Ajouter une intrigue dans votre langueA number of women are brutally murdered. It quickly becomes apparent that all the victims are connected to a woman who had been having illicit affairs with them.A number of women are brutally murdered. It quickly becomes apparent that all the victims are connected to a woman who had been having illicit affairs with them.A number of women are brutally murdered. It quickly becomes apparent that all the victims are connected to a woman who had been having illicit affairs with them.
- Réalisation
- Scénario
- Casting principal
- Anna
- (as Pier Anna Quaia)
- Mario the coiffeur
- (as Giovanni Brusatori)
Avis à la une
Overall it's not actually bad, it's just not good either and has no atmosphere whatsoever which is unfortunate in a giallo film. But it's better than I originally thought.
First, this film does a couple things right. The dialogue is better than it has to be, and it mixes in moments of wit and humor throughout the script which are a nice bonus. The acting varies. Some of the actors are quite good. Some even convey appropriate grief in response to murder. However, there are other actors here that are utterly unconvincing as their "characters." It's pretty bad at times.
The film never decides on a proper protagonist. There are 3 or 4 contenders. But no central hero to root for.
In the end, the villain does not get their proper time to shine in all their madness. It felt unsatisfying. I'd skip this one.
A lady in black (close shot on the black hose she wears)kills several young ladies (wearing undies, as usual) with no apparent motive (oh, really?). Except that the ladies are all related to a picture on which they appear altogether. The detective( John Richardson)penetrates the world of a very rich family where everything seems to be, well...mysterious.
Oh well, very usual indeed. Vice always finds home in the italian haute-bourgeoisie, loads of lesbian scenes & female nudity, and murders scenes piling up in a very tired way (all razors except one strangulation). The resolution is completely absurd (and the explanation of the sole survivor is utterly funny as she doesn't seem to be convinced of what she says).
The director has no sense of rythmn (essential in that genre) and lacks of strength when it comes to direct. The actors are like robots doing their thing over and over, lead by british actor John Richardson (and genre veteran)who was on the decline of his career.
The suspense does work anyway and for those who know the Giallo tricks, it's nevertheless obvious who's doing what. The director although tries to give a different tone (a comic one) with John Rochardson's sidekick, as if he wasn't interested in the suspense : that's why maybe the murders scenes are so mechanical and uninteresting.
For genre lovers only, IL VIZIO HA LE CALZE NERE has very few appeal on all levels even though the version I've seen is a 71 mn running time and appears to be heavily cut.
has been shot in Techniscope 2.35:1. Watch out for the horrible pan and scan version
Superwonderscope says : 4
Yep, the killer has black gloves and an open razor, the victims are young and often naked ladies, and there's loads and loads of nudity to keep you awake between the interminable police investigation scenes. The main focus seems to be mainly on John Richardson the policeman and his sidekick, who suspiciously is played by director/actor Gaetano. There's also a keen rookie cop and his girlfriend that clog up the investigation side of things too, and bulk out the plot.
As usual a photograph is a main plot point, there's a few effective stalking scenes, but even the rampant nudity couldn't really carry this one all the way through. They didn't give Giacomo Rossi-Stuart enough screen time either.
Le saviez-vous
- AnecdotesWhen the cultured but assumedly heterosexual dress designer happens to employ the French phrase "mise en scene" to "set the scene" for his testimony, Sgt. Panto, who just assumes all designers and hairdressers are automatically gay [he's previously insinuated that the couturier wears his own wares, and later professes the belief that the guy's a "fag"], on a hunch it must be something subversive and immoral, mimics back "mise en shame", so as to indicate, wrongly, that he knows it's pervy code for a proposition to commit some sort of disgusting same-sex act.
- GaffesWhen the cultured but assumedly heterosexual dress designer happens to employ the French phrase "mise en scene" to "set the scene" for his testimony, Sgt. Panto, who just assumes all designers and hairdressers are automatically gay [he's previously insinuated that the couturier wears his own wares, and later professes the belief that the guy's a "fag"], on a hunch it must be something subversive and immoral, mimics back "mise en shame", so as to indicate, wrongly, that he knows it's pervy code for a proposition to commit some sort of disgusting same-sex act.
- Citations
Dressmaker: Our work requires a certain "mise en scene." ... Do you understand Sergeant?
Sgt. Pantò: Well,,, I try ... So I wanted to ask you if you ever dressed as a woman?
Dressmaker: Me, dress as a woman? Why would I?
[Panto stutters, trying to avoid an indelicate or explicit response]
Dressmaker: Mise en scene?
Sgt. Pantò: [cutting him off, relieved he didn't have to say it first] "Mise en shame!" Exactly!