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IMDbPro

Comédie érotique d'une nuit d'été

Titre original : A Midsummer Night's Sex Comedy
  • 1982
  • Tous publics
  • 1h 28min
NOTE IMDb
6,6/10
22 k
MA NOTE
Woody Allen and Mia Farrow in Comédie érotique d'une nuit d'été (1982)
It is the early 1900s. Distinguished philosopher Leopold (Ferrer) and his much younger fiancée, Ariel (Farrow), are going to spend a weekend in the country with Leopold's cousin Adrian (Steenburgen) and her crackpot inventor husband Andrew (Allen). Also on the guest list is womanizing doctor Maxwell (Roberts) and his latest girlfriend, free-thinking nurse, Dulcy (Hagerty). Over the course of the weekend, old romances reignite, new romances develop, and everyone ends up sneaking off behind everyone else's backs.
Lire trailer1:21
1 Video
94 photos
Comedy

Au cours d'un l'été au début du XXe siècle, un inventeur loufoque et sa femme invitent deux autres couples pour le week-end dans leur maison de campagne romantique.Au cours d'un l'été au début du XXe siècle, un inventeur loufoque et sa femme invitent deux autres couples pour le week-end dans leur maison de campagne romantique.Au cours d'un l'été au début du XXe siècle, un inventeur loufoque et sa femme invitent deux autres couples pour le week-end dans leur maison de campagne romantique.

  • Réalisation
    • Woody Allen
  • Scénario
    • Woody Allen
  • Casting principal
    • Woody Allen
    • Mia Farrow
    • José Ferrer
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,6/10
    22 k
    MA NOTE
    • Réalisation
      • Woody Allen
    • Scénario
      • Woody Allen
    • Casting principal
      • Woody Allen
      • Mia Farrow
      • José Ferrer
    • 59avis d'utilisateurs
    • 51avis des critiques
    • 51Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Vidéos1

    Official Trailer
    Trailer 1:21
    Official Trailer

    Photos94

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    Rôles principaux16

    Modifier
    Woody Allen
    Woody Allen
    • Andrew
    Mia Farrow
    Mia Farrow
    • Ariel
    José Ferrer
    José Ferrer
    • Leopold
    • (as Jose Ferrer)
    Julie Hagerty
    Julie Hagerty
    • Dulcy
    Tony Roberts
    Tony Roberts
    • Maxwell
    Mary Steenburgen
    Mary Steenburgen
    • Adrian
    Adam Redfield
    • Student Foxx
    Moishe Rosenfeld
    • Mr. Hayes
    Timothy Jenkins
    Timothy Jenkins
    • Mr. Thomson
    Michael Higgins
    Michael Higgins
    • Reynolds
    Sol Frieder
    • Carstairs
    Boris Zoubok
    • Purvis
    Thomas Barbour
    • Blint
    Kate McGregor-Stewart
    Kate McGregor-Stewart
    • Mrs. Baker
    Sandy Biano
    • Nurse
    • (non crédité)
    Caitlin O'Heaney
    Caitlin O'Heaney
    • Dolores Farrar
    • (non crédité)
    • Réalisation
      • Woody Allen
    • Scénario
      • Woody Allen
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs59

    6,621.5K
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    Avis à la une

    10davidb4444

    an overlooked masterpiece

    I am amazed at how neglected this film is. It is a real gem. I'm a big Woody Allen film and I consider it one of his best. The story is intelligent, well-written, funny, and charming. The themes of love, fate, and immortality are explored in a thoroughly entertaining way. A great performance by all the actors, but special mention should be made of Jose Ferrer and Julie Haggerty. See this movie. You will not be disappointed.
    7Isaac5855

    Woody's Comic Valentine to Ingmar Bergman and his first film with Mia Farrow

    A MIDSUMMER NIGHT'S SEX COMEDY was Woody Allen's amusing variation on the Ingmar Bergman classic SMILES OF A SUMMER NIGHT, which had been previously re-worked as a Broadway musical by Stephen Sondheim called A LITTLE NIGHT MUSIC. This film is about three couples in turn of the century who gather at one of their country homes for the weekend and it is clear at the beginning of the story that these three couples are hopelessly mismatched and we see the very human foibles that split up and mix up these three couples during this memorable weekend in the country. Woody and Mary Steenburgen plays the hosts for the weekend, a seemingly happily married couple whose happiness is clearly surface deep. Tony Roberts plays a womanizing physician and Woody's best pal who arrives for the weekend with his nurse (Julia Hagerty). In her first screen pairing with Woody Allen, Mia Farrow plays a former flame of Woody's who has arrived with her much older fiancée (Jose Ferrer) who she is scheduled to marry on Monday. Watching these three couples fuss and fumble all over each other in an attempt to be with the person they really want to be with is what makes this charming period comedy work. As always in Woody's films, music is crucial in setting the mood and Woody has chosen some classic Mendelsohhn pieces that set the perfect mood for the piece. The performances are uniformly fine, with Roberts a standout. Not one of Woody's better known films, but if you'd like to see where his relationship with Mia began, take a look.
    8canadude

    Shakespeare and Bergman and Sprites and Spirits oh my

    When I look at his filmography on this site and count the films I consider great from the 70s till the early 90s I only stumble over two or three entries I am not fond of. Granted, some are greater than others, but Woody Allen essentially created consistently excellent films for two decades. Whether comedy or drama, whether set in New York or elsewhere, his films are not only great American films, but they belong in the international arena of film art.

    Having said all that, and hopefully having disclosed my own bias in discussing the man's work, I can say without further ado that I loved "A Midsummer Night's Sex Comedy." It is hardly the type of Woody Allen film that would receive dozens of critical accolades and nominations (in fact it was only nominated for a Razzie), but I think that can be explained by the fact that Woody Allen set a bar of expectation for himself. When you watch "Manhattan" or "Crimes and Misdemeanors" and then this you see a change of pace, a sort of lighter tone. That does not, however, mean that this film is without its merits. Taken strictly as a film, not as a Woody Allen film, it is plain wonderful. I think that goes for most of his films (except maybe some of the more recent ones).

    Allen, of course, is up to his usual tricks again - he takes a Bergman film ("Smiles of a Summer Night") and spoofs it, makes it his own and I think successfully. The atmosphere of this film is what makes it so watchable - the beautiful blend of humor, nostalgia and unfulfilled desire, which I think he perfected in "Radio Days," come through exquisitely. It's also an interesting move away from the stark atheism, or at least agnosticism of his earlier films - the presence of spirits, shadows and ghosts, things unexplained by science, unaccounted for by our sentient experience.

    The most interesting aspect of it is that this mystical theme is hardly incongruous with Allen's other films, including his tragedies. Whether his films underline the hopelessness of existence (like "Interiors") or the mystical, and thus hopeful nature of human relationships, they only differ by the mood the storyteller is in when he speaks of them.

    Here we have an entirely Shakespearean comedy full of criss-crossing love affairs, absurd relations, untamed desires all leading to hilarious revelations, or serious revelations under the most comic circumstances. Jose Ferrer is remarkable as Professor Leopold, a cold, atheistic intellectual, an accomplished thinker and professor. Contrary to his character, Allen bestows him with some of the funniest lines in the entire film. For example, when he realizes that his marriage to Mia Farrow's Ariel will be the end of his bachelorhood and that he is attracted to Julie Hagerty's nurse Dulcy, he attempts to compliment Dulcy over a game of chess. He says: "You have a wonderful flair for spatial relationships." These little speeches are completely in line with the comic absurdity of the whole, like Tony Robert's Maxwell, a romantic doctor who, gets shot not once, but twice in the film (once for love and once for revenge {meant for someone else}, nonetheless), or Woody Allen's stockbroker / inventor Andrew.

    There is such joy in this film, such passion. Yes, maybe "Radio Days" is more articulate and personal on the subject, maybe "Crimes and Misdemeanors" is one of his best tragedies, "Manhattan" one of my favorite of his films along with "Hannah and Her Sisters" and "Another Woman." And, while "A Midsummer Night's Sex Comedy" is not as great, in my humble opinion, as the aforementioned films, it is still a great film, if that makes any sense.
    8ugobo

    Very funny and entertaining movie!

    First,i should say that i am an inconditional Woody Allen fan. I saw this movie for the first time yesterday and i had a GREAT time! Tony Roberts is just great in that one! I wonder why Woody did'nt cast him more often? I won't give you the plot as you already know it. I'll just add that A Midsummer Night's Sex Comedy is a different Woody Allen film. This time he focus on the country in is beautifulness instead of the more common urban movie he used to shoot. And that gives this movie something unique compared to Woody's other works. The jokes and the situations are very funny and i laughed a lot! So if you are a Woody Allen fan and haven't seen that one,forget about all the bad words that movie got and enjoy a realy entertaining viewing!
    drosse67

    Woody in the woods

    While this movie is not considered to be one of Woody Allen's masterworks, the sight of him in the countryside he so feared in Annie Hall and Manhattan, surrounded by crickets, rabbits, frogs and wild mushrooms, is a funny one, especially for his fans. Shakespeare was clearly on Allen's mind when he made and titled this movie--not only A Midsummer Night's Dream, but also The Tempest. There are obvious references (Mia Farrow's character's name is Ariel), and more subtle ones in the dialogue, when Woody's character talks about a "half goat" mystical lover. The film also marks Allen's first union with Mia Farrow, and the two work wonders together here which would be proved in several subsequent films (it's quite sad that their off-screen relationship ended the way it did). It is beautifully filmed and Allen uses music as effectively as he did in Manhattan. There are not a lot of belly laughs or memorable one-liners, but it is fun to watch nevertheless, and everyone in his ensemble cast seems to be having a great time.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      José Ferrer found himself the object of a practical joke while making this film. Dustin Hoffman visited the set while made up as Dorothy Michaels in the film Tootsie (1982), and proceeded to make sexual advances on Ferrer, who politely refused--but was completely unaware that Hoffman was not in fact a woman.
    • Gaffes
      About thirteen minutes into the movie, a crew member is visible crouched by a tree, as a deer runs through the woods.
    • Citations

      Andrew: Sex alleviates tension and love causes it.

    • Connexions
      Featured in Sneak Previews: The World According to Garp, The Aviator's Wife, Young Doctors in Love, A Midsummer Night's Sex Comedy (1982)
    • Bandes originales
      Symphony No. 3 (Scottish) in A Minor
      Written by Felix Mendelssohn (as Mendelssohn)

      Performed by Leonard Bernstein and the New York Philharmonic (as New York Philharmonic Orchestra)

      Courtesy of CBS Records

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    FAQ18

    • How long is A Midsummer Night's Sex Comedy?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 13 octobre 1982 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Allemand
    • Aussi connu sous le nom de
      • Comedia sexual de una noche de verano
    • Lieux de tournage
      • Pocantico Hills, New York, États-Unis
    • Sociétés de production
      • Jack Rollins & Charles H. Joffe Productions
      • Orion Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 9 077 269 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 2 514 478 $US
      • 18 juil. 1982
    • Montant brut mondial
      • 9 077 269 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 28 minutes
    • Couleur
      • Color
    • Mixage
      • Mono

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