Le daliah noir

"This is about a murder that really happened. Nobody made it up. As far as I know, there's never been another one before or since, quite like it --- ever!" Those ominous words, spoken in VO by Efrem Zimbalist, Jr., open this 1975 docudrama that chronicles a real life murder mystery that has never been solved.

Elizabeth Short moved to California in the 1940's, in search of show-biz stardom. The fact that this beautiful young woman wore mostly black clothes to match her black hair led others to nickname her "The Black Dahlia". On January 15, 1947, her mutilated and exsanguinated body was found in a vacant field in Los Angeles. The homicide immediately created national interest. And in the fifty-plus years since her death, this unsolved murder has evolved into a major legend.

The screenplay for "Who Is The Black Dahlia?" is factual, well written, sensitive, and thankfully low-key. The story, told in flashbacks, is riveting. In one chilling scene, a man stands in a telephone booth and, with his back to the camera, conveys to the newsman on the other end of the line crucial details about the murder that only the killer could know. The man's face is never shown.

Playing the role of Elizabeth Short, Lucie Arnaz gives a credible and sympathetic performance. Efrem Zimbalist, Jr. convincingly plays Sgt. Harry Hansen, the frustrated, lead detective. The support cast is equally effective. The film's music is appropriately downbeat and depressing.

Some viewers may find the plot to be slow. Certainly, the film's lack of in-your-face violence and gore will disappoint the tabloid crowd. But for thinking people, for viewers who can appreciate a thoughtful and insightful analysis of a horrible crime, I recommend this film most highly.

In the film's final VO, Sgt. Hansen reflects: "We never found anybody who saw Elizabeth Short the last six days of her life ... In Los Angeles police files, The Black Dahlia murder case is still open."

Who Is the Black Dahlia? (1975)

*** 1/2 (out of 4)

Sgt. Harry Hansen (Efrem Zimbalist, Jr.) and Sgt. Finis Brown (Ronny Cox) are called to an empty lot and when they arrive they locate a body that has been brutally mutilated and cut in half. The two start investigating who the body belongs to and it eventually leads them to a mysterious woman named Elizabeth Smart (Lucie Arnaz).

WHO IS THE BLACK DAHLIA? is an extremely entertaining and very interesting made-for-TV movie that manages to play like a wonderful film noir of the 50s while at the same time capturing the spirit of a 70s TV movie. The mystery surrounding Elizabeth Smart's death has led to countless theories over the decades so being able to watch one of the theories from 1975 is interesting when viewed today. The film manages to be highly entertaining from start to finish and offers up two different sides of the story.

The first side is that of the police. Through narration we hear from Hansen as he tries to solve the various mysterious surrounding the Smart character. The second portion of the film shows us various things about Smart from her deciding to leave her home in Maine, to getting kick out of her father's house as well as the various issues she had trying to break into show business. I'm not sure how accurate these personal stories can be but they're all told in an entertaining way. Of course, the mystery of who the killer is has yet to be solved but the film puts out there some interesting ideas.

The performances are all extremely good with Zimbalist having no problem carrying the film. He certainly fits the film noir detective and manages to hold your attention throughout. Arnaz is also good in the role of Smart and I thought Tom Bosely, Cox, June Lockhart, Donna Mills and Brooke Adams were good. WHO KILLED THE BLACK DAHLIA? works just fine as a mystery and it certainly helps build the story behind the actual case.

I watched the film when it was first broadcast and I remember actually being really frightened by it. It was the eerie, atmospheric setting of the movie and good acting that gave the movie it's frightening aspects not the gore and carnage that movies made today depend on. Also, after watching her for years in "The Lucy Show" it was a very pleasant surprise to see Lucy Arnez playing a sexy young woman. Her acting career was really hampered by being the daughter of the famous woman. I wish that the film would be shown again on a cable telvision channel such as TCM or AMC so I could tape it. The recent big screen movie version of "The Black Dahlia" was a major disappointment especially compared to this well done made-for-television version.

This 1975 TV movie brilliantly portrayed the tragic true story of an young aspiring actress and her brutal murder in 1947, which has never been solved.

The story told in flashbacks with some style for an old TV movie. Very good acting and well written screenplay mostly based on facts. Although Elizabeth Short's murder scene was one of the most disturbing crime scenes ever recorded in history, this movie never tried to exploit it by using unnecessary gore, which may disappoint a few fans of the genre. Here the focus is on the characterization of Elizabeth Beth.

Lucie Arnaz did well playing the innocent yet mysterious young and gorgeous Beth. It was very sad at times and depressing as well. Efrem Zimbalist Jr. was superb as the detective who was obsessed and frustrated with the mystery beauty. The co-stars did their parts okay.

A true hidden gem. Probably one of the best TV movies made in the 70s.

This made for t.v. movie terrified me when I saw it in 1975. One of the people with whom I was living at the time said, "Watch this and tell me how it turns out," then left to go out.

By the end, in which the Sgt. Harry Hansen character looks at the camera and speculates about the murderer (I won't say any more than that), I was so scared that I ran around the whole house and turned on the lights and didn't go to bed until my housemates returned at 2:00 a.m.

The plot develops well, in a series of flashbacks. The characters are sympathetic. The period atmosphere seems/seemed right. And most of all, unusual for the time before "docudramas," this film was based on a real case.

I am not the world's largest Efrem Zimbalist, Jr. fan (though I did enjoy 77 Sunset Strip as a child), but his work here is very good.

Enjoy .