Le froussard héroïque

If you haven't read any of the Flashman series, go out and find one. Rollicking good read, with the protagonist being an absolutely selfish, cowardly, mean-spirited ass of a man who nonetheless finds himself considered a dashing hero by the public at large. Fraser does a good job of converting his book to the screen (writing Three Musketeers was probably good practice), re-teaming with Richard Lester. MacDowall is good as ol' Flashy, glossing over the fact that Harry is supposed to a large, strapping Brit, and not a skinny little guy like Malcolm. :)

Enjoyable on its own merit, but I'd say read one of the other Flashy books and then see this.

This is a fun flick. I've always liked the humorous fighting style that director Richard Lester brings to his films (The Three Musketeers/Superman I and II/Robin and Marion). This rollicking tale has a dash of that as well as the comic timing of Malcolm McDowell and the grandiose aspirations to rip off "The Prisoner of Zenda" in roundabout fashion.

Royal Flash is an adaptation of the second novel of George MacDonald Frasier's hilarious historical fiction series about the 19th century British officer Harry Flashman, an admitted rogue and coward who always seems to end up smelling like roses. By placing Flashman in settings right out of history and populating his stories with real historical figures Mr Frasier has found the perfect way to inform as he entertains.

The film follows Flashman from a torrid affair with the sadistic Lola Montez to a chance meeting with Otto von Bismark before sending him on a wild journey to a small European province where he's forced to imitate a prince and marry a princess and...

Royal Flash is a good movie and I wish it had reached a wider audience so that I could have seen more of Harry Flashman on the screen. It is one of the weaker novels in the series, but plays well on film. McDowell is a perfect fit and the great Oliver Reed makes a convincing and intimidating Bismark.

8.5 out of 10, but I'm admittedly biased. Seek out the movie, then read the books. Or vice-versa. You won't be disappointed.

A lot of the humour in the Flashman novels is based on the discrepancy between how Harry Flashman appears and what he's actually thinking. As a result the filmmakers have had to make some adjustments to how Harry is played to bring our more of his innate cowardliness, lechery, thieving, and being an all round bad egg to the surface. I believe that the filmmakers have got the balance right and fully enjoyed this adaption of the Flashman papers.

The screenplay is a fairly faithful adaption of the original novel, which can be expected when the author is also wrote the screenplay. Malcolm McDowell and Oliver Reed give fine performances in the central roles, with the supporting cast ranging from excellent (Henry Cooper) to bland (Britt Ekland).

Bags of fun, but not to be taken seriously.

As a fan of George MacDonald Fraser's Flashman series I have seen this film many times and it's a treat to finally own a widescreen transfer on DVD. Royal Flash is the 1975 film based on the second "Flashman" novel of the same name. It stars Malcolm McDowell as Captain Harry Flashman, Oliver Reed as future German Chancellor Otto von Bismarck, Alan Bates as Rudi von Sternberg, Britt Ekland as the chilly Princess Irma, and Florinda Bolkan plays the actress/mistress of mad Bavarian King Ludwig. Lola Montez. It also features the best Scrooge ever, Alastair Sim, and a pre-"Roger Rabbit" Bob Hoskins in minor but memorable parts. Fraser wrote the screenplay and the film was directed by Richard Lester. It is very similar in style to their collaboration on The Three/Four Musketeers films of 1973/1974, which also featured great locales, swordfighting galore and an ideal cast. OK, first, the BAD news: although I saw a 1975 preview screening in Ottawa I have never seen the original longer version, which apparently was released and trimmed to 102 minutes shortly after. Sadly, this footage, which apparently featured Lester regular actor Roy Kinnear in some scenes, does NOT appear on the DVD. There are some special features, including the theatrical trailer and a couple of mini-documentaries made around 2004. Another quibble some Flashy purists have expressed is that McDowell is not "stout" enough to play Harry. I think the natural devilment in Malcolm's performance more than makes up for his stature, and they even try to make him broad-chested in the film. I'm a Flashy purist too, and I prefer the tall lancer figure portrayed by Barbosa on the original book covers to the rather fat portraits on the current book covers. Finally, some have objected to the "slapstick" nature of the film, and perhaps these readers are more interested in Flashy's military campaigns than his rollicking amorous adventures. How much you like Lester's use of muttered quips and style of shooting will perhaps guide you: if you like "A Hard Day's Night", "Help!" or the Musketeers films you should enjoy this one. If you're looking for Kubrick, move along. Here's the GOOD news: the widescreen transfer is fine, the outdoor location shots still gorgeous and the movie is great fun. It is still a puzzle to me why such a fine film stiffed at the box office and was hard to find on TV or video for so many years. But you don't even have to be a fan of the books to enjoy this movie, or know the fascinating actual histories of Bismarck or Lola Montes to enjoy the larger-than-life characters. P.S. any resemblance to the classic "Prisoner of Zenda" is entirely deliberate. Eight out of ten stars, only because I hope the "lost" footage has survived and may be available in a (Blu-Ray, please!) version soon.

Who else but that hate-to-love Malcolm McDowell could possibly do justice to one of literature's great scoundrels, Harry Flashman? In this George MacDonald Fraser spin-off of Thomas Hughes' classic Tom Brown's School Days, we are treated to some hilarious apocryphal tales involving such larger-than-life nineteenth-century figures as Otto von Bismarck and Lola Montez.

This ripely visual Richard Lester production is sometimes a bit over the top, with gratuitous slapstick and audible guffaws and grunts. Nevertheless, on balance, a delightful romp, and a chance to see the wonderful Alastair Sim in one of his final appearances.