P'tang, Yang, Kipperbang

Postwar England, the dawn of the "atomic age". Yet, the worries of a young schoolboy yearning to experience his first "kiss" cannot be derailed by something as inconsequential as THE BOMB. This was a delightful if not educational look at young love from the vantage point of an adolescent male and his world of the

1940's. Free of political correctness and preachy messages, this film exposes the viewer to the world that only the mind (and

hormones) of a young teenager can create. Wonderful subplots

maintain character interest ala "Gregory's Girl", and plenty

of well blocked shots help keep up the imagery of this era. This is a very good story for anyone, young or old, who has

ever been in love, or ever wanted to be. Does he ever get his wish? Watch it and see.

An enjoyable movie, without a doubt, and very evocative of both its era and that very particular stage in any boy's 'rites of passage'. But I have to say that having read the very positive comments here, I was a bit disappointed. The period was captured, but the plot was desperately thin. The whole thing revolves around the most egregious bit of miscasting in the history of school plays. The idea that quack quack would ever be chosen to play not only one of only three star turns, but a philanderer, is risible. And without that, nada. The sub-plots bore no relation that I could see to the main plot - all of them could be removed in their entirety without in any way affecting the main story - which surely suggests a fundamental flaw. When all your sub-plots look like padding, you know a central idea is being stretched beyond its limits. Nevertheless, it's a benign movie with its heart in the right place, there are some fine performances, and you just get the feeling that everyone involved felt deflated at the final 'cut!' That good feeling permeates the film. And that has to count for something. A flawed really quite good movie. 7 out of 10.

I was at school in the late sixties and early seventies and this film is very much how my school was. The school play where the leading actors kiss, that happened at my school. A crazy gang of lads, my school again only when we went on a cross country run we would have a smoke! 'Getting the whack', some one at my school broke in through a sky light and broke the canes! after that they were kept in a safe!!! And as for certain nocternal activities! what can I say.... The film actually came out in 1982, I remember that as it was when I bought my house and the film was showing at the same time. If you like British films and films about school, growing up and period pieces, then this is for you. Another film very much like it, 'SWALK', came out a few years before and I for one would like to see that again, also 'Kes' is in the genre. Highly recommended. (But trust me, 1982 is when it came out)

My review was written in February 1984 after watching the film at a Midtown Manhattan screening room.

"Kippebang" is a flat, understated attempt at romantic comedy, made for British television in 1982 as part of the "First Love" series, but virtually evaporating on the big screen. U. S. Theatrical release via UA Classics comes several months after the picture in video cassette form has been available in domestic video stores.

Writer Jack Rosenthal's consistently precious script matches the romantic problems of young adolescents (hero is 14) with those of their elders, as the English teacher (Alison Steadman) must deal with an unplanned pregnancy,l the father being the school groundskeeper (Garry Cooper).

Very thin material emphasizes running gags, most noxious of which is the kids reciting the nonsense phrase "P'tang, Yang, Kipperbang" (pic's original title in Britain, pointlessly followed by a grunt, shortened for U. S. release), as an example of the youngsters' codes and rituals.. Young cast members throw away their dialog in mumbled, naturalistic readings, reducing potential chuckles to groaners.

Plot gimmicks, generally overemphasized, include the hero Alan (John Albasiny) dreaming of his first kiss with plain classmate Ann (Abigail Gruttenden), with attempted suspense generated as he is cast in a dull school play in which he is supposed to kiss co-star Ann in the final scene.

Device of a voiceover narrator turning most events into cricket match play-by-play (representing Alan's wish-fulfillment point-of-view) is overworked, as are the frequent references back to World War II (groundskeeper is fake war hero, leading to the predictable disillusionment of the hero).

Director Michael Apted appears uncertain how to approach this material, combining the general understatement with a coy approach to vulgar issues of adolescent sexs (Alan and his two pals form the inevitable central trio of sex-obsessed young teens) and hyped-up crosscutting between the school play's climax and police arresting the groundskeeper.

Adult actors, especially Steadman, turn in good performances, but the kids are a drag. In his big finale scene, pouring his heart out to Ann, John Albasiny delivers his lines into the ground, inadvertently giving a worse performance than his intentionally incompetent non-acting during the school play. Tech credits are okay.

There is a great danger when you watch a film that had had such a profound affect on you the first time around , that 20 years later , it wont hold the same magic as it did before. I must admit i wasnt expecting it to be as good as i remembered but a was pleasently suprised. P'tang Yang Kipperbang is still as fantastic as i remember it when i was a 12 year old .This film has a certain type of brilliance that not many films possess. It is engrossing , it is briliantly acted and best of all it makes me feel like a kid again and there isnt many things that can do that. John Albasiny and Abigail Cruttenden's rolls in this film are 1st class and i had forgotten how good they were until now. I urge any parent of teenagers to sit them down and watch this and see if it has the same affect on them as it did on me. P'TANG YANG KIPPERBANG EEHHH! 10 out of 10.