Un Anglais très comme il faut est engagé comme tuteur du fils de l'ambassadeur du Japon. Sa vie change lorsqu'il est kidnappé avec le garçon par des terroristes.Un Anglais très comme il faut est engagé comme tuteur du fils de l'ambassadeur du Japon. Sa vie change lorsqu'il est kidnappé avec le garçon par des terroristes.Un Anglais très comme il faut est engagé comme tuteur du fils de l'ambassadeur du Japon. Sa vie change lorsqu'il est kidnappé avec le garçon par des terroristes.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Toshirô Mifune
- The Ambassador
- (as Toshiro Mifune)
Hardy Krüger
- Muller
- (as Hardy Kruger)
Kazuhito Andô
- Koichi
- (as Ando)
Salleh Ben Joned
- Sokono
- (as Salleh Joned)
Mustapha Maarof
- Marco
- (as Mustafa Maarof)
Avis à la une
David Niven of course reached the high point of his career with his Best Actor Oscar for Separate Tables, where he played a blowhard "major' who was a permanent guest at Wendy Hiller's establishment. 18 years later he kind of revives that character when he takes a job as a tutor for Toshiro Mifune's little boy Ando in Paper Tiger.
Like in Separate Tables Niven puts on a great front about his great war exploits which is all a front to hide a deeply flawed man. Here he's doing the same thing for Ando. Mifune is the Japanese ambassador to some Asian island country, not named but I'm guessing Sri Lanka because there is a reference to a Tamil minority that is a rebel faction.
Anyway these rebels or at least this cell of them led by Irene Tsu decide to kidnap the Japanese Ambassador's son to call attention to their prisoners. As we've seen many times, mostly in the Middle East, they'll kill the kid and Niven who was with him at the time unless their comrades are released from prison.
Niven who also appropriates the rank of major in this film as well is actually forced to become the hero he's told Ando he was. He never got that chance in Separate Tables.
I think this might have been aimed at the kiddie market, but it's way too bloody and violent for that. Niven already did that with Please Don't Eat The Daisies and he would do a couple of films for Disney Studios which were certainly better suited than Paper Tiger.
Still it's decently entertaining, but not for the little ones.
Like in Separate Tables Niven puts on a great front about his great war exploits which is all a front to hide a deeply flawed man. Here he's doing the same thing for Ando. Mifune is the Japanese ambassador to some Asian island country, not named but I'm guessing Sri Lanka because there is a reference to a Tamil minority that is a rebel faction.
Anyway these rebels or at least this cell of them led by Irene Tsu decide to kidnap the Japanese Ambassador's son to call attention to their prisoners. As we've seen many times, mostly in the Middle East, they'll kill the kid and Niven who was with him at the time unless their comrades are released from prison.
Niven who also appropriates the rank of major in this film as well is actually forced to become the hero he's told Ando he was. He never got that chance in Separate Tables.
I think this might have been aimed at the kiddie market, but it's way too bloody and violent for that. Niven already did that with Please Don't Eat The Daisies and he would do a couple of films for Disney Studios which were certainly better suited than Paper Tiger.
Still it's decently entertaining, but not for the little ones.
Simple premise of don't pretend to be what you are not. Safe family action film that is quite well acted and with decent cine-photographic shots of the far east ( think might be Hong Kong area ). Well acted with a safe plot. Motto of the story being not to pretend you are something you are not cause it could bite you in the arse..
The story is admittedly very simple: elderly British "Major" Walter Bradbury (David Niven) is engaged by the Japanese ambassador to an unnamed Southeast Asian country, Kagoyama (Toshirô Mifune) as tutor to his enchanting 11-year-old son Koichi (Kazuhito Ando). "Mister Bladbelly" soon wins the reverence of the ever-trusting and perfectly-mannered Koichi by spinning yarns about his heroic wartime exploits that could hardly be further removed from his quiet nonentitous life, but is unexpectedly and severely put to the test when they are both kidnapped by guerrillas.
However simple though, the story is still a good one and it is fantastically well and charmingly acted by all three of the main characters. Anybody who has known a paper tiger, especially the more amiable types who, like Niven, have twinkles in their eyes gently hinting at their harmless fraud, will surely warm to his authentic depiction of one.
Paper Tiger is a gripping story, alternately funny, tense and moving, but above all it is a thoroughly warm-hearted and tenderly told tale of redemption.
Edmund Marlowe, author of Alexander's Choice, a novel of Eton, www.amazon.com/dp/1481222112
However simple though, the story is still a good one and it is fantastically well and charmingly acted by all three of the main characters. Anybody who has known a paper tiger, especially the more amiable types who, like Niven, have twinkles in their eyes gently hinting at their harmless fraud, will surely warm to his authentic depiction of one.
Paper Tiger is a gripping story, alternately funny, tense and moving, but above all it is a thoroughly warm-hearted and tenderly told tale of redemption.
Edmund Marlowe, author of Alexander's Choice, a novel of Eton, www.amazon.com/dp/1481222112
And that pretty much sums it up for me. This should have been a great little family film, even if it is surprisingly violent for a PG. An interesting story of a child and his teacher being kidnapped is let down by some woeful dubbing and the child lead has a very thick accent that is hard to understand. The direction is very average and the great supporting cast of Toshiro Mifune, Hardy Kruger and Ronald Fraser is given very little to do (Fraser and Kruger also turn up in Euan Lloyds next feature, 1978s 'The WIld Geese' where they have far more substantial parts).
Niven saves the film with a performance of charm personified and is surprisingly effective playing a reluctant hero who lies his way into a decent job and then spins glorified untruthful tales of his previous heroism to impress his young charge. Of course the lies come back to haunt him but his colourful character just about saves this film from oblivion. It is a shame in some ways as with a little more care this could have been a better film than it is but something went wrong . Clumsy dialogue, badly explained politics, some comic book baddied and pedestrian directing coupled with obvious voice dubbing for some of the cast really let a good idea down here. Bit of a shame really.
Niven saves the film with a performance of charm personified and is surprisingly effective playing a reluctant hero who lies his way into a decent job and then spins glorified untruthful tales of his previous heroism to impress his young charge. Of course the lies come back to haunt him but his colourful character just about saves this film from oblivion. It is a shame in some ways as with a little more care this could have been a better film than it is but something went wrong . Clumsy dialogue, badly explained politics, some comic book baddied and pedestrian directing coupled with obvious voice dubbing for some of the cast really let a good idea down here. Bit of a shame really.
PAPER TIGER is an intriguing little comedy thriller with an unusual storyline. The film as a whole has a number of diverse ingredients which gel together quite well and lead up to a satisfying whole. It's entirely forgotten these days, despite the starring roles and the presence of Hollywood director Ken Annakin (SWISS FAMILY ROBINSON), which is a bit of a shame.
David Niven nails his character just right in playing a Walter Mitty type who regales his associates with stories of derring-do in the war (the flashback scenes are very funny). He travels to a made-up Far Eastern country to become English tutor to a Japanese ambassador, and the film chronicles their friendship. Ando, the child actor, stars in his only screen role and is very endearing, but all eyes are on the excellent Toshiro Mifune playing his father. I noted that Mifune nearly got his son kidnapped in Kurosawa's HIGH & LOW, well it really does happen here!
The film has a fairly slow first half although the second half picks up with all manner of terrorist activities and some choppy action. The latter scenes with Niven and Ando are very well handled and the film narrowly avoids being overly sentimental, remaining funny instead. The Malaysian locations standing in for the made-up country are fun and Hardy Kruger is great as a reporter. Overall, PAPER TIGER is a fun, warming little thriller with Niven on top form.
David Niven nails his character just right in playing a Walter Mitty type who regales his associates with stories of derring-do in the war (the flashback scenes are very funny). He travels to a made-up Far Eastern country to become English tutor to a Japanese ambassador, and the film chronicles their friendship. Ando, the child actor, stars in his only screen role and is very endearing, but all eyes are on the excellent Toshiro Mifune playing his father. I noted that Mifune nearly got his son kidnapped in Kurosawa's HIGH & LOW, well it really does happen here!
The film has a fairly slow first half although the second half picks up with all manner of terrorist activities and some choppy action. The latter scenes with Niven and Ando are very well handled and the film narrowly avoids being overly sentimental, remaining funny instead. The Malaysian locations standing in for the made-up country are fun and Hardy Kruger is great as a reporter. Overall, PAPER TIGER is a fun, warming little thriller with Niven on top form.
Le saviez-vous
- GaffesWhen the Bedford 4-Ton truck is tipped over the cliff, the model that's initially pushed with a digger is the mid 1970's model previously driven into the scene, but the one that tumbles down the hill is a much older (late 1950's/early 1960's) model with different style of cab.
- Crédits fousOpening credits prologue: This is the story of a man and a boy.
The events in which they become involved are, unhappily, happening almost daily in some part of the world.
It must therefore be emphasised that all the characters are fictitious, as is the country in which the story takes place.
KULAGONG is somewhere in South East Asia.
- ConnexionsReferenced in V.I.P.-Schaukel: Épisode #5.3 (1975)
- Bandes originalesMain Theme
(uncredited)
Music by Roy Budd and Jack Fishman (uncredited)
Sung by the Ray Conniff Singers
Meilleurs choix
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- How long is Paper Tiger?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Paper Tiger
- Lieux de tournage
- Malacca, Malaisie(filmed entirely on location in)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 39min(99 min)
- Rapport de forme
- 2.35 : 1
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