Ajouter une intrigue dans votre langueDuring World War 2, a young lad's called up and, with increasing sense of foreboding, undertakes his army training for D-day.During World War 2, a young lad's called up and, with increasing sense of foreboding, undertakes his army training for D-day.During World War 2, a young lad's called up and, with increasing sense of foreboding, undertakes his army training for D-day.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 1 nomination au total
Avis à la une
Beautifully photographed in black and white, the film weaves archive footage seamlessly into the fabric of the story and captures, not only the look, but the very essence of the period.
Until the closing moments, the protagonist is not involved in any fighting. What we see are the minutiae of life for a young soldier being trained and waiting to go into battle the marching and military exercises; a trip to the cinema and the local village dance, where he meets his first girlfriend; the eve of battle, when he writes his last letter home, fills in the standard army issue will form, and burns all the private papers which he is not permitted to take into battle lest they fall into enemy hands and give away some information of use to the enemy. These small personal details give the film an emotional depth and a feeling for the times, which most war films made in the post war period fail to do.
The archival footage which makes up much of the film's most stunning imagery is meticulously chosen and edited; it frequently becomes Tom's dreams and visions of the War as it unfolds, and for the viewer, it is a vision of what WWII was, seen from both German and British sides. Cooper so masterfully situates Tom, an everyman, in visions of the surrounding war, that by the end of this surprisingly short, yet incredibly rich film, the magnitude of the toll the war took on the individuals fighting it becomes overwhelmingly moving.
Many will notice the major influence this movie had on parts of 'Full Metal Jacket' (Kubrick's long time collaborator John Alcott shot 'Overlord,' and Kubrick once commented that the only thing wrong with this movie was that it should have been twice as long). However, 'Overlord' is unique; I've never seen another war movie quite like this. It's a masterpiece of cinematic war poetry, and that it's taken over 30 years to get a release of any kind in the US is really surprising. It certainly holds its own against any of the best movies made about WWII.
Le saviez-vous
- AnecdotesThe film uses archive footage of landing exercises carried out in 1943 and 1944. The giant two-wheeled device that is powered by rockets was called a Panjandrum. It was ten feet tall and the central hub was filled with explosives to be used against obstacles and defenses on the landing beaches. As can be seen here it never quite went in a straight line as there was no way to control or steer it after the rockets were fired. This experimental weapon was a spectacular failure and was never used in combat.
- Citations
Arthur: Who have you got waiting for you, Tommy?
Tom: Who have I got?
[pauses]
Tom: Well, there's Mum and Dad, I suppose... and Tina.
Arthur: [smiling] Good for you, mate. Let me guess. She got brown hair, brown eyes, pale skin, nice tits, right?
Tom: [grinning] Tina is a cocker spaniel.
[pauses]
Tom: She's a lovely dog.
Arthur: A bitch?
Tom: Yeah, a bitch.
- ConnexionsFeatured in Z Channel, une magnifique obsession (2004)
Meilleurs choix
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Détails
Box-office
- Budget
- 89 951 £GB (estimé)
- Montant brut mondial
- 3 333 $US
- Durée
- 1h 23min(83 min)
- Couleur
- Mixage
- Rapport de forme
- 1.75 : 1