L'homme de la rivière d'argent

Clint Eastwood and Unforgiven be damned. This is by far the best western of the modern era. Its an Aussie tale, but that does not disqualify it in my books. Lonesome Dove has its group as does Unforgiven. But George Miller's The Man from Snowy River is downright majestic.

There are no stagecoaches, revenge killings, poker games or joking jail hands. There isn't even a climactic standoff in a dusty old town. But there is the hand of a maiden to win and inner demons to slay. The climax isn't a shoot out with a band of criminals, but with a stallion and a lonely ride down a rocky mountain.

Director George Miller draws clear characters and honest human situations. He understands what a camera can do. Scenes of great power play out not in a tired miasma of gunfire or hokey soliloquies, but in the striations of muscle from a horse powering through rock in slow motion. George Miler is a poet. And the Man from Snowy River is a story that will stand the test of time. See it.

Shawshank is superb. Roman Holiday is perfect. Raiders is a blast. But The Man from Snowy River has been, is, and always will be my favorite movie. Some movies just match your personality more than others, trumping any technical deficiencies they may have. No, Snowy River doesn't have the best acting, the best screenplay, the best direction. But in all of them it's great, and the combination of the story, the cast, the scenery, and music (Bruce Rowland deserved an Oscar for his score) is much greater than the sum of its parts. For me, it's everything a movie ought to be: uplifting, heartwarming, optimistic, romantic, adventurous. It swept me away when I was 13 and its magic hasn't dimmed at 34. What a wonderful movie.

Disregard the goofs, inconsistencies and any other flaws that are mentioned in the reviews. This movie is beautifully photographed; in many cases, I don't know how. Great horse riding....again, I don't know how and the music raises goose bumps. This movie is any frustrated "cowboy's" dream. It is unbelievable that anyone can stay on a horse in a controlled ride during the scenes. I would love to read more technical details about the filming of this movie......especially how Kirk Douglas was able to fold his leg at the knee and put it all in one pant leg. The camera set ups and shots had to be pure genius to think they actually worked. It is very easy as I said before to overlook, even if you recognize them, any flaws.

It is hard to believe that so many years has past since I first saw "A Man from Snowy River." I was young and borrowed it on Betamax (yes Betamax) from a friend. Although I wish that I could of seen a full screen version of it, I will have to settle with the still fantastic small screen version.

The story is fairly simple. After his father dies, a boy tries to prove he a man worthy enough to live on his beloved Snowy Mountain. In order achieve this prize, he finds work on lower ground on a big ranch. A sweet romance is set between Jim, the boy, and the Rancher's daughter, Jessica, who is a feisty and strong female. There are wild horses, a sympathetic-but-bad-guy rancher, and beautiful scenery all which are an integral part of the story. (I don't want to give too much of the movie away).

I recently saw this movie (this time on VHS)with my niece and nephew. I could not believe how much I enjoyed it again. The thrilling horse riding scenes kept me at the edge of my seat. It is an ultimate family film one that has no foul language, gratuitous sex or violence. Nothing is dumbed down, the viewers being treated with the respect we deserve. GO RENT IT NOW!

We often think of the Western as being a characteristically American film genre, although there have been occasional attempts to adapt its conventions to stories set in other parts of the world. "North-West Frontier", for example, is a British film set in British-ruled India, but the plot is essentially that of "Stagecoach". "Untamed" transfers the standard waggon-train plot from the American prairies to the South African veldt, and "The Sundowners", about Australian pioneer life, has similarities to many films set in the Old West. These two latter films, despite their ostensible setting, had an American leading man, Tyrone Power in "Untamed" and Robert Mitchum in "The Sundowners".

"The Man from Snowy River" is another Australian film with a plot which could be that of a Western. (One could call it a "Southern"). It also features a major American star, in this case Kirk Douglas, in a leading role. Or perhaps I should say that it features Kirk Douglas in two leading roles, the brothers Harrison, a wealthy cattle farmer, and Spur, a prospector. The action takes place in Victoria during the 1880s. Apart from the two brothers, the main character is Jim Craig, the "Man from Snowy River" himself. Jim is a young man orphaned by the death of his father in an accident, who goes to work on Harrison's station. The three main strands of the plot concern the relationship between the two brothers, who have been estranged for many years, the growing romance between Jim and Harrison's daughter Jessica, and the efforts to recapture a valuable stallion belonging to Harrison, which has escaped and is running with a herd of wild horses.

There are a number of differences in terminology; the wild horses are referred to as "brumbies" rather than "mustangs", Harrison's landholding is described as a "station" rather than a "ranch" and the reward for the recapture of the stallion is expressed in pounds rather than dollars. With those and a few other exceptions, however, the above synopsis could easily be that of a typical Western. And yet in some ways this is a very Australian film. The title and the story of the hunt for the escaped stallion derive from a narrative poem by the "bush poet" Banjo Paterson, although the other two strands of the plot are the inventions of the scriptwriters. Paterson himself appears as a character, as does Clancy of the Overflow, the hero of another of his poems. Paterson is something of a national icon in Australia, largely because his poetry helped to create the legend of the "Australian bushman", the tough, individualistic inhabitant of the Outback who plays a role in the Australian national imagination similar to that played by the cowboy in the American one. Clancy himself- a real individual, not a fictitious character- has come to be seen as the archetypal bushman.

"The Man from Snowy River" was made in 1982 during a decade when very few traditional Westerns were being made in America itself. (Perhaps the attraction of the film for Douglas was that it gave him a chance to star in one last "Western"). This was, however, a period when the Australian "New Wave" was starting to give that country its own cinematic identity with films about Australian history like "Picnic at Hanging Rock" and "Breaker Morant". This film, therefore, can be seen, not as an attempt to imitate Hollywood, but rather as an attempt to celebrate Australia's own history and culture in the way that the Western celebrated American history and culture. That other great celebration of the bushman, "Crocodile Dundee", a comedy with a contemporary setting, was to come shortly afterwards.

There are no really great acting performances, although Douglas copes well with the challenge of playing two very different characters, the autocratic, patrician Harrison and the more free-spirited Spur, even if his accent does not always hold up. The film is shot against some attractive mountain scenery, and the action sequences, especially the hunt for the missing stallion, are well done. This is a film which will appeal to anyone with an interest in Australia's past, as well to all horse-lovers. 7/10