Tarzoon: La Honte de la jungle

This is a movie for people that love gratuitous cartoon sexuality, large anthropomorphic genitals and general grotesquerie.

It's fun and imaginative with a lot to offer.

I especially love a sight gag of Tintin forcing the bible on the natives.

Not quite awful but very far from good, this odd little movie wears out its welcome a lot sooner than you might imagine. It's like one of those sub-standard VIZ clones that cluttered up newsagent's shelves from the late eighties onward come to life, with a screenplay apparently written by an unreconstructed nightclub comedian who aims for the lowest common denominator and hits his target every time. It might be funny to see marching genitalia, a monkey poking a woman's naked breasts or the Tarzan character getting his penis stretched to impossible lengths the first couple of times, but that's really all the film has going for it in the humour department. A shame, because the animation is actually pretty good, and whoever came up with the rich soundtrack score deserved to see his work put to better use. The film achieved a minor cult following in the early days of home video in England due to its explicit (for the time) subject matter and the novelty value of seeing cute characters behaving badly.

I was first intrigued by this via a still in "The Movie", an early 1980s British film periodical, where it was mentioned in an entry dedicated to animation; I also recall my father renting it on VHS – under its U.K. title of JUNGLE BURGER – in the mid-1980s but, of course, I was too young to be allowed to watch this or even understand it. The edition I acquired had the benefit of the English-dubbed soundtrack (with the hero, spoofing the popular character of Tarzan, voiced by Johnny Weissmuller Jr.[!] – son of the screen's most famous "Ape Man" – and the participation of many a "Saturday Night Live" exponent) but I opted to watch the original French version (accompanied by Italian rather than English subtitles).

Anyway, while the film is moderately amusing, it's in no way a classic (falling far below the standard of even contemporary artist/film-maker Ralph Bakshi); incidentally, it exhibits a similar predilection for explicit violence and sexuality (indeed it's swamped by the latter, particularly during the second half, with the hero depicted as impotent and where both characters and landscape are shaped like male and female genitalia)! The villainess, then, is a bald lady with fourteen breasts (perhaps a nod to the then-latest Bond adventure THE MAN WITH THE GOLDEN GUN [1974] – speaking of cinematic references, there's an obscure one involving the maligned but not-too-bad religious epic THE SILVER CHALICE [1954], which I watched for the first time only last month): she's flanked by a mad scientist with two heads who, typically for such evil "Siamese twins" caricatures, are constantly quarrelling among themselves.

Classic cult movie that everyone remembers as a teenager.

My memory of the film still makes me laugh and have not seen it for 30 years or so! I wonder what I would think if I watched it again now aged 45.

It's playground humour will not appeal to everybody, but anyone one who hasn't seen it should give it a go.

It will entertain anybody who finds VIZ funny or people who giggle when they fart in a lift and then leave at the next floor, or people who get into a lift just to fart and then leave on the same floor!

The animation is very good for it's time and it is what it is.

Great.

The creative writers of SATURDAY NIGHT LIVE wrote the English version of this extreme unfunny cartoon from France. The film was barely released (played in Seattle as TARZOON;SHAME OF THE JUNGLE in only one drive-in with a small ad in 1979) This film only got any kind of release was because of the voice talent of John Belushi who has a thankless voice role in a unfunny material he wrote (!). I don't know what voice Bill Murray did, and the late Adolf Ceasar also has a nothing voice role also. All the joke do not work, and it's a suprise since MR. MIKE'S MONDO VIDEO worked very well. Only highlight is a amusing march segment these soldiers did with a funky catchy french/african tune on. It a watered down 70mins print for the U.S., but I guess the french has more explicit cartoon version. Not recommended, unless you like to check out Belushi's forgotten work.