La bête tue de sang-froid

Two psychopathic men and their nymphomaniac associate get on the night train running from somewhere in Germany to Italy. They rape one girl, drive another to jump off the train, then go spend some time with the latter girl's parents.

It's always difficult to figure out performances in a movie that's been dubbed, even when the dubbing is good, as it is here. I thought this one might have inspired Michael Haneke's FUNY GAMES but concluded that there's very little sense of drama or black humor in it. Instead, it wound up about horrid people doing horrid things for no clear reason -- I don't believe "They're psychopaths!" to be sufficient motivation absent other items of interest, and there weren't any here. This was rejected for a theatrical license in Great Britain when it first was released. I do not approve of censorship, but can certainly understand why. I cannot recommend this movie except to those who enjoy blood sport solely for the gore.

I am in the process of collecting all the "video nasties" and I picked this one up a week or so ago. I watched it today and was disappointed overall. When it was released in the US it was called "Last House on the Left 2" and is in fact the Italian version of "Last House" but is not nearly as visually brutal. It takes place on a train going from Germany to Italy during Christmas and other then that it tries to follow the "Last House" script almost to the letter. When I say that it is not visually as brutal as "Last House" I mean that there is more innuendo then actual gore. In fact there is virtually no gore in this film and unlike "Last House" there is no nudity. The two thugs are no where near as sadistic as David Hess and his gang were in "Last House" and even display remorse when they kill the first girl. It is definitely worth a watch but don`t expect much if you`re looking for something brutal and gory.

This movie is well worth at least one look:yes,it is a variation (rip-off)of Last house,but it does have a few surprises and arguably,a stronger theme than Last House;there is a definite anti fascist ,left leaning sensibility to this film,underlying its more European take on the "Us and them "idea behind Last house.

Firstly,its really well made.If you've seen Lado's Gialli ,you'll know hes no hack,but he sets scenes really well.The scenes on the train have a insular,outward looking feel,as though you are really trapped inside looking at the world flowing by the windows.

Thematically,the two films are VERY similar;two ultra middle class girls (more worldly than their square parents know)get involved with two scumbags,Blackie and er...his junkie friend (cant remember his name).Sorry,THREE scumbags,as Macha Merill,middle class but a deviant,joins in as the two girls are trapped on an overnight train,en route to a family Christmas.Rape,torment,and retribution follow,as you damn well expect.

Anyway,its not as brutal as last house.The rape and revenge stuff is strong (enough for it to be banned here,anyway)but its quite a dark film nonetheless:its very influenced by Pasolini.Hence,the middle class are twisted deviants who exploit the working class to get their fun.Its Macha Merill who is the real villain here,not Blackie,enjoying the twisted stuff to fulfill her libertinism,as the ending (no spoilers)reveals.Shes good in this film,too.

The bad?the theme song is awful.Seriously.I played this on my laptop and at first I thought the speakers had melted,the singer warbles so much.Awful.I hope Morricone had nothing to do with it.The actings so-so,I liked Blackie anyway.Cute Irene Miracle is one of the girls.The parent figures are really dull...and the Dads a doctor!How blatant is that!

I dug the humour of the film too:in one scene in the train a young priest notices that the rummy old Cardinal is slyly winking at him;he turns to another priest who says "Oh its just a nervous tic".But in the best scene,Blackie discovers a carriage full of old ex-Nazis singing a fascist marching song(the film is set in Germany and Italy).He sneaks in and shouts "Heil Hitler" to which all the old chaps jump up and shout "Heil" in response.I liked it anyway.i think it reveals a lot about the films idea that perversion is always under the surface,in the most respectable of places.

This is one of the few nasties I never tracked down on copied VHS,so its great to see it so pristine and clear.It could easily get released now in the UK;but they would probably cut the scene where Merill gets raped and enjoys it,totally taboo for the BBFC,especially in a non art-house flick (total hypocrisy of course)as they did with House on the edge of the Park.The scene with the knife would get axed as well,if you see the film you'll understand.All readers in Countries where people can make up their own mind,check it out now!

N.B has now been released with an uncut 18 certificate by shameless in the UK. What a dunce I sound like now...

An Italian reaction or "response" to Wes Craven's 'The Last House on the Left'. 'Night Train Murders' was never granted a U.K cert' in 1976 and for obvious reasons. Thankfully an uncut version was released (in recent years) by 'Shameless' and despite falling short of the gut churning 'Last House', it's pretty effective in places. As usual the dubbing is pretty awful and the Italians always have such cartoonish thugs. On the positive side, the sheer nastiness of tone will keep you watching after a pretty mundane (first) 30 minutes. Another reason to watch is it's scored by the genius that is Ennio Morricone but even he delivers a forgettable piece of music. To be honest the title track sung by Demis Roussos, is more despicable than the strong, graphic depictions of violation and murder.

"The Night Train Murders," also known as "Last Stop on the Night Train," follows two teenage girls riding an overnight train on Christmas Eve from Munich to be home with their families for the holiday. Unfortunately, two thugs are also onboard, who happen to find an unlikely accomplice when they decide to brutalize the two girls in an empty car. Things, however, get increasingly complicated when they find themselves in the company of one of the girls' parents after de-boarding.

The Italian equivalent to Wes Craven's "The Last House on the Left" (or Bergman's "The Virgin Spring"), "The Night Train Murders" follows a familiar plot, so it needs to excel in other areas in order to set itself aside from its source material; and it more or less manages to do this, with some caveats. Where "Last House" took place in bucolic New England, "Night Train" sets itself within the confines of a train (a tradition dating back to Hitchcock's "Lady on the Train") running through rural Germany, and the film is extremely atmospheric for this. The Christmas Eve setting, though ultimately inconsequential to the narrative, does give the film another sinister layer.

The film is really well shot and there are some fantastic overhead views and other shots of the narrow train corridors that make for claustrophobic chase sequences. There is some contrived social commentary peppered in from the doctor father in the film, who waxes poetic about contemporary violence, but what's more interesting is the involvement of an austere woman on the train who finds herself a voyeur, and ultimately, a participant, in the brutalization of the girls. The psychology behind this is truly fascinating, and Macha Méril plays the part perfectly. The violence inflicted on the girls is difficult to watch, and the anonymous woman's participation in it is riveting. The conclusion, per the source material, is expected, but is also handled with stylish flair.

Overall, "The Night Train Murders" is a grim and stylish retread of a familiar story, but the material is handled well and the film boasts several disturbing scenes and a general atmosphere of foreboding and dread. Some people have tended to classify the film as an example of genre sleaze, though I didn't necessarily get that vibe from it. The violence here is more implicit than it is gratuitous, and the thematic overtones keep the film from edging into outright exploitation; it's more of a character study in the terrible things people are capable of in the most arbitrary of circumstances. 8/10.