NOTE IMDb
7,3/10
480
MA NOTE
Ajouter une intrigue dans votre langueA lonely widow and a postman find romance late in life at the local dance hall.A lonely widow and a postman find romance late in life at the local dance hall.A lonely widow and a postman find romance late in life at the local dance hall.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 3 Primetime Emmys
- 5 victoires et 8 nominations au total
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10dgranata
This was my grandmother's favorite movie and when she passed away two years ago, I was determined to find it and watch it. I was able to locate a copy and overall was very happy to have found it. One thing that was a bit disappointing is that Bea Arthur sings the song 50% on her one woman show CD and speaks of the movie (another reason I wanted to see it), my copy did not contain the song. I can very easily understand why this was one my grandmother's favorite movies, and I have watched it on her birthday the past two years. Both Maureen Stapleton and Charles Durning were fantastic as elderly, single love interests and for a TV movie made in the 1970's it was pretty darn good!
The pacing is overly rapid in certain places, Bea's sister and daughter are painted with a cartoonish brush, but the film manages to be genuinely moving and poignant throughout.
We are never asked to condone every change Bea makes; only to understand. Maureen Stapleton's human, subtly-keyed performance is the perfect centerpiece. Charles Durning is also wonderful in a role many actors would coast through. Once you see him here you'll never think of him in quite the same way again. These characters are so real, so everyday, that we can feel their joy and sorrow in ways cardboard types can't transmit.
The singing is jarring at first, but their shaky voices add to the realistic undertone of the fantasy.
Bea's unapologetic stance in her relationship with Al typifies the 70's and the 70's willingness to shake off conventions; I'm not sure if this tv-film would be made today with the same viewpoint.
I loved the atmosphere of the Stardust Ballroom, the different relationships and the nostalgia for days gone by. Bea comes alive in a room where most are trying to relive their past glories.
Flawless it may not be, but if you want to believe in love, in having a second chance at life no matter what your age is, this is the film to see.
We are never asked to condone every change Bea makes; only to understand. Maureen Stapleton's human, subtly-keyed performance is the perfect centerpiece. Charles Durning is also wonderful in a role many actors would coast through. Once you see him here you'll never think of him in quite the same way again. These characters are so real, so everyday, that we can feel their joy and sorrow in ways cardboard types can't transmit.
The singing is jarring at first, but their shaky voices add to the realistic undertone of the fantasy.
Bea's unapologetic stance in her relationship with Al typifies the 70's and the 70's willingness to shake off conventions; I'm not sure if this tv-film would be made today with the same viewpoint.
I loved the atmosphere of the Stardust Ballroom, the different relationships and the nostalgia for days gone by. Bea comes alive in a room where most are trying to relive their past glories.
Flawless it may not be, but if you want to believe in love, in having a second chance at life no matter what your age is, this is the film to see.
Maureen Stapleton's husband dies. Her friends start moving halfway around the world to California. One day, the waitress at the coffee shop suggests she join her for a night of ballroom dancing at the Stardust Ballroom. At first, Miss Stapleton has a horrid time; the man her friend fixes her up with is a fancy-schmancy dancer who dances around her. Somehow, she dances with Charles Durning and romance blooms. So do problems.
This award-winning TV movie was clearly aimed at the older demographics. Miss Stapleton was a triple-crown winner (Tony, Oscar, and Emmy for this movie), almost invariably cast in supporting roles; likewise, Durning was no one's idea of a matinee idol. Their aging, ordinary appearances is a primary point in this show.
It's a musical, although most of the numbers are recitatives, expounding on their thoughts. Although this movie is a minor affair, its themes and performances lift it out of the ordinary.
This award-winning TV movie was clearly aimed at the older demographics. Miss Stapleton was a triple-crown winner (Tony, Oscar, and Emmy for this movie), almost invariably cast in supporting roles; likewise, Durning was no one's idea of a matinee idol. Their aging, ordinary appearances is a primary point in this show.
It's a musical, although most of the numbers are recitatives, expounding on their thoughts. Although this movie is a minor affair, its themes and performances lift it out of the ordinary.
I haven't seen this film in over 20 years and yet I still recall scenes from it quite vividly. The performances by both Stapleton (who I was researching now when I saw this film in a list of her credits) and Durning are both wonderful. The characters seemed very "real"...even more so when the film came out, as back then middle aged+ characters were *very rare* as romantic leads in a movie. And it's also quite touching. I recall crying quite a bit near the end on the 3 occasions I saw this movie on TV years ago. Bravo to Stapleton and Durning for this one!
10Tim-177
This is a true tear-jerker. The songs are beautifully written and the performances are finely honed by all concerned. The only problem is that you may have trouble finding it, because it's not shown on television very often. But what a find it is! Have a box of Kleenex handy; you'll need it.
Le saviez-vous
- AnecdotesThe house exteriors are of a house in Woodhaven, Queens, New York. The house, at one time, was owned by the Smith family. Betty Smith wrote the novel, "A Tree Grows In Brooklyn". The house is still standing on Forest Parkway, next to the Post Office.
- GaffesToutes les informations contiennent des spoilers
- ConnexionsFeatured in The 27th Annual Primetime Emmy Awards (1975)
- Bandes originalesPennies and Dreams
Music by Billy Goldenberg
Lyrics by Marilyn Bergman and Alan Bergman
Performed by Maureen Stapleton
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