Comédie érotique d'une nuit d'été

Cute and charming, if not really much more.

Gordon Willis's photography is nowhere near as amazing as his earlier collaborations with Woody, and the film doesn't have any wildly funny moments.

But the writing is witty, and the acting solid if not triumphant. It just doesn't feel like a Woody Allen film somehow. More like a nice, solid, unassuming French farce.

That's not a bad thing, and this film is still better than 99% of what comes out of Hollywood, with a sweeter, more upbeat tone than usual for Allen. It's just coming on the heels of masterpieces like 'Annie Hall', 'Manhattan', and 'Stardust Memories', and just before other great films like 'Zelig' and 'Purple Rose of Cairo', it can't help but pale a bit in comparison.

I thought this was really quite good. Had not seen before as is never really mentioned or advertised. Particularly enjoyed Julie Hagerty's performance. I don't know why she has not been a bigger star and more used in films. Her timing and line delivery is very funny. Jose Ferrer also excellent at his pompous best. Mia farrow and Mary Steenbergen both look lovely in the summer drenched locations, that look like one of Englands Southern Shire Counties! Perhaps not Woody Allens best, but as he apparently 'hates' the country side, some gorgeous scenes filmed by Gordon Willis. I have given this a '7'rating, and would certainly recommend to all.

While this movie is not considered to be one of Woody Allen's masterworks, the sight of him in the countryside he so feared in Annie Hall and Manhattan, surrounded by crickets, rabbits, frogs and wild mushrooms, is a funny one, especially for his fans. Shakespeare was clearly on Allen's mind when he made and titled this movie--not only A Midsummer Night's Dream, but also The Tempest. There are obvious references (Mia Farrow's character's name is Ariel), and more subtle ones in the dialogue, when Woody's character talks about a "half goat" mystical lover. The film also marks Allen's first union with Mia Farrow, and the two work wonders together here which would be proved in several subsequent films (it's quite sad that their off-screen relationship ended the way it did). It is beautifully filmed and Allen uses music as effectively as he did in Manhattan. There are not a lot of belly laughs or memorable one-liners, but it is fun to watch nevertheless, and everyone in his ensemble cast seems to be having a great time.

First,i should say that i am an inconditional Woody Allen fan. I saw this movie for the first time yesterday and i had a GREAT time! Tony Roberts is just great in that one! I wonder why Woody did'nt cast him more often? I won't give you the plot as you already know it. I'll just add that A Midsummer Night's Sex Comedy is a different Woody Allen film. This time he focus on the country in is beautifulness instead of the more common urban movie he used to shoot. And that gives this movie something unique compared to Woody's other works. The jokes and the situations are very funny and i laughed a lot! So if you are a Woody Allen fan and haven't seen that one,forget about all the bad words that movie got and enjoy a realy entertaining viewing!

A MIDSUMMER NIGHT'S SEX COMEDY was Woody Allen's amusing variation on the Ingmar Bergman classic SMILES OF A SUMMER NIGHT, which had been previously re-worked as a Broadway musical by Stephen Sondheim called A LITTLE NIGHT MUSIC. This film is about three couples in turn of the century who gather at one of their country homes for the weekend and it is clear at the beginning of the story that these three couples are hopelessly mismatched and we see the very human foibles that split up and mix up these three couples during this memorable weekend in the country. Woody and Mary Steenburgen plays the hosts for the weekend, a seemingly happily married couple whose happiness is clearly surface deep. Tony Roberts plays a womanizing physician and Woody's best pal who arrives for the weekend with his nurse (Julia Hagerty). In her first screen pairing with Woody Allen, Mia Farrow plays a former flame of Woody's who has arrived with her much older fiancée (Jose Ferrer) who she is scheduled to marry on Monday. Watching these three couples fuss and fumble all over each other in an attempt to be with the person they really want to be with is what makes this charming period comedy work. As always in Woody's films, music is crucial in setting the mood and Woody has chosen some classic Mendelsohhn pieces that set the perfect mood for the piece. The performances are uniformly fine, with Roberts a standout. Not one of Woody's better known films, but if you'd like to see where his relationship with Mia began, take a look.