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5,4/10
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Ajouter une intrigue dans votre langueA 1980s take-off of The Pirates of Penzance which centers on a noble pirate who leaves his profession and falls in love with a fiery young maiden.A 1980s take-off of The Pirates of Penzance which centers on a noble pirate who leaves his profession and falls in love with a fiery young maiden.A 1980s take-off of The Pirates of Penzance which centers on a noble pirate who leaves his profession and falls in love with a fiery young maiden.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 9 nominations au total
Catherine Lynch
- Isabel
- (as Cathrine Lynch)
John Alansu
- Chinese Captain
- (as John Allansu)
Avis à la une
Cuties Chris Atkins and Kristy McNichol, he of the blonde curls and she of the blonde curls, star in this wacky version of the old chestnut, Pirates of Penzance by Gilbert & Sullivan.
Atkins plays Frederic the boy pirate who falls for McNichol's Mabel. He was 21 at the time, two years after starring in Blue Lagoon, yet he retained the perennial look of a fifteen year old teenager. McNichol was a famous star at the time, but this is her first role as a femme fatale, not as a tomboy.
This movie could be a musical version of Blue Lagoon. See Atkins and McNichol cavorting in the skimpiest of costumes designed to show their pretty legs and other bits. Surprise, both of these two cuties can sing, and even dance a bit!
The story is too well know to bear repeating. But there are a couple of wacky twists, in the best tradition of the British music halls. Except this movie is an Australian production!
Of course we get the model of the modern major-general (Bill Kerr) with his famous solo song. But we also get a light sabre from Star Wars. We get Inspector Closeau from Pink Panther with a hilarious word play on "pirate" and "parrot". We get a bit of Indiana Jones. And the stars make those asides which are British music hall tradition, stopping in mid-scene to address the audience.
There's lots of double entendre jokes, again another British music hall tradition, where simple words are used with a possible vulgar or sexual meaning. See Frederic at the mercy of the pirate's sword say "nuts". To which the pirate points his sword at Frederic's boy treasures and says "But you'd still have one left".
A jolly good movie. One for a cold winter's evening to warm the heart. Even the old Victorians would approve of this one.
Atkins plays Frederic the boy pirate who falls for McNichol's Mabel. He was 21 at the time, two years after starring in Blue Lagoon, yet he retained the perennial look of a fifteen year old teenager. McNichol was a famous star at the time, but this is her first role as a femme fatale, not as a tomboy.
This movie could be a musical version of Blue Lagoon. See Atkins and McNichol cavorting in the skimpiest of costumes designed to show their pretty legs and other bits. Surprise, both of these two cuties can sing, and even dance a bit!
The story is too well know to bear repeating. But there are a couple of wacky twists, in the best tradition of the British music halls. Except this movie is an Australian production!
Of course we get the model of the modern major-general (Bill Kerr) with his famous solo song. But we also get a light sabre from Star Wars. We get Inspector Closeau from Pink Panther with a hilarious word play on "pirate" and "parrot". We get a bit of Indiana Jones. And the stars make those asides which are British music hall tradition, stopping in mid-scene to address the audience.
There's lots of double entendre jokes, again another British music hall tradition, where simple words are used with a possible vulgar or sexual meaning. See Frederic at the mercy of the pirate's sword say "nuts". To which the pirate points his sword at Frederic's boy treasures and says "But you'd still have one left".
A jolly good movie. One for a cold winter's evening to warm the heart. Even the old Victorians would approve of this one.
This is one of the movies that still stands out as the perfect example of the movies that was the eighties. It was wonderful and it is still as fun now as it was so many years ago. It's greatest testament is time; how long and how well it has endured. There will always be people (cynics from the 90's) that only measure a movie by the dollars and cents that it made in a certain time span. This movie is over twenty years old and still is that good. The academy awards gave 'million dollar baby' an academy award for best picture; let's see how good it endures twenty years from now! Political correctness is not necessarily that main test of how good a movie is. Like Ghostbusters and Goonies, a must see for movie enthusiasts who LOVED the eighties as much as I and many others do, that want to be entertained by movies and not judge a movie simply on how much dollars a certain movie makes or its political correctness.
That this film gets bombed the way it does angers me. The slamming it's gotten is just unwarranted! I like it a lot- it's a musical farce, so why SHOULDN'T it contain parody lyrics of the great Gilbert and Sullivan? The same people who hate it for that reason are very likely the sort of people who bust a gut laughing at the parody lyrics of musicals as penned in MAD Magazine by Frank Jacobs. What's the difference so long as it entertains?
I hate the fact that this did so poorly at the box office and impacted lovely Kristy McNichol's and gorgeous Chris Atkins's careers as negatively as it did. I think it was an excellent film for what it set out to do! It simply was too good a film to be trashed and ignored as it was!
I hate the fact that this did so poorly at the box office and impacted lovely Kristy McNichol's and gorgeous Chris Atkins's careers as negatively as it did. I think it was an excellent film for what it set out to do! It simply was too good a film to be trashed and ignored as it was!
My parents taped this movie off the TV when I was about 7 years old. We still had the Beta machine back then. I loved this movie and I watched it over and over and over again. I would watch it, rewind it and play it again until my family got so sick of it, they would come in and turn it off on me. I had it practically memorized, but after we got the VHS, I couldn't watch it anymore and I was so disappointed. I meant to transfer it onto a VHS, but I never have. I always thought it was a made-for-TV movie until I found it on this site. After I found it here, I immediately went and ordered the DVD because I was so excited. I'm not sure why it appealed to me so much as a kid, but I loved the corny jokes and the music was very catchy and upbeat. My brothers and I still break into a chorus of Tarantara every once in a while. Plus the movie has a little bit of everything - comedy, romance, adventure, drama. The reason I gave it an 8 rather than a 10 is because some parts of the movie are a little too cheesy, particularly the underwater scene.
I have always found this to be a terribly under-rated film. Okay, so it isn't exactly true to Gilbert & Sullivan. So what? I love Gilbert and Sullivan, but this is obviously supposed to be a take-off and spoof, much like Scary Movie is a take-off and spoof. Nonetheless, I find this to be a wonderfully entertaining movie. It is extremely funny, it is filmed beautifully on location in Australia, and it has great music. Christopher Atkins and Kristy McNichol are wonderful in this film. I sure wish the studio would get around to re-releasing this film on DVD, and re-releasing the soundtrack on CD. It has been overlooked for far too long. I know many other people, who like me, simply love this film.
Le saviez-vous
- AnecdotesThe film started gaining a cult status in the late '80s largely due to repeat screenings on HBO.
- GaffesMabel remarks rhetorically that they are living in the 1880s, but Frederic's birth certificate in an earlier scene pinpointed the setting as 1877.
- Citations
The Pirate King: What's the age of consent around here?
Mabel: Eighteen.
The Pirate King: Good! I'm old enough.
- Crédits fousBefore the end credits roll, there are quick outtakes of Kristy McNichol (in a suit of armor) asking someone to take her chewing gum, which one crewman does and another where McNichol says into the camera "I just want to say that...it's not all sunglasses and autographs." with a smile before the visor covers her face.
- Versions alternativesCBS edited 3 minutes from this film for its 1986 network television premiere.
- ConnexionsFeatured in Musical Hell: The Pirate Movie (2013)
- Bandes originalesHappy Ending
Performed by The Peter Cupples Band
Produced by David Hirschfelder, The Peter Cupples Band, Jim Barton
by courtesy Astor Records
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 7 983 086 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 528 133 $US
- 8 août 1982
- Montant brut mondial
- 7 983 086 $US
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