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Mandingo

  • 1975
  • 16
  • 2h 7min
NOTE IMDb
6,5/10
4,5 k
MA NOTE
Mandingo (1975)
An 1840s slaveowner trains one of his slaves to be a bare-knuckle fighter.
Lire trailer3:17
1 Video
59 photos
Drames historiquesRomance tragiqueDrameL'histoireRomance

Un propriétaire d'esclaves dans les années 1840 fait suivre à l'un de ses esclaves une formation de combattant à mains nues.Un propriétaire d'esclaves dans les années 1840 fait suivre à l'un de ses esclaves une formation de combattant à mains nues.Un propriétaire d'esclaves dans les années 1840 fait suivre à l'un de ses esclaves une formation de combattant à mains nues.

  • Réalisation
    • Richard Fleischer
  • Scénario
    • Kyle Onstott
    • Jack Kirkland
    • Norman Wexler
  • Casting principal
    • James Mason
    • Susan George
    • Perry King
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,5/10
    4,5 k
    MA NOTE
    • Réalisation
      • Richard Fleischer
    • Scénario
      • Kyle Onstott
      • Jack Kirkland
      • Norman Wexler
    • Casting principal
      • James Mason
      • Susan George
      • Perry King
    • 85avis d'utilisateurs
    • 56avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire au total

    Vidéos1

    Official Trailer
    Trailer 3:17
    Official Trailer

    Photos59

    Voir l'affiche
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    + 52
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    Rôles principaux34

    Modifier
    James Mason
    James Mason
    • Warren Maxwell
    Susan George
    Susan George
    • Blanche Maxwell
    Perry King
    Perry King
    • Hammond Maxwell
    Richard Ward
    Richard Ward
    • Agamemnon
    Brenda Sykes
    Brenda Sykes
    • Ellen
    Ken Norton
    Ken Norton
    • Mede
    Lillian Hayman
    • Lucrezia Borgia
    Roy Poole
    Roy Poole
    • Doc Redfield
    Ji-Tu Cumbuka
    Ji-Tu Cumbuka
    • Cicero
    Paul Benedict
    Paul Benedict
    • Brownlee
    Ben Masters
    Ben Masters
    • Charles
    Ray Spruell
    • Wallace
    Louis Turenne
    Louis Turenne
    • De Veve
    Duane Allen
    • Topaz
    Earl Maynard
    Earl Maynard
    • Babouin
    Beatrice Winde
    • Lucy
    Debbi Morgan
    Debbi Morgan
    • Dite
    • (as Debbie Morgan)
    Irene Tedrow
    Irene Tedrow
    • Mrs. Redfield
    • Réalisation
      • Richard Fleischer
    • Scénario
      • Kyle Onstott
      • Jack Kirkland
      • Norman Wexler
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs85

    6,54.5K
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    Avis à la une

    thomandybish

    major studio film looks like low-budget exploitation

    This film, despite some controversy about it's biracial sex scenes when it was initially released, seems to have faded from memory. Given the degree of sex, violence, and unadulterated exploitation of slavery in the antebellum South, that's a surprise, because I saw this flick nearly ten years ago and STILL can't forget it! Those whose image of the old South has forever been defined by GONE WITH THE WIND as romantic and chivalrous and pick up this movie in the video store(the cover art on the box resembles that famous pose with Gable and Leigh)thinking they're about to be trasported to Tara ought to run like Hell! James Mason and his lame son Perry King live on a plantation and own slaves body and soul. Well, at least the body part, as we see when Mason strings an errant slave upside down, strips him, and pattles his butt with a perforated paddle. Son King takes a more tender approach, as he sleeps with the female slaves, especially Brenda Sykes, whom he takes as his mistress. However, he marries Susan George to provide an heir, and presents her with a ruby choker. He also gives Sykes the matching earrings. When George learns of the relationship(Sykes wears the earrings while she serves dinner to George and King on their first night at the plantation), and Kings learns George has slept with her brother, the marriage hits the skids. George drowns her sorrows in lots of sherry and lots of Ken Norton, a slave Perry has purchased specifically for fighting other slaves for betting. George becomes pregnant, and when the baby comes, it hits the fan! It's hard to believe that anyone in 1975 could see this film as anything but exploitation of a very dark period in American history. Didn't anyone cringe at the sight of King going in to "take pleasure" from a female slave in a bed and the woman groans, "I too black for you", or Ken Norton standing stoically on the auction block of a slave sale while an old woman gropes around inside his loincloth? The video edition of this film I saw was from the early eighties, when movie studios did their transfers from the first worn-out prints the could grab, and may have had a muddy, faded look because of this, but it's hard to believe this thing came from a major studio. You'd certainly wouldn't know it from the production values, because the film looks as if the filmmakers didn't spend a penny more than they had to(we're treated to interior scenes inside a plantation house curiously devoid of furniture). With all these setbacks, it's hard to understand why this movie hasn't garnered even a semi-cult following. If you're in the mood to be offended on all levels and don't treasure some romanticized Hollywood image of the old South, grab MANDINGO.
    femmecritique

    I've seen the movie AND read the book

    This movie is a disturbing look at the realities of the antebellum South. And yes, I do believe the depictions and events in this movie are realistic. Such atrocities are well-documented. Both the movie and the book contain graphic violence, sex, and rape. The movie is sometimes difficult to watch, but it's worth watching, for anyone who ponders the evils of humanity and especially the history of the U.S. during the 1800's. The acting and film quality aren't upper echelon. The dialogue is sometimes excessively histrionic. But that's not what's so good about this movie. It's gritty, realistic, and brutally honest.

    As I watched, I realized that maybe things haven't changed so much since those times. Racism and sexism are still very much alive. You can easily compare the attitudes and behaviors depicted in this film with things that go on in our society today. Some people have commented that Blanche was "oversexed". I find that a rather hilarious statement. They obviously don't get the feminist subplot of this movie. The way it depicts and breaks down racism and sexism and shows exactly why they're faulted ideologies is why I love this movie so much!
    6Vartiainen

    Good movie about the darkness of slavery

    Quentin Tarantino has called Mandingo one of the few big budget exploitation films Hollywood has ever produced, and you can definitely see a lot of this film in his Django Unchained. I'm not sure I'd go as far as calling this an exploitation film, but it's certainly startling at times and deals with the subject of slavery without backtalk or ambiguity.

    The movie takes place in Deep South prior to the American Civil War. Slavery is at its highest bloom and it's just as bad as you've probably heard. First night rights are freely exercised, slaves are just one step above animals, sold like cattle and while they're not beaten daily – they still need to work, and it's not like you beat your cows daily, either – it doesn't take much for them to incur the wrath of their masters.

    The movie is also notable in that it uses the term 'mandingo' somewhat correctly. The term referred to any slave of the highest quality and not just to those who fought against one another. Though even that fighting might be a myth. The movie tells the tale of one particular manor, its owners and the pair of mandingo slave that were brought there, one of them to be trained as a fighter.

    It's a tough movie to sit through if you're squeamish and while it's not overly gluttonous in its depictions of violence, like Django Unchained is, it doesn't shy away from them either or pull its punches. A very good movie to check out if you liked Django and/or are looking for a darker historical piece.
    7The_Void

    Unsurprisingly divides audiences, but Mandingo is at least a film worth seeing

    Mandingo seems to divide it's audience strongly between love and hate and that's not really surprising; the film features some real nasty elements and the way that it's all done with a highly quality 'period drama' sort of style means that it will likely miss it's supposed intended audience - although it seems to have found a good fan base among exploitation fans. The film is liable to shock modern audience for its racial themes and strong racial tone; it didn't bother me all that much to be honest as it suits the film within it's context and helps to enforce its exploitative nature, which in turn makes Mandingo more powerful. The film takes place in the south of America during the 1840's and the main focus of the plot is on slavery. White farm owner Hammond Maxwell one day discovers the fighting talent of one of his black slaves and soon decides to toughen him up for battle with other slaves. He's sympathetic with his slaves and soon becomes affectionate with one of the women, which doesn't sit well with his wife Blanche who, for revenge, forces the top fighter to sleep with her.

    Anyone going into this film expecting a serious look at slavery will be either disappointed or annoyed (maybe both), but if you go into it expecting some nasty exploitation, you might find a lot to like. The film gives an unflinching look at a more primitive society and it actually more shocking for its tone and implications than the events that take place in it (although the film does include plenty of racism, torture and rape scenes). The way that the film depicts the black slaves as animals makes for uncomfortable viewing and the way that society was segregated into 'white masters' and 'black slaves' is always enforced on the viewer. The performances sit better with the exploitation side of the film rather than the serious drama side as none of them are particularly brilliant; although the three leads do fit into their roles well. Overall, this is clearly not a film for everyone and I'm not in any way saying that the film's bad reputation is in any way undeserved; but Mandingo is certainly an interesting film and I would say it is at least worth seeing.
    7kevinkishin

    A True Grit Film

    This film is not for the faint of heart, this film is for hardcore truth viewers who aren't squeamish, the film may be dated but the essence is truthful & too the point, this film should be "Mandatory" for students taking a U.S. or African American history course.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      James Mason admitted in interviews that he only made the film to make his alimony payments.
    • Gaffes
      During Mede's first fight in the city, he and his opponent are wrestling on the grass. When they roll over on the floor, the grass moves like a slipping carpet would, revealing it to be a sheet of artificial green, probably lying on the floor of a sound stage.
    • Citations

      Cicero: I'd rather die than be a slave. You peckerwood! That's tight, you peckerwoods was in oppressed in your own land. We was free. Then you brought us here, in chains. But now we here, you just better know it's as much our land as it is yorn. And after you hang me, kiss my ass!

    • Versions alternatives
      The international version of the film (released on PAL region 2 DVD) contains a different cut of the film that runs approx. 5 minutes shorter than the U.S. release but also has many scenes presented in alternate clothed takes. In all 12 scenes were either trimmed or re-edited with alternate shots/angles/takes:
      • Scene where slave is bent over and inspected for hemorrhoids is cut.
      • Scene where the wench is being prepared for her deflowering is presented in an alternate take where her breasts are not exposed.
      • Scene with pregnant wench is shot with alternate angles to obscure nudity. Perry King's full frontal nudity is cut and replaced with a closer shot that reveals he is wearing shorts when he kneels down to pray (It looks like a goof - only a bit of the waistband can be seen at the corner of the frame).
      • Alternate takes of the slave being strung up to be beaten are used to obscure nudity, and many shots of him being beat and left bloody are cut.
      • A few seconds where Perry King's cousin rips off a wench's dress and bends her over to begin beating her is cut to remove nudity. The beating is left intact.
      • The slave market scene is edited to remove the topless wenches on display, and the shot where the German widow sticks her hand into Ken Norton's shorts and "inspects" him is cut short. The second shot with her hand in and then removing it is left intact though.
      • An alternate take is used with a prostitute clothed rather than nude at the bawdy house.
      • A few seconds of a prostitute rubbing on Perry King's crotch is cut.
      • An alternate take is used during the fight at the bawdy house so that a prostitute is seen holding her dress up while she cheers whereas in the original she lets it fall and her breasts be exposed.
      • The entire scene between Perry King and Brenda Sykes in which she asks him if he'll let their child go free is presented in alternate clothed takes. In the original film they are both completely nude. Even the camera angles and setups are the same, only with clothes in the international version.
      • In the scene where Ken Norton fights a man to death one long shot where the other fighter claws his back is cut. Also cut is when Ken bites down on the other fighter's neck, is pulled off, and then bites into his neck again. All the close-ups are cut.
      • The Susan George/Ken Norton love scene is almost entirely missing. Ken Norton's nudity is cut, and then the scene ends in an alternate take when the two go out of frame onto the bed. The original scene went on for much longer and exposed Ken Norton's buttocks and Susan George's breasts. The German theatrical version does not feature any of these alterations and is identical to the U.S. release.
    • Connexions
      Featured in Sooner or Later (1979)
    • Bandes originales
      Born in This Time
      Music by Maurice Jarre

      Lyrics by Hitide Harris (as Hi Tide Harris)

      Sung by Muddy Waters

      [Played during opening title and credits]

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    FAQ19

    • How long is Mandingo?Alimenté par Alexa
    • What are the differences between the International Version and the US DVD/BD by Legend Films/Paramount?

    Détails

    Modifier
    • Date de sortie
      • 17 septembre 1975 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Français
    • Aussi connu sous le nom de
      • Bitmeyen Kavga
    • Lieux de tournage
      • Houmas House Plantation - 40136 Highway 942, Burnside, Louisiane, États-Unis
    • Sociétés de production
      • Dino De Laurentiis Company
      • Paramount Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 2 433 010 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 7min(127 min)
    • Mixage
      • Mono
      • 4-Track Stereo
    • Rapport de forme
      • 1.85 : 1

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