
  • Scénario
    • Roger Waters
  • Casting principal
    • Bob Geldof
    • Christine Hargreaves
    • James Laurenson
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,0/10
    88 k
    MA NOTE
    POPULARITÉ
    4 994
    530
    • Réalisation
      • Alan Parker
    • Scénario
      • Roger Waters
    • Casting principal
      • Bob Geldof
      • Christine Hargreaves
      • James Laurenson
    • 337avis d'utilisateurs
    • 57avis des critiques
    • 47Métascore
  • Voir les informations de production sur IMDbPro
    • Victoire aux 2 BAFTA Awards
      • 3 victoires et 2 nominations au total

    Vidéos2

    Pink Floyd: The Wall
    Trailer 1:47
    Pink Floyd: The Wall
    Pink Floyd: The Wall
    Trailer 1:47
    Pink Floyd: The Wall
    Pink Floyd: The Wall
    Trailer 1:47
    Pink Floyd: The Wall

    Photos116

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 110
    Voir l'affiche

    Rôles principaux53

    Modifier
    Bob Geldof
    Bob Geldof
    • Pink
    Christine Hargreaves
    • Pink's Mother
    James Laurenson
    James Laurenson
    • J.A. Pinkerton (Pink's Father)
    Eleanor David
    Eleanor David
    • Pink's Wife
    Kevin McKeon
    Kevin McKeon
    • Young Pink
    Bob Hoskins
    Bob Hoskins
    • Rock and Roll Manager
    David Bingham
    • Little Pink
    Jenny Wright
    Jenny Wright
    • American Groupie
    Alex McAvoy
    Alex McAvoy
    • Teacher
    Ellis Dale
    • English Doctor
    James Hazeldine
    James Hazeldine
    • Lover
    Ray Mort
    Ray Mort
    • Playground Father
    Margery Mason
    • Teacher's Wife
    • (as Marjorie Mason)
    Robert Bridges
    • American Doctor
    Michael Ensign
    Michael Ensign
    • Hotel Manager
    Marie Passarelli
    • Spanish Maid
    Winston Rose
    • Security Guard
    Joanne Whalley
    Joanne Whalley
    • Groupie
    • Réalisation
      • Alan Parker
    • Scénario
      • Roger Waters
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs337

    8,088.3K
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    10

    Avis à la une

    cocaine_rodeo

    Crazy.... Over the Rainbow I am Crazy.... Bars in the Window

    Wow. this is truly a work of art. No, that isn't doing this movie justice. This is a masterpiece. No other rock opera, or most movies in general, can top the insanity that is this movie. This movie peers into the mind of an over protected, reclusive, and sometimes violent rock star, who has taken enough of life and the people in it.

    This is the story of Pink, poor old Pink, who's father left him one morning in black 44', and who's mother was so protective she smothered him with her love and all of her fears; who's wife tried so hard to open his heart, but found that nobody was home; and who eventually built a wall so high that he could not break free, and eventually his seclusion from the outside world brought out a side of Pink that he, nor the rest of the world, would wish to ever see. Soon his sadistic, Hitler-esc side takes control of the world, with help from his zombie like fans who follow any command that is thrown at them.

    But by the time the dictator is mentally faded away by Pink, and he is able to see that shielding himself from the world with his now endless wall is only driving him crazier, it could be too late. So goes the quote above, taken from "The Trial", which is the end of the Wall, and Pink's last chance for freedom from his Wall.

    This is just an outstanding movie. Everything works in this movie, the twisted live action, the animation that probably is what being insane is like, and, most of all, the music that is, in my opinion, the greatest album ever created (to Hell with Dark Side of the Moon, it was good, but it doesn't even compare to "The Wall"). Pink Floyd is my favorite band (along with The Who and The Rolling Stones, an odd combination, I know), and when their best album was made into a movie, I knew that Hollywood had at least a little common sense, even though Hollywood shunned it, and most of the reviews I've read here are negative, but I don't care, I'm watching it and enjoying for me, and no other opinion matters.

    My favorite songs off of this movie/album are "Mother", "One of My Turns", "There's Nobody Home", "Comfortably Numb" (probably my favorite song, actually), and, of course, "The Trial". One last thing, if you are ever in a position where you have to choose between this and "Tommy", pick this, because "Tommy" wasn't very good. In-fact, if it didn't have the great music of The Who in it, I would say it blew. Just a quick reminder. 10/10
    8stills-6

    A fascinating story about fascism - WARNING! Psychoanalytic content

    The opening tracking shot of a hotel hallway that resembles a prison should clue you in as to what awaits. There are so many things to like and be fascinated by in this movie. And for all of its avant-garde leanings, this is actually a very classically designed story. An iconoclastic music star, Pink Floyd, tries/tries not to think about his past and how he got to where he is, which is borderline psychotic. And because he's so disturbed, he can't even think in a linear way, so the journey we take into his mind is necessarily whacked-out.

    We also get to see how fascism is born from misdirected hate and idolatry. As a rock star, Floyd has seen the adulation of his audiences, so he's familiar with the phenomenon. But at the same time, he detests them for buying into his act. It's like the old Groucho Marx joke about refusing membership to any group who would let you in. He knows he's a fake (his teachers and people like his wife have told him so), so everyone else who thinks he's real must be fakes also. It's a big cyclic game. So he can't let any of them in, behind his wall, because they are, by definition, phony.

    It's interesting, also, to think about how he has turned full circle into fascism. It's just part of his dream and how he deals with his anger, but it's also an interesting reaction to the absent father. Had there been no homosexuals or Jews etc., there would have been no need for a Hitler, and therefore there would have been no need for his father to die. But instead of hating Nazis, he hates the people that "provoked" the Nazis. (I could go on for days with stuff like this, but I'll stop here.)

    Just watch the movie and be impressed with the way it works on so many levels.
    10zeemaza

    Superb, clever and highly entertaining.

    If you like Pink Floyd, you'll love the movie regardless of what you think the cinematic value of the film is. To me, Roger Water's ability to express himself is outrageously smart. He is a genius. His English is masterful and the way he expresses how he feels is just mind-blowing. I am sure that every one of us has felt exactly the same as Pink/Roger felt at some point of our life but have never been able to successfully explain it. It is therefore my opinion that the lyrics are what make this film great. As a movie, it also translates those feelings well. All the actors were superb. Alan Parker managed to pull the whole thing together cleverly and all in all it is an excellent choice for a late night stoner's kick back - brilliant.
    10Zambelli

    Why is The Wall so often misunderstood ?

    I have seen the movie several times now and every time I watch it I see something new, something I haven't seen or heard before. Some unsung line, some lost message... Every time I watch the movie I seem to dig deeper into this complex work of art.

    However, I cannot tell you how disappointed I am that this movie is so underestimated, and, above all, misunderstood. How many times have you heard someone say something like: "You can't watch 'The Wall' unless you're really drunk or really high" ? I have heard this line probably from every single person that has seen the movie and it hurts me so much that nobody really tries to understand the movie.

    The key to understanding the movie is in the lyrics. The movie is not just a long series of video clips that accompany the album. The images are just a final piece of the puzzle, the final touch on a magnificent piece of art.

    The first time I saw this movie I felt very embarassed. Yes, embarassed, because I felt like a fool for hearing the album so many times and not realizing what it was about. The movie made me appreciate the lyrics of a rock song for the first time in my life.

    The week after seeing "The Wall" for the first time I bought Pink Floyd's "The Final Cut". Do you know what was the first thing I did when I opened the CD case? I read the lyrics, from the first to the last word. And I actually tried to understand what the album was about.

    "The Wall" is so much more than you think it is. The only solution to not understaning the movie is watching it again and paying more attention. Once you get it, you will never forget it.
    sero

    The Wall is one of the best albums/movies ever done

    What can you possibly say except that this movie is amazing?

    "The Wall" is one of the few movies out there that has a powerful effect on the people are receptive to its message. Told with practically no dialogue, the only guide to the bizarre, frightening, and strange images is the incredible music by Pink Floyd, from their equally good double album. A considerable number of the songs were re-recorded for this movie, and one song (the heart-wrenching "When the Tigers Broke Free") was added. The new versions of the songs are sometimes worse than the album (Waiting for the Worms), and sometimes better (Mother, In the Flesh).

    "The Wall" isn't a pleasant movie, nor is it a simplistic or banal movie. It is brutal, cynical, and disturbing, but it has moments of flesh-tingling beauty and an uplifting message in the end, if you persevere. I recommend both it and the album to anyone who enjoys a powerful movie. In my opinion, "The Wall," along with a few other albums, represents the pinnacle of rock music.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      In his autobiography "Is That It?", Bob Geldof says that his agent first told him about the project while he was riding in a taxi, and that he said that he didn't want to do it because he didn't like the music of Pink Floyd. Roger Waters knows this story, not because he read it in Geldof's book, but because the taxi driver was actually Waters' brother.
    • Gaffes
      When Pink throws the television out the window before he cuts his hand, he mouths "Take that, fuckers!", but what is heard is "Next time, fuckers!" (This is corrected in the DVD release of "The Wall".)
    • Citations

      Teacher: If ya don't eat yer meat, you can't have any pudding! How can ya have any pudding if ya don't eat ya meat?

    • Versions alternatives
      The final shot in the "Another Brick In The Wall, part 2" sequence, showing Young Pink and the Islington Green School class of 1951 throwing the Teacher into the bonfire, was deleted from the UK theatrical and Canadian VHS versions of the film, out of concern that actual children would try the stunt at home.
    • Connexions
      Edited into Pink Floyd: Hey You (1982)
    • Bandes originales
      When the Tigers Broke Free
      (separated into two sections)

      Written by Roger Waters

      Performed by Pink Floyd

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    FAQ25

    • How long is Pink Floyd: The Wall?Alimenté par Alexa
    • Is the movie based on a book?
    • How does Pink magically transform into a Neo-Nazi leader and garner hundreds of supporters?
    • Is the crossed-hammer insignia a real neo-Nazi symbol?

    Détails

    Modifier
    • Date de sortie
      • 14 juillet 1982 (France)
    • Pays d’origine
      • Royaume-Uni
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Pink Floyd: Devor
    • Lieux de tournage
      • Saunton Sands, Devon, Angleterre, Royaume-Uni(bunker scenes)
    • Sociétés de production
      • Metro-Goldwyn-Mayer (MGM)
      • Metro-Goldwyn-Mayer (MGM)
      • Alan Parker
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 12 000 000 £GB (estimé)
    • Montant brut aux États-Unis et au Canada
      • 22 244 207 $US
    • Montant brut mondial
      • 22 274 148 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 35min(95 min)
    • Couleur
      • Color
    • Rapport de forme
      • 2.39 : 1

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