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Rosebud

  • 1975
  • Tous publics
  • 2h 6min
NOTE IMDb
5,2/10
1,1 k
MA NOTE
Rosebud (1975)
Renowned producer-director Otto Preminger captures international terrorism in this film about five teenage girls who are kidnapped from a yacht by the P.L.O. Stars Peter O'Toole and Richard Attenborough.
Lire trailer2:37
1 Video
44 photos
Political DramaPolitical ThrillerSpyActionAdventureDramaThriller

Le célèbre producteur-réalisateur Otto Preminger capture le terrorisme international dans ce film sur cinq adolescentes kidnappées sur un yacht par le P.L.O.Le célèbre producteur-réalisateur Otto Preminger capture le terrorisme international dans ce film sur cinq adolescentes kidnappées sur un yacht par le P.L.O.Le célèbre producteur-réalisateur Otto Preminger capture le terrorisme international dans ce film sur cinq adolescentes kidnappées sur un yacht par le P.L.O.

  • Réalisation
    • Otto Preminger
  • Scénario
    • Erik Lee Preminger
    • Joan Hemingway
    • Paul Bonnecarrère
  • Casting principal
    • Peter O'Toole
    • Richard Attenborough
    • Cliff Gorman
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,2/10
    1,1 k
    MA NOTE
    • Réalisation
      • Otto Preminger
    • Scénario
      • Erik Lee Preminger
      • Joan Hemingway
      • Paul Bonnecarrère
    • Casting principal
      • Peter O'Toole
      • Richard Attenborough
      • Cliff Gorman
    • 18avis d'utilisateurs
    • 18avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Trailer
    Trailer 2:37
    Trailer

    Photos44

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    Rôles principaux79

    Modifier
    Peter O'Toole
    Peter O'Toole
    • Larry Martin
    Richard Attenborough
    Richard Attenborough
    • Edward Sloat
    Cliff Gorman
    Cliff Gorman
    • Yafet Hamlekh
    Claude Dauphin
    Claude Dauphin
    • Charles-Andre Fargeau
    John V. Lindsay
    John V. Lindsay
    • Sen. Donnovan
    Peter Lawford
    Peter Lawford
    • Lord Carter
    Raf Vallone
    Raf Vallone
    • George Nikolaos
    Adrienne Corri
    Adrienne Corri
    • Lady Carter
    Amidou
    Amidou
    • Kirkbane
    Yosef Shiloach
    Yosef Shiloach
    • Hacam
    • (as Yosef Shiloa)
    Brigitte Ariel
    • Sabine Fargeau
    Isabelle Huppert
    Isabelle Huppert
    • Helene Nikolaos
    Lalla Ward
    Lalla Ward
    • Margaret Carter
    Kim Cattrall
    Kim Cattrall
    • Joyce Donnovan
    Debra Berger
    Debra Berger
    • Gertrude Freyer
    Hans Verner
    Hans Verner
    • Freyer
    Georges Beller
    • Patrice Thibaud
    Françoise Brion
    Françoise Brion
    • Melina Nikolaos
    • Réalisation
      • Otto Preminger
    • Scénario
      • Erik Lee Preminger
      • Joan Hemingway
      • Paul Bonnecarrère
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs18

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    5moonspinner55

    Five Frightened Girls!

    Topical (for 1975) adaptation of a book by Paul Bonnecarrere and Joan Hemingway concerning five nubile young women from wealthy families kidnapped off their yacht Rosebud by an underground Palestine Liberation organization nicknamed Black September; the kidnappers, centered in Corsica, want retribution for the slaughter of their women and children caused by a Jewish millionaire involved in the illegal smuggling of arms. Peter O'Toole is barely present as a British correspondent (in a dopey hat) adept at mediating sanctions between terrorists and their targets, while the kidnap victims (in and out of their clothes) do the usual griping about their primitive holding conditions and the awful food. This type of globe-trotting espionage drama needed a gripping Bond-ian touch (or perhaps that of Pakula or Pollack). Director Otto Preminger is certainly capable of being in that class--and he hasn't lost his acerbic sense of humor--but he fails to sort out these complicated matters satisfactorily (the film has no sweep, and little sense of geographical placement). It's far from terrible however, and some of Preminger's asides are clever; his actors seem at half-mast, the narrative weakens as the picture progresses, but there's a fine music score by Laurent Petitgirard and interesting locales. The rest of the film's style lacks finesse. ** from ****
    ocddavid

    Boring and meandering!

    The film was so convoluted I found myself sitting trancelike in disbelief. I kept watching it to see if it would get any better....But it didn't. It looked like Peter O'toole (whom I love) sleepwalked through this one. Boring and meandering!
    2efitness

    Preminger's Folly

    I had heard of this film for years, its reputation of being one of Otto Preminger's worst preceding it in every film reference book I'd encountered. Well, it certainly doesn't disappoint. "Rosebud" looks like a novice director's first effort, not the work of the man who gave us "Carmen Jones" and "The Man With the Golden Arm."

    "Rosebud" unfolds awkwardly detailing the kidnapping of 5 millionaire's daughters by a Palestinian terrorist group and the attempts by the parents (among them former New York mayor John Lindsay in his film debut/swansong) to retrieve them without starting a holy war.

    As ransom demands are made and we are forced to endure endless footage devoted to kidnap victims being trotted to and fro with bags on their heads, wizened secret agent Peter O'Toole is called in to save the day (Preminger seems to be engaging in a little joke by having the very chalky actor with the legendary booze problem drink milk in one of many pointless scenes).

    Much talking and little acting (or action) ensues as we reach a finale that must have appeared idiotic and reactionary in 1975 but seems practically prescient in post-9/11 America.

    "Rosebud" is almost alarming in its awfulness. The cluttered international cast is full of professional actors who come off as amateurs, and obvious amateurs coming off like…amateurs (If I'm not mistaken that's Preminger's son, Erik, by Gypsy Rose Lee in the role as a computer wiz. It is Erikwho is responsible for the leaden screenplay). The many clashing accents and laughable performances give the impression that many learned their lines phonetically.

    Though the plot is not too bad (just hard to follow motives and motivations) and suffers from a needlessly slow and artless execution, it's the acting that really torpedoes "Rosebud." O'Toole looks like he's about to keel over any minute; as the villain, an Englishman converted to Muslim, Richard Attenborough unthreateningly lisps his way through his role; and as the kidnap victims, Preminger couldn't have assembled a more annoying and untalented group of girls. Were we intentionally supposed to wish for their execution?

    Their scenes in their subterranean prison are laugh riots of high school level acting and bad blocking. Rather astounding to see a very young Isabelle Huppert embarrass herself as one of the pluckier debs…though she deserves an Oscar for the stomach churning scene in which she has to seduce and kiss the cadaverous bare chest of O'Toole. "Sex and the City"'s Kim Catrall makes her film debut here and makes clear why it took her over two decades to become a star.

    For anyone out there who wishes to actually see this film- if just for the bragging rights to bearing witness to Otto Preminger's decline- here are a few things to look for to add to the fun:

    1) The 70's clothes and "Brady Bunch" curly hairdo of the political activist character. 2) In the cat-fight between the kidnap victims; slaps are delivered and heard but never received. 3) The guys in the tennis togs (short shorts) air dropped onto the "Rosebud" 4) John Lindsay…nuff said. 5) The militant boy scouts with the knee-socks and bare chests. 6) Kim Catrall's a capella rendering of Nilsson's "I guess the Lord must be in New York City. 7) O'Toole's battle with the terrorist with the killer corkscrew.
    6nycexpatagain

    interesting oddity, but neither frothy nor family entertainment,

    Spot Cliff Gorman (Cathy Casserole of The Boys in the Band), John V. Lindsey (of the Mayor's office of New York City -- wow, he was handsome!) and Kim Cattrell (Liverpool-born, but who put the sex in Sex and the City) Hint: none of these emblematic New Yorkers are sporting New York accents. Isabel Huppert and Otto Preminger and Peter Lawford are amusingly findable, too. Okay, now you've had the fun that's to be had from this sadly prophetic, but soft-core version of terrorism. Plenty of tiresome speeches about Palestine and "the Jews," and Israel, all of which are far, far past all expiration dates. Oh yes, one other pleasure for those of a certain age is a bit of retro-tourism for the way Europe looked thirty-forty years ago. Enjoy.
    8chaarithad-999-275614

    A Misunderstood Masterpiece

    I think this movie gets lot of hate because it was marketed wrong. This is not an "action movie" as they my suggest, but rather a drama with dark comedic elements. First-off I was surprised to see a film by the great Otto Preminger panned like hell by critics and those on IMDb.Anyway,I think this is because people went in expecting a flashy action movie, with Peter O'Tool round-house kicking terrorist.

    Moreover, this movie may seem like a pretty lighthearted movie at first(which is the genius of it), but you would find serious socio- political subtexts communicated through dialog and direct/ hidden symbolism (which employ the visual aspect of film).

    If there is another movie I could compare this movie to,that would be "The French Connection". However, in my opinion, Preminger's movie if far better.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Robert Mitchum was originally cast in the lead, but shortly after filming began, he and director Otto Preminger had a major blow-up and Mitchum either quit (according to Mitchum) or was fired, drinking being a factor (according to Preminger). Peter O'Toole, a former drinker, was hired to replace him in about a couple of days. Reportedly. Mitchum likened this to being like "replacing Ray Charles with Helen Keller."
    • Citations

      Freyer: I'm sure public pressure can force the film to be shown.

      Larry Martin: There are limits to public pressure.The film will not be show, and three weeks after the body of your daughter has been delivered, the world will forget that she ever existed.

    • Crédits fous
      The opening credits consist of a single screen that bears the title, the statement 'an Otto Preminger Film' the copyright by United Artists and an illustration designed by Saul Bass.
    • Connexions
      Referenced in Bass on Titles (1982)
    • Bandes originales
      I Guess the Lord Must Be in New York City
      (uncredited)

      Written by Harry Nilsson

      Performed by Kim Cattrall

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    FAQ15

    • How long is Rosebud?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 23 avril 1975 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Ruzin pupoljak
    • Lieux de tournage
      • Corsica
    • Société de production
      • Oting SA
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 551 374 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 6 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 2.35 : 1

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