The Hunchback of Notre Dame

I love the book, and I love the 1939 film which I found beautifully made, memorably performed and very poignant and the Disney film for while it is not a true adaptation the animation and music more than make up for me and Frollo is one of Disney's most interesting characters.

This Hallmark Hall of Fame adaptation is not as good as these two in my view, but it is one of the truer adaptations of the book especially in its depiction of Frollo. Two scenes didn't work for me, the Festival of Fools scene which was in need of much more jollity and the Court of Miracles scene which while well acted and set lacked intensity.

However, two scenes in particular did stand out as very powerful, the angry mob scene which is one of the more vivid depictions of that particular scene of any film based on the classic novel and the ending which killed me emotionally.

This Hunchback of Notre Dame does look gorgeous with excellent photography and sumptuous costumes and settings, though I kind of agree that black and white would have given it a more Gothic tone. The story still maintains its emotional impact, the script is thoughtful and literate and Ken Thorne's music is memorable and never too obtrusive.

The acting is spot on. Lesley-Anne Downe is a breathtakingly beautiful and sensual Esmeralda and David Suchet in a role completely different to his Poirot persona(quite a shock if you ask me) is a grotesque Clopin. Anthony Hopkins is a poignant Quasimodo, but it was Derek Jacobi who nails his tortured and complex character that made the adaptation for me.

In conclusion, very well done. 8/10 Bethany Cox

This movie version of The Hunchback of Notre Dame is superbly similar to the Hugo novel. Quasimodo looks exactly like it's told in the book, he is almost deaf, and in this movie we see yet another "little Esmeralda", who reminds us of the dancer in the Dieterle version.

I was quite surprised that even Frollo is rather good to Quasimodo - just like in the novel - but when he already at the beginning started to show his passion for Esmeralda, I knew that he is just like he must be. Honestly, I couldn't only hate him because he later seemed to be quite unhappy of being "bewitched" and that Esmeralda refused to answer to his feelings.

I was especially shocked that the film had even the torture scene of Esmeralda. Captain Phoebus, too, was surprisingly similar to the character of the book, and it was good that Gringoire tried to warn Esmeralda about him. It was also really moving to hear Quasimodo talk about his own ugliness.

The only thing I was a little disappointed in was the end; although it doesn't belong to the novel, I had started to hope that Esmeralda could see the truth about Quasimodo.

This was a film that I sought out as I really enjoyed the original version of this story that was done as a silent film. I decided to check out the other versions. What was interesting about this one is that it is made for TV movie back in the early 80's. The synopsis is a disfigured man Quasimodo (Anthony Hopkins) is feared and tormented by the townspeople of Notre Dame, but he has a sensitive nature of which few are aware.

We start this off inside of the church Notre Dame. A hideous baby is found and the nuns believe that there are devils within it. A priest, Dom Claude Frollo (Derek Jacobi) decides to make him his ward and allow him to live in the church. We shift to 15 years later. Frollo is made an archdeacon and he goes around with Philippe (Tim Pigott-Smith). In the city there is a gypsy woman, Esmeralda (Lesley-Anne Down) who is dancing for money and she's being arrested. When Frollo sees her, he lets her off with a warning.

This day is the start of a festival. One of the most important aspects is crowning the king of fools. Pierre Gringoire (Gerry Sundquist) is a poet who wants to put on a play, but the people aren't really interested. They are trying to find the ugliest man and that is solved when Quasimodo shows up. He is crowned and then scolded by Frollo. He tells him to go back to the cathedral. Also during this, Esmeralda is forced to dance again by her brother, Clopin Trouillefou (David Suchet) and she is arrested. Frollo intervenes and takes her to Notre Dame.

It is there he comes on to her and she flees. He sends Quasimodo after her. Phoebus (Robert Powell) shows up and takes the hunchback into custody. Esmeralda immediately falls in love with this man. Phoebus tells her to meet him at a tavern later that night. Pierre stumbles into the kingdom of thieves where they are going to execute him. That is until Esmeralda agrees to marry him instead of his life being taken. It is after though she tells him that she doesn't see him as a lover. She heads off to meet with Phoebus.

Things take a turn when Frollo goes there to kill Phoebus. The crime is blamed on Esmeralda and she is sentenced to death, even though Phoebus survived. Quasimodo does save her from execution, but now she is kept in Notre Dame, Frollo is also inside with them.

Now I will start off stating I debated whether or not to review this film or not. This one toned down the horror quite a bit to focus more on the love story. That is not to say there aren't horrific elements to the film though. It also does bring up some relevant concepts that are still an issue today as well.

The most glaring one is the right of a woman to choose and the idea of toxic masculinity. Esmeralda falls for Phoebus, because he is good looking and he's a prominent member of the city guard. Pierre is overall a good guy, but he tells Esmeralda not to go meet him because he is a womanizer. I don't like that he is forbidding her at first, but it is her decision. He does have the best intentions for her and will treat her right though.

Even more toxic masculinity is Phoebus and Frollo. The former is really a womanizer and just wants to sleep with her. He is committing adultery as well. Frollo is a man of God, but he is in love with the beauty of Esmeralda. The problem here is that he doesn't take no for an answer and he claims she is a witch for causing him to fall in love. This brings up a big issue I have with religion for sure as he can't take any responsibility for his actions.

It is also a shame though that Quasimodo looks the way he does. He really treats her best, outside of trying to kidnap her because he is told to by Frollo. Quasimodo is convicted of a crime against her and when she shows compassion, he does the same. I do have an issue with this film that we don't get as much Quasimodo as I would like. The story is about him, but this one focuses quite a bit more on this love issue between all of the parties I outlined.

Being that this is a television film, I do think it has some pretty good pacing. I never got bored with what was going on, even though it is a story that I already know. The tension of the film is built through the torture of Esmeralda and just the dread all of these men as they push their will on to her. She is just trying to make money and surviving in the only ways that she can. The failing of the courts is something else that adds to that as well. I liked the ending and though it was fitting for the story that we got.

Something I thought was really good for this one was the acting. Hopkins doesn't have a lot of lines, but I can see why he is a master at the craft. He conveyed the character so well and I thought the way he moved and spoke were perfect of a character like this. Jacobi was solid and I love the corruption of religion that happens with him the moment he sees Esmeralda. The interesting thing is that he did do a good deed of taking in Quasimodo. It doesn't excuse him, but we do get that redeeming factor. Suchet was fine as was Sundquist. Down was quite beautiful and I thought her portrayal of Esmeralda was solid. The rest of the cast rounded out the film for what was needed as well.

To the effects of the film, they did go pretty light on them. This one doesn't really need a whole lot to be honest. The look of Quasimodo was good. I thought it was pretty realistic. I do like it was done practical. That comes from the time period, but if done today, it would probably be CGI. The torture scene of Esmeralda did make me cringe so I give credit there. I do think the film was shot well also.

Now with that said, I thought this film was fine. It isn't as good as the other two versions I've seen at this time though. I think some of the aspects of the story that were taken out hurts this one. This one focuses more on the love angle instead of the social commentary of science vs. religion. The acting though is good and the little effects we get are as well. It is paced well also. The soundtrack of the film really didn't stand out and it didn't hurt it either. I did find this version to be enjoyable, just not better than some of the others one. I would actually recommend this if you want one that is a bit lighter on the horror as I do think this one is above average overall.

The Hunchback Of Notre Dame is one of the best movies of all time. A balance of epic action and character is woven into a piece of great story telling. Every minute works and builds to the next. Perfect from beginning to end and deserves to be set next to Citizen Kane. Tragically it was not done for the big screen and couldn't get an Oscar.

I had been looking forward to watch this film after reading reviews praising the acts of Derek Jacobi and whatnot, but was disappointed. His Frollo seems very detached from Esmeralda, even with his talent, it doesn't connect.

Also, this Esmeralda is laughable. The hair is hilariously 80s and doesn't work. Nothing against the actor.

The one that saves this rating from even being a 6 is Quasimodo. Unfortunately we don't see a lot of him until the last half (sort of like the book), where we almost get to see more development of him but hardly see any from anyone, not even Q with Frollo. The only good scene would be the aftermath of the flogging and Quasimodo talking to Esmeralda in the tower (but only Quasimodo's dialogue, a nice touch being it's mostly lines from the book).

The ending got to me, I will admit. Hopkins does a stellar job. One of the better adaptations, but wouldn't be so quick to recommend. Watch the 1997 version if you're looking for a modern live-action Hunchback.