New York ne répond plus

...He just might pop them out of your head. The almighty B movie legend plays the antagonist "Carrot" in this reasonably enjoyable post-apocalyptic sci-fi thriller from Robert Clouse, director of "Enter the Dragon".

An intense Yul Brynner stars as Carson, a loner hired as muscle by a peaceable group struggling to survive in the NYC of the year 2012. This group needs somebody like Carson to protect them from the aggressive forces led by Carrot. Leading the good guys is the Baron (a highly engaging Max von Sydow), and one other thing that they have on their side is their botanist Cal (Richard Kelton), who's developed seeds that are immune to the plague. Eventually Carson must make a trek for freedom accompanied by the Barons' pregnant daughter Melinda (Joanna Miles), with Carrot and his gang in hot pursuit.

"The Ultimate Warrior" is good fun, if unfortunately not having quite enough "oomph" to make it something truly special. The script, by director Clouse, is on the routine side, and it never does flesh out the characters too much. That said, the actors are still able to make an impression. Both Brynner and von Sydow have commanding presences and Smith, as could be expected, is a very effective bad guy. Among the supporting cast is reliable veteran character actor Stephen McHattie as Robert, one of the Barons' men. Production design, art direction, and set decoration are all heavy assets; the viewer will have a lot to take in while looking at these run down, forlorn "future" locales. Talents behind the camera include cinematographer Gerald Hirschfeld, editor Michael Kahn, and composer Gil Melle, whose score helps to drive the movie forward. What *is* great is the ultimate showdown between Brynner and Smith, which is well worth waiting for; Brynner proves to be in real fighting shape.

A very grim and gritty tale, this movie doesn't pull its punches and portrays a hard scrabble existence in a straightforward manner. It deserves to be more popular, especially considering the subsequent productions such as "Mad Max" and "Escape from New York" that it surely must have influenced.

Seven out of 10.

Hiring a warrior to protect your leaky compound after a worldwide plague can be an iffy proposition. Having to fight off a menacing gang lead by a man named Carrot is also a dangerous endeavor. Yul Brynner is ably cast as "The Ultimate Warrior." He wields a knife with the precision of a rabbi. The film's final reel will confirm this. And Max von Sydow is always fun to watch as he wrestles with the dialog and the ultimate fate of the barricaded parish. I admire the fellow who tends the garden on the roof. A movie like this needs a ray of hope cracking through the grim reality taking place. Stephen McHattie, who played James Dean in the break out role that didn't pan out, has the thankless role of a father who is desperate to feed his family. The film's climax takes place in the city's subway tunnels and is honestly brutal in its resolution. Bravo to the director for his use of still photos at the end. He releases the frame briefly for a burst of light--and coastal bliss. Lastly, my "summary" can be rendered mute if the towers are rebuilt before the date established by the makers of the film. Lets go!

The plot: In the far future of 2012, a warrior sells his services to the survivors of post-apocalyptic New York.

While there are some obvious flaws to this film, it's clearly a forgotten classic of the era. I don't see how you could possibly go wrong with Yul Brynner kicking ass in post-apocalyptic cities. It's been a long time since I saw this (probably cable television in the 1980s), but I can still quite clearly remember several of what have become (to me, at least) iconic scenes of 1970s action/adventure/exploitation. If this film got broadcast regularly (instead of other inexplicable cable TV favorites), I think it could really attract a cult following.

For an obvious genre film, the cast is amazing, the writing and directing are better than expected, and the rest of the film is forgivable. Why? Because the flaws pale in the face of a shirtless Yul Brynner standing in the center of a city plaza, waiting for someone to bid for his services. What do action heroes do when they're not fighting bad guys? Why, they just stand there and wait for the plot to catch up to their awesomeness, of course. It's brilliant. If this resonates with you, then you simply must watch this film. If you're going to start asking questions and trying to debate this inescapable logic, then you should probably watch The Shawshank Redemption instead. That's a great film, too, but it doesn't have Yul Brynner knife-fighting with post-apocalyptic gangs.

"Not as bad as you'd think" is not a very convincing way to start a review, I admit, but this is a movie that had a lot going for it. A lot of potential, but not completely wasted. The scrip, including dialog, is rather intelligent. And the smartest thing the film's creators did was cast Brynner, von Sydow, and Smith (who is one of the most underrated bad guys in Hollywood. I wish Tarantino would rediscover him the way he did Travolta, Keaton, Forster--and just about half the main characters of most of his films, in fact). Perhaps, though, the stars' salaries left little money for sets and costumes, which are pathetic. The lighting is about as atmospheric as a dogfood commercial. Sadly, director Clouse's usual flair for fight scenes is, with the exception of a couple of nice touches here and there, absent.

Interestingly, "Day of the Dead" borrows heavily from this film, from the basic storyline (handful of survivors of apocalypse fighting against one another as a handful of them plot escape) right down to the cauterization-with-torch scene and the island-as-escape-from-wordly-chaos theme.

From Robert Clouse, the director who brought us the absolutely classic, Enter The Dragon, comes this post apocalyptic tale starring none other than Yul Bryner. Shall we dance indeed! Wow, sounds good so far eh? Well, as it happens it is rather and benefits immeasurably by its fine casting, especially the always superb Max Von Sydow, here playing a character called the Baron, leader of a commune of survivors trying desperately to survive in this harsh new world. As was later to become a staple plot in the plethora of post apocalyptic flicks which were to follow this in the early 1980's, not only is there unease and warring factions within the commune itself, but outside even more hostile groups are forever plotting to wipe out their neighbours. In this instance, a particularly nasty group headed by a chap called Carrot(!) (played by perennial bad boy, William Smith) are the antagonists. As a result of the mounting pressure, The Baron hires lone warrior Carson (Bryner) to help protect them and in a more secretive plan, to have him lead his daughter and her horticultural expert husband to safety, far away from the ravages of the doomed city.

Whilst best remembered for his action output, Clouse was actually a very gifted visual director and here manages to convey some particularly effective scenes of desolation (the visuals over the opening credits carry an especial air of sorrow and emptiness, depicting the end of civilisation).

Action wise, despite his mature years at the time of filming, Bryner is on fine form here as he demonstrates during the fair number of fight scenes contained within. Special mention to, for the rather shocking decision he makes during his final confrontation with his nemesis, a sure illustration of the old motto, 'Desperate times call for desperate measures.'

Overall, whilst not nearly as exhilarating as some of Clouse's other works such as Enter The Dragon and Black Belt Jones, this is a fascinating film that deserves far more recognition that it presently owns. For fans of the whole post nuke/post apocalyptic genre which was so huge following Mad Max, this is well worth checking out.