La fièvre de l'or

Charlton Heston's Mother Lode is one of those neat flicks that not only is filmed in my hometown of Vancouver (like every movie ever) and the surrounding British Columbia region, but is also set there as well. It's an entertaining, if slight little adventure story that's perfect to put on for a rainy afternoon on the iPad. Heston, in addition to both writing and directing, plays two roles here, but it's a bit of a sly trick saying that because he mostly appears as one, and only briefly as the other, but no matter, the old pro works his butt off to steal every scene. He plays loner mountain man Silas McGee, an eccentric prospector whose stairs don't quite reach the attic, living alone in the wilderness looking for that perfect gold strike. The excellent Nick Mancuso, in a role originally meant for James Brolin, is Jean Dupre, a cocky bush pilot who heads McGee's way with his high strung girlfriend (Kim Basinger), looking for a fellow pilot who got lost and a little of the gold stuff for himself while he's at it. As soon as they run into McGee it's clear the old dog is crazy as shit and not to be trusted, creating a nice atmosphere of isolated paranoia and mystery as the man's true intentions come to dark light. Mancuso is always terrifically intense and so great at subtle comic moments, this is one of his great early roles and not to be missed for any fan. Poor Basinger suffered a miscarriage while production was underway and as such seems understandably distracted, but she's a trooper and carries her end well. Heston either does a brilliant Scottish accent, a slipshod one or a bit of both, it's hard to tell with his rapid fire banter and eloquent, robust verbosity. He's electric though, and freaky as all hell as the type of dodgy fellow you better pray you don't run into out there. The action is pretty run of the mill and the film loses the tautness a thriller like this should have in parts, but it's solid enough to not change the channel. For B.C. residents it's an absolute treat though, especially as Mancuso's rickety float plane arcs up over the Vancouver harbour towards the Cassiar mountains and we get to see what our city looked like back in the 80's. Cool stuff.

Decent wilderness adventure with the legendary Charlton Heston directing himself in a tale of two young people, Jean (Nick Mancuso) and Andrea (Kim Basinger) flying to Northern British Columbia. They do it ostensibly to look for a colleague / friend who'd come there and disappeared, but the lure of a potential windfall in gold proves too strong to resist. Unfortunately for them, already residing in the area is grizzled old Scottish miner Silas McGee (Heston), who's not as friendly as he initially seems to be. Heston, directing from a screenplay by his son Fraser (Fraser was also the producer), does a capable job of drawing us into this story with good acting and well orchestrated thrills; the second unit direction was the work of Joe Canutt, son of another legend, Yakima Canutt, so there are two second generation filmmakers filling out important roles here. The film is well shot (by Richard Leiterman) in claustrophobic settings and paced well. Mainly, it's worth seeing for Heston's fine performance (there's a major twist regarding his character, but you won't hear it from me) as he completely immerses himself in the character and does a good job with the accent to boot. Basinger looks great as usual and she and Mancuso are both quite capable. John Marley is Elijha, the forest dweller who lends some much needed assistance and he's just a delight. This is quite well made technically, with some breathtaking aerial photography and lots of gorgeous rural scenery. Ken Wannbergs' music likewise adds to the overall enjoyment. It's too bad that this little film is not that well known nowadays, but it is on DVD now so more people can discover it for themselves. Not that it's anything truly *great*, necessarily, but it's tense and gripping stuff and entertaining all the way. Seven out of 10.

Though this review is written 18 years after the fact, this film remains among the top of my all time favorites. Introducing the great wilderness in the manner portrayed within the story was breath-taking and this introduction was significant in eventual Canadian and Alaskan adventures. When films can have such an impact on a person, they cannot help but remain close to the heart. The story was fun & exciting and very well played, yet, hats are off to the big screen impact this film portrayed of the Canadian Wilderness.

This is a great independent movie the plot was good, and so was the photography. It was too bad that this movie did not have the advertising and promotional backing for more exposure and running length time. Because if it had, this movie would have done better and would be better known that it is! This movie should have gotten more exposure than it did at the time of release!

Not only do the daylight scenes in this movie visually stun the viewer, but the dark cloak of night or being underground chill to the bone! The dark look of the film is all the more compelling when terror explodes out of the darkness to grip the viewer by the throat, eliciting screams! "Stay the hell outta my mine, laddie!" Why don't they listen . . . ???!!!

This movie was incredible. The drama was taut, the frights were well developed and the story was compelling. This movie was a perfect vehicle for Charlton Heston who scared the crap out of me in this film. The script was ideal for him and his style and he was completely believable in this role(s).

Strongly recommended!