NOTE IMDb
6,2/10
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MA NOTE
Ajouter une intrigue dans votre langueIn a rest home for elderly people, a daughter reads her mother's diary. Soon events that are mentioned in the mother's diary begin to happen to the daughter.In a rest home for elderly people, a daughter reads her mother's diary. Soon events that are mentioned in the mother's diary begin to happen to the daughter.In a rest home for elderly people, a daughter reads her mother's diary. Soon events that are mentioned in the mother's diary begin to happen to the daughter.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 1 nomination au total
Jacki Kerin
- Linda
- (as Jackie Kerin)
Avis à la une
Despite popular belief, Next of Kin isn't really a regular stalk and slash flick. There isn't much of a death count and Tony Williams doesn't waste time with constant self references to other genre pieces. However, the plot resolves around a psychotic intruder that's murdering the inmates of an old people's home, although the deaths are sporadic enough (we only see one) to keep the heroine believing that they're actually accidents.
The things that lift Next of Kin above its contempararies is the superb, noteworthy direction and great atmosphere. It's beautifully photographed, with some instantly exquisite camera movements that add a supreme energy and sense of professionalism that's rarely found in slasher movies from New Zealand or Australia. In fact, such a notable level of craftsmanship is rarely seen in any category addition. There are plenty of credible shots, the best being the woodland scenes in which we see the mysterious menace lurking in the distance amongst the trees, barely recognisable. It's fairly well acted - although not superbly -, and it works well to set up a creepy suspense fuelled environment. When the nut-job reveals himself, there's some brilliant chases and a few surprises.
Like I said, don't expect slasher cliches by the dozen, but if you keep your options open, you'll find Next of Kin to be fairly rewarding. Worth a look...
The things that lift Next of Kin above its contempararies is the superb, noteworthy direction and great atmosphere. It's beautifully photographed, with some instantly exquisite camera movements that add a supreme energy and sense of professionalism that's rarely found in slasher movies from New Zealand or Australia. In fact, such a notable level of craftsmanship is rarely seen in any category addition. There are plenty of credible shots, the best being the woodland scenes in which we see the mysterious menace lurking in the distance amongst the trees, barely recognisable. It's fairly well acted - although not superbly -, and it works well to set up a creepy suspense fuelled environment. When the nut-job reveals himself, there's some brilliant chases and a few surprises.
Like I said, don't expect slasher cliches by the dozen, but if you keep your options open, you'll find Next of Kin to be fairly rewarding. Worth a look...
This film continues to scare the hell out of me.
It has been dismissed by some as a routine slasher film, but I whole-heartedly disagree, for a few reasons:
SUSPENSE: Much of the movie IS suspense...slow walks down hallways, heads looking around corners, far-off shots of indistinct figures. This really must be what it's like to go crazy, as Linda fears she is. Importantly, the suspenseful moments never cop-out, they do usually end in a satisfying chill...but the climax is wonderfully held off for the end.
MUSIC: The music is absolutely incredible in that early-80's, Tangerine Dream meets John Carpenter sort of way. It's perfect. Sometimes, it even transcends.
ACTING: The acting is pretty low-key, allowing us time to get interested in the characters, their quirks, their hang-ups. But when it comes time for the climax, the lead actress really lets loose, and it is most disturbing to be witness to such a total frenzy.
STYLISH CINEMATOGRAPHY: Moody hallways, strange camera angles & movements (particularly the long wall-hugging draw away from Linda's nervous eyes as she peers into the hallway, and the cameraman following the nonchalant cat down the hall), creepy focus changes and slow-motion moments.
SURPRISES: The ending will blow your head off. It's nice to see a heroine being sensible, capable, and strong (especially in 1982!!!)
For sure, it's not all good. Particularly weak is the link between the suspenseful bulk of the movie and the frantic climax...the storyline falls completely apart when it comes time to explain why everything has happened. Fortunately, we don't really care at that point, because it's all too freaking scary. If you can find it, SEE IT. Especially if you like horror films populated by realistic human beings (the old man Lance, telling endlessly dull stories about the war...Linda's fork tricks and sugar-cube pyramid...the father in the restaurant threatening to smack his son into the middle of next week). Few films have upset me as much as this one, and hopefully it will do that for you as well.
It has been dismissed by some as a routine slasher film, but I whole-heartedly disagree, for a few reasons:
SUSPENSE: Much of the movie IS suspense...slow walks down hallways, heads looking around corners, far-off shots of indistinct figures. This really must be what it's like to go crazy, as Linda fears she is. Importantly, the suspenseful moments never cop-out, they do usually end in a satisfying chill...but the climax is wonderfully held off for the end.
MUSIC: The music is absolutely incredible in that early-80's, Tangerine Dream meets John Carpenter sort of way. It's perfect. Sometimes, it even transcends.
ACTING: The acting is pretty low-key, allowing us time to get interested in the characters, their quirks, their hang-ups. But when it comes time for the climax, the lead actress really lets loose, and it is most disturbing to be witness to such a total frenzy.
STYLISH CINEMATOGRAPHY: Moody hallways, strange camera angles & movements (particularly the long wall-hugging draw away from Linda's nervous eyes as she peers into the hallway, and the cameraman following the nonchalant cat down the hall), creepy focus changes and slow-motion moments.
SURPRISES: The ending will blow your head off. It's nice to see a heroine being sensible, capable, and strong (especially in 1982!!!)
For sure, it's not all good. Particularly weak is the link between the suspenseful bulk of the movie and the frantic climax...the storyline falls completely apart when it comes time to explain why everything has happened. Fortunately, we don't really care at that point, because it's all too freaking scary. If you can find it, SEE IT. Especially if you like horror films populated by realistic human beings (the old man Lance, telling endlessly dull stories about the war...Linda's fork tricks and sugar-cube pyramid...the father in the restaurant threatening to smack his son into the middle of next week). Few films have upset me as much as this one, and hopefully it will do that for you as well.
"Next of Kin" is a cult horror classic from Australia.
It is effective at building suspense, and has some genuinely frightening, shocking moments.
The plot concerns a young woman who inherits her mother's nursing home. Strange deaths occur at the home and when the lady reads her mother's diary, finds that events in the past are mirrored in the present.
The movie is less a slasher than an Aussie giallo. It's a violent murder mystery with Hitchcockian suspense touches, rather than the typical hallmarks of the slasher genre, eg. a masked killer stalking victims who split up to be offed one by one, and sex leading to a grisly death.
The film is far more interested in atmosphere, which it provides really well.
It is effective at building suspense, and has some genuinely frightening, shocking moments.
The plot concerns a young woman who inherits her mother's nursing home. Strange deaths occur at the home and when the lady reads her mother's diary, finds that events in the past are mirrored in the present.
The movie is less a slasher than an Aussie giallo. It's a violent murder mystery with Hitchcockian suspense touches, rather than the typical hallmarks of the slasher genre, eg. a masked killer stalking victims who split up to be offed one by one, and sex leading to a grisly death.
The film is far more interested in atmosphere, which it provides really well.
This Australian horror film is a fine addition to the massive genre. The story is about a woman named Linda who comes back to her home town in order to take possession of a home for the elderly which she has inherited as a result of her mother's death. As Linda adjusts to moving back home and catching up with old friends, her troubled past begins to haunt her. Things get even harder for her when she finds her mother's diary and begins to read through it. She learns that her mother had feared that someone was watching and following her. Also, some of the patients had died under suspicious and mysterious circumstances. Soon Linda begins experiencing the same fears and events her mother wrote about in the diary. She is now being watched, followed and her patients are dying off as well. She learns the truth of what is happening in the films tense and devastating conclusion.
Next of Kin's plot is handled very well by the entire cast. Although dismissed by some as a basic slasher movie, co-writer/director Tony Williams use of music, shadows and slow-motion add much style giving the film a unique edge. The stalking scenes and action laced conclusion are very well done and bound to satisfy any horror fan out there. This is one film to seek out. Happy Hunting!
Next of Kin's plot is handled very well by the entire cast. Although dismissed by some as a basic slasher movie, co-writer/director Tony Williams use of music, shadows and slow-motion add much style giving the film a unique edge. The stalking scenes and action laced conclusion are very well done and bound to satisfy any horror fan out there. This is one film to seek out. Happy Hunting!
Following the death of her mother, Linda inherits the retirement home that she ran. Once there, reading through her mother's diary sets off a series of unsettling memories. Bizarre occurrences begin taking place as well, almost as if someone were toying with her.
I've seen this Aussie gem referred to as a slasher film on more than one occasion, though I wouldn't necessarily call it a slasher myself. It's more of a slow-burning mood piece, one that's quite ambiguous at times. It's also effectively creepy, one of my favorite scenes involving a figure watching Linda just out of her eye range as she roams the woods in search of her boyfriend. Said boyfriend is played by John Jarratt, a mainstay in Australian horror, and his presence here is a welcome one as always. Jacki Kerin is Linda, and she's solid as the isolated heroine who doesn't feel completely at home back in her old stomping grounds.
Naturally, the filming locations are gorgeous and the cinematography does a fine job of catching them in all of their glory. The film is complimented by a unique score and some stylish sequences, such as one terrific slow-motion bit where Linda is rushing down a flight of stairs. The ending gets really wild, leaving the film's more subdued nature behind for an extravagant finale.
I first discovered this film back in the early 90's when I stumbled across the VHS in H.E.B.'s video rental section of all places, that memorable cover art catching my eye. Even now, the film is just as effective an experience as it was way back then. All said and done, this is one of Australia's finest contributions to the genre. In fact, only "Long Weekend" is on the same level.
I've seen this Aussie gem referred to as a slasher film on more than one occasion, though I wouldn't necessarily call it a slasher myself. It's more of a slow-burning mood piece, one that's quite ambiguous at times. It's also effectively creepy, one of my favorite scenes involving a figure watching Linda just out of her eye range as she roams the woods in search of her boyfriend. Said boyfriend is played by John Jarratt, a mainstay in Australian horror, and his presence here is a welcome one as always. Jacki Kerin is Linda, and she's solid as the isolated heroine who doesn't feel completely at home back in her old stomping grounds.
Naturally, the filming locations are gorgeous and the cinematography does a fine job of catching them in all of their glory. The film is complimented by a unique score and some stylish sequences, such as one terrific slow-motion bit where Linda is rushing down a flight of stairs. The ending gets really wild, leaving the film's more subdued nature behind for an extravagant finale.
I first discovered this film back in the early 90's when I stumbled across the VHS in H.E.B.'s video rental section of all places, that memorable cover art catching my eye. Even now, the film is just as effective an experience as it was way back then. All said and done, this is one of Australia's finest contributions to the genre. In fact, only "Long Weekend" is on the same level.
Le saviez-vous
- AnecdotesAn earlier draft of the script was more of a black comedy.
- ConnexionsEdited from Before the Night is Out (1979)
- Bandes originalesLove You Like A Pie
Written and performed by A. P. Johnson
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- How long is Next of Kin?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Montclare : Rendez-vous de l'horreur
- Lieux de tournage
- Overnewton Castle, Keilor, Victoria, Australie(exteriors: Montclare)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 29 minutes
- Rapport de forme
- 1.85 : 1
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By what name was Next of Kin (1982) officially released in India in English?
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