La flambeuse de Las Vegas

This film, had a very good feel to it, although it did seem to be taking the micky out of itself a little, but that didn't matter because, it was a story that delved into the ridiculous, the storyline was quirky enough to carry the film through.

Bette Midler was a slight more subdued than her usual roles, but then again, it was way before she was really known for for her more famous films, like BIG BUSINESS AND GYPSY but towards the end her character perked up a little.

But how 2 people can fall in love so quickly, and then to plan her husbands end was a bit ( right)ok

but you should really go rent it if you want laughs and enjoyable oneliners like saying to the stripper, HEY YOU KNOW HAROLD BENSON, stripper replys YEA I KNOW THE CREEP, WELL GUESS WHAT HE'S DEAD. and they both fall about laughing, great stuff.

Harold Benson (Rip Torn) is a professional gambler, who always wins the bets against the blackjack dealer Willie Brodax (Ken Wahl). Harold has a jinx on Willie and ca not lose with him. The bad lucky of Willie is getting famous in Reno, and he is fired of all casinos after losing for Harold. The singer Bonita Friml (Bette Midler) is the abused girlfriend of Harold, who has an affair with Willie and plots to kill Harold simulating an accident with the trailer where they live, to get his life insurance. Ten years ago, I bought this VHS in a sale offer based on the name of Don Siegel, but I was not able to finish watching this movie, since I found it boring. Yesterday I decided to see it until the 'The End' and now I can say that it is really silly and boring. The story is an unsuccessful dark comedy, with very few funny parts. It is very hard to believe that a handsome man, like Ken Wahl, could fall in love for the character of Bette Midler. My vote is three.

Title (Brazil): 'Jogando Com a Vida' ('Gambling With the Life')

Rip Torn is a professional gambler who's made a decent living at it for years, but over the past year this man's income has skyrocketed because he's found a patsy. Seems like he's got the hoodoo sign on blackjack dealer Ken Wahl which causes him to clean up when he plays his table. The casino bosses notice it too as Wahl moves from job to job, but always Torn catches up to him.

Scouting the way is Bette Midler who is Torn's abused spouse, a lounge singer and somehow Wahl just never notices he happens to be working with her always. I guess the dealers and the entertainment really do move in different universes.

But when casino boss Val Avery says to do something underhanded to Torn, Wahl mounts a campaign to go after Bette. With his looks, Bette's needs and Torn's attitude, this one is an easy campaign. After that Midler gets Wahl involved in a plot to murder Torn and run away with Bette and the loot he's stashed. At this point the plot starts to resemble Billy Crystal's and Danny DeVito's efforts to Throw Momma From The Train.

It all works out, but just not quite the way they expected.

This film was the last one of director Don Siegel who started out back in the Hollywood Studio days. Not too many folks can claim to have directed Ronald Reagan and Bette Midler in their careers. This was Siegel's only venture into comedy albeit black comedy, he just didn't have the touch required for this film. His film with Ronald Reagan was not a high point of Siegel's career either.

Bette's best working alone which for about 20 minutes she does as Mr. Torn sends her on a treasure hunt. It'a almost a comic version of Clint Eastwood being sent all over San Francisco by Andy Robinson to deliver ransom in Dirty Harry. Which was also a Siegel film.

Fans of Bette Midler will like Jinxed however.

Bette Midler's a lounge singer in Reno who plots to kill her abusive boyfriend with the help of a hunky card-dealer, leading to a wacky scavenger hunt for the man's hidden loot. Dark-hued comedy takes a long time to get cooking, but there are some big laughs in the second-half, mostly due to Midler's hamming and several of her wicked throwaway lines ("Talk to my a**, my head's had enough!"). Ken Wahl is a tepid stud, but Rip Torn is a hoot as Midler's scummy roommate. Frank D. Gilroy co-penned the screenplay with David Newman, utilizing the pseudonym Bert Blessing. Vilmos Zsigmond's cinematography is gauzy and gauche (perhaps he should have adopted a pseudonym as well). Overall, not as atrocious as its bad reputation might leave one to believe. ** from ****

Don Siegel couldn't have directed this abomination. He must've given it to a new assistant director. I read that this movie bombed at the box office and almost ended Bette Midler's film career before it began, and I can believe it. This has to be one of the worst movies I've ever watched, and I did watch to the bitter end. I kept thinking surely something -- anything -- would happen to turn it around. But nothing turned it around. I hated every character, especially the absurd Ken Wahl character. The plot is absolutely stupid. There are too many things that are unbelievable to even list. The acting is awful. Bette Midler seemed to fluctuate between too cute, too melodramatic, and too weird. The "treature hunt" at the end is utter nonsense, including the painfully horrible and pointless scene with Jack Elam. This isn't a movie, it's a jumbled worthless mess. I'd give it a minus 100 if I could. Note to IMDb -- "must've" and "I've" are contractions, don't you people know English? These are not "spelling mistakes" you morons!