Rosebud

Spot Cliff Gorman (Cathy Casserole of The Boys in the Band), John V. Lindsey (of the Mayor's office of New York City -- wow, he was handsome!) and Kim Cattrell (Liverpool-born, but who put the sex in Sex and the City) Hint: none of these emblematic New Yorkers are sporting New York accents. Isabel Huppert and Otto Preminger and Peter Lawford are amusingly findable, too. Okay, now you've had the fun that's to be had from this sadly prophetic, but soft-core version of terrorism. Plenty of tiresome speeches about Palestine and "the Jews," and Israel, all of which are far, far past all expiration dates. Oh yes, one other pleasure for those of a certain age is a bit of retro-tourism for the way Europe looked thirty-forty years ago. Enjoy.

I'm mainly writing this to counteract all the Pretentious Haters who apparently expect every movie they see to be a masterpiece. If you think this is a terrible movie than obviously you have never actually seen one, they get much much worse. That being said this is an enjoyable movie and is definitely not evidence of Otto Preminger "Falling Off". Yes if you are hoping to see a movie on par with Munich or Day of the Jackal you may be disappointed but that's not what this movie was going for so just sit back, relax and enjoy a classic 70's film. Anytime you have too many preconceptions of what a film should be, you are setting yourself up for disappointment. I will admit that I am a bit biased towards 70's movies in general, it is in my opinion the greatest era of film stocked with hidden gems.

I think this movie gets lot of hate because it was marketed wrong. This is not an "action movie" as they my suggest, but rather a drama with dark comedic elements. First-off I was surprised to see a film by the great Otto Preminger panned like hell by critics and those on IMDb.Anyway,I think this is because people went in expecting a flashy action movie, with Peter O'Tool round-house kicking terrorist.

Moreover, this movie may seem like a pretty lighthearted movie at first(which is the genius of it), but you would find serious socio- political subtexts communicated through dialog and direct/ hidden symbolism (which employ the visual aspect of film).

If there is another movie I could compare this movie to,that would be "The French Connection". However, in my opinion, Preminger's movie if far better.

The film was so convoluted I found myself sitting trancelike in disbelief. I kept watching it to see if it would get any better....But it didn't. It looked like Peter O'toole (whom I love) sleepwalked through this one. Boring and meandering!

Here is even more evidence of the decline of director Otto Preminger in the 1970's. His penultimate film is egregiously horrific. This suspense thriller lacks both suspense and thrills. The films hackneyed script by Preminger's no talent progeny just barely surpasses the ham-fisted direction that Otto delivers.Perhaps he let his son direct most of this movie too. It certainly looks like the work of a complete amateur. Unlike many of his other failures, which are at least interesting to watch, this film has no redeeming value at all. The first problem is the way the film plods along. At times we just wonder if this story is ever going to get moving. Secondly, all of the somnolent actors look like they are lost and confused. Finally none of the characters we are suppose to be sympathetic towards deserve are sympathy. They seem either banal or puerile. Is it any wonder Mitchum turned down this stinker!