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Un couple se dispute après avoir vécu ensemble cinq ans à Las Vegas. Ils sortent chacun de leur côté et fêtent le 4 juillet avec un nouveau partenaire. Rupture en vue?Un couple se dispute après avoir vécu ensemble cinq ans à Las Vegas. Ils sortent chacun de leur côté et fêtent le 4 juillet avec un nouveau partenaire. Rupture en vue?Un couple se dispute après avoir vécu ensemble cinq ans à Las Vegas. Ils sortent chacun de leur côté et fêtent le 4 juillet avec un nouveau partenaire. Rupture en vue?
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 2 nominations au total
Nastassja Kinski
- Leila
- (as Nastassia Kinski)
Allen Garfield
- Restaurant Owner
- (as Allen Goorwitz)
Rebecca De Mornay
- Understudy
- (as Rebecca de Mornay)
Judith Burnett
- Eleanore
- (non crédité)
Avis à la une
Maybe this isn't a masterpiece, but this Las Vegas musical shot entirely on a soundstage was wildly underrated. The film is as daring as any of Coppola's other works. With enjoyable performances and the great Tom Waits/Crystal Gayle songs, slick camera work and colorful neon, there was no reason for this film to get kicked as hard as it did. Who know, maybe it is a masterpiece.
Yes, this movie did absolutely horrible in theaters when it was released in 1982. I saw it about 1984 on disk (CED) and was surprised. Along with the weird lighting (it was filmed on a HUGE sound stage) and strange character reactions....something in this move touched me deeply. Along with all of it I found a kernal....a morsel......some real gem that made this otherwise trite movie quite rich. Rich enough I saw the movie again....and am considering purchase of a copy.
Apparently I am one of the 5% who actually LIKED the movie....who didn't demand their ticket money back.
We DO exist, you know....
Apparently I am one of the 5% who actually LIKED the movie....who didn't demand their ticket money back.
We DO exist, you know....
"One from the Heart" is the story of two kindred spirits that have to get through a separation just to find out that they belong to each other. I'm sure that many of you have had similar experiences, don't you? It is also a celebration of the Broadway performances, and of the old school cinema, when everything was hand-made. In the background we hear the voices of Tom Waits and Cristal Gayle singing and narrating what we're watching in the screen (or what we're going to watch...) on a jazz or a blues beat.
They made a huge work of edition here and the photography is just awesome (it's no surprise, anyway, for it was Vicente Storaro the one who photographed it).
As for the cast, Terri Garr's performance is just awesome and she looks so sexy (too bad she wasted her talent in second rate comedies), and the eyes of Nastassja Kinski are the most beautiful you'll ever see.
Viva Las Vegas!!! My rate: 7/10
They made a huge work of edition here and the photography is just awesome (it's no surprise, anyway, for it was Vicente Storaro the one who photographed it).
As for the cast, Terri Garr's performance is just awesome and she looks so sexy (too bad she wasted her talent in second rate comedies), and the eyes of Nastassja Kinski are the most beautiful you'll ever see.
Viva Las Vegas!!! My rate: 7/10
10chrisw-3
One of the most amazing accomplishments of a master filmmaker, Coppola built Las Vegas on a soundstage to achieve a deliberate level of artificiality. The story is "boy and girl fight, have flings and get back together"...a simple schematic to hang the visuals on.
One has to pay attention to the songs by Tom Waits; half the plot is told by the lyrics. In addition to Frederic Forrest as the male lead "Hank" and Teri Garr as "Franny", Harry Dean Stantion as Hank's friend and Lanie Kazan as Franny's, and Raul Julia and Nastassja Kinski, Tom Waits and Crystal Gayle are a "greek chorus", commenting on the action and the inner thoughts of Hank and Franny.
Coppola used a number of knock-out "in camera" effects, including scrims and half-silvered mirrors. Also, he worked closely with Sony to develop "Electronic Cinema" - this may be the first electronically edited film. He was roundly criticized for this at the time, but of course now virtually every film is electronically edited.
This film was shot in 4:3, with prime lenses for amazing depth of field. It is optimally seen on a large projection screen.
"One From The Heart" is one of my favorite films. It's not a conventional film, nor was it intended to be.
One has to pay attention to the songs by Tom Waits; half the plot is told by the lyrics. In addition to Frederic Forrest as the male lead "Hank" and Teri Garr as "Franny", Harry Dean Stantion as Hank's friend and Lanie Kazan as Franny's, and Raul Julia and Nastassja Kinski, Tom Waits and Crystal Gayle are a "greek chorus", commenting on the action and the inner thoughts of Hank and Franny.
Coppola used a number of knock-out "in camera" effects, including scrims and half-silvered mirrors. Also, he worked closely with Sony to develop "Electronic Cinema" - this may be the first electronically edited film. He was roundly criticized for this at the time, but of course now virtually every film is electronically edited.
This film was shot in 4:3, with prime lenses for amazing depth of field. It is optimally seen on a large projection screen.
"One From The Heart" is one of my favorite films. It's not a conventional film, nor was it intended to be.
There are times a movie's style can overcome it's lack of substance. But not this time. When this movie was released back in the early 80s, it was the eagerly anticipated 'gamechanger' from the maestro himself. Coppola's novel approach to directing and editing using cutting edge technology (at the time) would revolutionize the art of film making. Instead, it was a commercial flop. Audiences found a shallow beauty. A gorgeous girl with clever quips and opening lines, but no real depth or heart.
The biggest problem for me was that the story feels so disjointed. It's a series of beautiful looking vignettes held together by a paper thin plot and flat two dimensional characters. A lot of the scenes feel stilted and over-rehearsed. There's no spontaneity or life.
It's not a complete waste of time, however. It is a beautiful looking movie. Terri Garr and Natasia Kinski look exquisite. There are a lot of interesting and eye catching touches. The set designs are works of art. You might like this if you are in the right mood, and want to see something different. But if you are looking for a coherent narrative, and engaging character development, you might want to pass.
The biggest problem for me was that the story feels so disjointed. It's a series of beautiful looking vignettes held together by a paper thin plot and flat two dimensional characters. A lot of the scenes feel stilted and over-rehearsed. There's no spontaneity or life.
It's not a complete waste of time, however. It is a beautiful looking movie. Terri Garr and Natasia Kinski look exquisite. There are a lot of interesting and eye catching touches. The set designs are works of art. You might like this if you are in the right mood, and want to see something different. But if you are looking for a coherent narrative, and engaging character development, you might want to pass.
Le saviez-vous
- AnecdotesOriginally intended as a small film after the enormous cost, pressures, and production problems of Apocalypse Now (1979), this film's budget ballooned from $2 million to over $25 million. The extraordinary costs led to director Francis Ford Coppola declaring bankruptcy. Coppola has stated that the films he made were done to pay off the debts incurred producing this film.
- GaffesWhen Hank removes Frannie from Ray's room, Ray puts on a robe, and he is not wearing any underwear. However, after Ray yells at Hank from the balcony, his robe falls open, and he is shown wearing jockey shorts.
- Crédits fousIn the opening credits, the names of crew members appear in the neon signs of Vegas casinos and hotels.
- Versions alternativesThree versions exist. The theatrical version; 103 minutes The restored version, release in 2003; 99 minutes Reprise version, release in 2023; 93 minutes The story is generally the same. But they have many changes, cut or altered shot.
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- How long is One from the Heart?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Una del corazón
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 26 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 697 872 $US
- Week-end de sortie aux États-Unis et au Canada
- 389 249 $US
- 14 févr. 1982
- Montant brut mondial
- 719 534 $US
- Durée1 heure 47 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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