Le vent de la violence

This was really a surprise for me since I had never even heard of this film before. It takes a hard look at apartheid-run South Africa (remember this was 1975) in the form of an interesting action thriller with very good acting from all actors/actresses and with a plot that keeps you glued to your seat. This, even though (or because) it is not the typical "action-packed" kind of movie of this sort. You won't miss if you watch this.

Black anti-apartheid activist , a "Kaffir" (in South Africa , the term is regarded as highly racially offensive) from African National Congress ("Black Congress") , called Shack Twala (Sidney Poitier) and an Englishman named Jim Keogh (Michael Caine) on the wrong side of the law are forced to run from South African secret police . As they escape from Cape Town to Johannesburg , across 900 miles or 1,448 kilometers . They team up to getaway the clutches of a prejudiced law agent (Nicol Williamson) , a violent cop and other underlings in Apartheid Africa . Meanwhile they pursue some smuggled diamonds along the veld and are themselves relentlessly pursued by the AfriKaner Police . The film's closing credits declare: "This motion picture is fictional and any resemblance to actual persons or events in South Africa is purely coincidental".

The focus of the movie is on the moving pursuit with bigotry creaming the surface , not the political uprising taking place around it , though in the course of entertaining and amusement may also make people think about racism and other thought-provoking themes . Well-done chase movie that contains thrills , emotion , interracial screwing , crossfire , profound racial issues are overseen and action as well as thriller is maintained throughout . The flick is more an action movie than a racism yarn , it is about man's humanity to man . Based on a story by Peter Driscoll and released three years after its source novel that first published in 1972 and screen-written by Rod Amateu who provides an agreeable script . The film is pretty well , but some moments results to be unpleasant , extremely violent , and invidious . Over-the-range performances from Sidney Poitier as the hand-cuffed African and Michael Caine as a British engineer who is served with some amusing deadpan sentences . Support cast is frankly good , as Prunella Gee , Saeed Jaffrey , Persis Khambatta , Rutger Hauer , Patrick Allen and shinning Nicol Williamson as a leering security cop . Stanley Myers's musical score is characteristically cool , with an attractive initial song and plenty of Indian sounds . Colorful cinematography by John Coquillon , most of the film is set in Johannesburg and Cape Town , but due to the political sensitivity of anti-apartheid , no attempt was made to film there , in fact it was shot in Kenya and Pinewood Studios, Buckinghamshire, England, UK .

The motion picture was compellingly made by Ralph Nelson . He has got himself a ¨South African Soldier Blue¨ . Being the third collaboration between Nelson and Poitier and final film together, after previously collaborating on Duel at Devil (1966) and The lilies of the field (1963) . Director Ralph was expert on all kinds of genres as Western : ¨Soldier Blue¨, ¨Duel at Diablo¨; Sci-Fi : ¨Embryo¨ ; Wartime : ¨Soldier in the rain¨ , ¨Father goose¨ ; and Drama : ¨Charly , ¨A hero ain't nothing' but a Sandwich¨ , ¨lady of the house¨ and his greatest hit ¨Lilies of the field¨ who had an inferior sequel titled ¨Christmas lilies of the field¨.

Sidney Poitier and Michael Caine strike a winning screen partnership in this chase thriller set in South Africa. However, the most memorable portrayal comes from Nicol Williamson (an oft-underrated actor who steals the show in virtually every film he's in), as a particularly unpleasant racist security agent. The film is set against a background of volatile race relations, but the political angle of the story isn't thrust forth too heavy-handedly. First and foremost, this is a chase story... and it's all the better for it.

Bantu activist Shack Twala (Sidney Poitier) is acquited of terrorism charges in a Cape Town court. He is on his way for a celebratory drink with his lawyer Rina (Prunella Gee) and her English boyfriend Jim Keogh (Michael Caine), when they are assaulted by two racist policemen. They turn the tables on the policemen and give them a pretty thorough beating. Twala and Keogh go on the run, hoping to reach Johannesburg where Twala has a contact who can get them out of the country. However, they are pursued all the way by the bigoted Major Horn (Nicol Williamson). Horn's ultimate plan is to let Twala unknowingly lead him to the hideout of a rebel leader named Wilby.

The Wilby Conspiracy is generally a good film. The acting is excellent throughout, and the film has an unexpected element of humour, with Caine and Poitier providing several dynamic exchanges. The script is sharp, with enough incidents and twists to stay a step ahead of the viewer, and an interesting central theme. There aren't many shortcomings in The Wilby Conspiracy, though that's not to say it is perfect. The ending seems rather fudged, and some of the plot developments don't quite ring true. (The bit where Saeed Jaffrey's pretty young dental assistant attempts a treacherous double-cross is a good example of an unlikely plot contrivance). However, on the whole this is a slick, well-made and absorbing movie.

A fun politically charged, fast-paced action drama. No politically correct dialog here, as the principals give no quarter when the name calling and racial badgering ensues. A White man and a Black man are thrown together on a political twist of fate and have to overcome their mutual disdain for one another if either of them is to survive. Caine and Poitier, in my humble estimation, do a bang-up job of fulfilling the requirements of their respective roles. Neither widely known nor often mentioned, Prunella Gee does a nice job as Caine's sweetheart and Poitier's legal/political confidant, especially as it pertains to her keeping the peace between them so that they can achieve the task at hand.

What is also interesting is to see that even though Indian people and indigenous Blacks were similarly discriminated against in S. Africa (esp. during apartheid), there is still racial friction between those two groups. Not particularly earth-shattering news to many people, but a subject not often underscored in most modern cinematic fare.

If you like political melodrama with good plot development and plenty of action, you should like this one.

I would really have liked to have given The Wilby Conspiracy a higher rating than I did. But unfortunately a really huge and ridiculous error was made in telling the tale.

Due to political pressure brought to bear from various world human rights activists, black nationalist Sidney Poitier is freed by the apartheid South African government. On the way to celebrate, Poitier, his lawyer Prunella Gee and her boyfriend Michael Caine get into a mêlée with South African police and after assaulting a pair of them have to flee.

But it turns out the government in freeing Poitier in the first place has a whole other agenda. Poitier also has something else in mind, to get a stash of diamonds hidden years ago in a robbery to aid the African National Congress.

During the course of fleeing Poitier seeks the aid of an Indian dentist played by Saeed Jeffrey and his assistant Persis Khambatta. While Poitier is hidden away in a modern day priest-hole he takes Khambatta in there with him and while the South African Security are even outside within a few feet of him, Poitier and Khambatta are doing the horizontal mambo. Now granted Poitier had been in prison for 10 years and he was understandably ready to go, still I found it a bit much. The steamy sex scene definitely sold a lot movie tickets, but it was awkwardly planted into the story.

Acting honors in this film go to Nicol Williamson as the South African Security Police Chief Horne. He is a chillingly evil man, resolute in defense of the apartheid society and a bigoted product of that same society. Williamson is living proof of what Martin Luther King said about racism being as toxic to the perpetrator as to the victim.

The Wilby in the Wilby Conspiracy is a Nelson Mandela like figure who is in exile in neighboring Botswana. He only enters the film at the very end and in a surprising way.

The Wilby Conspiracy other than that tacked on sex scene done for box office dollars is a great portrait of the last days of the apartheid society of South Africa. It should be seen for Nicol Williamson's portrayal alone.