The Man in the Glass Booth

A unique and terrific movie. Max Shell is the movie. One of his best acting performances. Complex plot calls for close focus and attention. It took quite some time to understand story due to its 'Cerebral layering' of just what is the goal of Shell's character. One very interesting note to movie is that it was based on a broadway play (which on opening had near riots by audiences due to misunderstanding of plot and closed shortly thereafter)and that was based on the original book, both written by none other then Robert Shaw (Capt Quint of 'Jaws' fame). Story is he was involved with the screenwriting or consulting, but in either case Shaw had his name removed in any connection with the movie. Why? Don't know. Unhappy with movie version?? The biggest trouble with this movie is that it is very, very difficult to find. Never shown on TV(where I originally saw on a PBS channel back in ~1979) or in most Video Catalogs. Find it.It's worth the effort. Best of luck.

This is my all-time favorite film. Maximilian Schell's Oscar-nominated performance completely dominates everything else on the screen. His long courtroom speeches are both disturbing and riveting. This is based on a book and play by Robert Shaw, who'll you'll probably remember as an actor from "The Sting", "Jaws" and "A Man for All Seasons". He disowned the movie version because of changes made. It has been too many years since I've seen the film, but I have re-read both book and play this month. I think a significant change to Col. Dorff's heritage was probably his objection. While I see his point, I think he overreacted. The film itself is a bit slow moving and everyone else is overpowered by Mr. Schell's breathtaking performance. But those flaws didn't kick in for me until I had seen the film a dozen or more times. It is a must see for Maximilian Schell's work- one of the greatest performances ever filmed.

As has been said in some of my reviews for the other twelve films making up the American Film Theatre series, the American Film Theatre series was an interesting and ambitious project but was also uneven. None of the thirteen films are terrible, one was close to though, but only three are great. 'The Man in the Glass Booth' was also seen as it was written by actor Robert Shaw and to see whether the Oscar nomination (the only performance in the American Film Theatre that was nominated for an Oscar) for Maximillian Schell was deserved.

My conclusions were that Schell's nomination was worthy, but it was a case of the performance being much better than the film itself (same with the subject matter being better than the film). Which left me intrigued but also a little cold. 'The Man in the Glass Booth' is not one of the worst of the American Film Theatre films, it's a lot better than 'Rhinoceros' and particularly 'Jaques Brel is Alive and Well and Living in Paris'. It is also not one of the best, it's no 'The Iceman Cometh', 'The Homecoming' or 'Butley'. Would put it somewhere bang in the middle.

Schell, the heart and soul of 'The Man in the Glass Booth', is extraordinary in the lead role. All the acting in fact is very good, though the rest of the cast are never on the same level as Schell. The second half is a lot better than the first half, with most of the second half being riveting and tension filled.

'The Man in the Glass Booth' is nicely filmed and the setting is simple and intimate without being too stifling. There is some thought-provoking and sincere writing.

However, 'The Man in the Glass Booth' had potential to be a lot better, especially considering the subject and the lead performance. The first half as indicated isn't as involving as the second. Parts are on the sluggish side while the writing is not as natural and can be mannered. While liking the second half a lot, the twist is somewhat contrived.

Furthermore the action was too confined and static. Arthur Hiller's direction has moments, but tended to be undistinguished and in need of more subtlety.

Concluding, definitely worth a one time watch but didn't blow me away. 6/10.

I have viewed this movie many times in a poor quality VHS and now finally on DVD. It's difficult to explain the impact this movie can have and one viewing will not do it. It takes several viewings to really get the plot line. Millionaire Jewish entrepreneur Arthur Goldman rules his financial empire from a penthouse apartment overlooking Manhattan. Seemingly at the edge of sanity, Goldman holds forth on everyting from Papal edicts to ex-wives, from baseball to his family's massacre in a Nazi concentration camp. When Goldman remarks on a blue Mercedes continuously parked outside his building, Goldman's captive audience of assistant and chauffeur dismiss their boss' anxiety as encroaching paranoia. But each of Goldman's passionate, seemingly capricious ravings are transformed into a shocking, inadvertent deposition when Israeli agents capture Goldman and put him on trial as Adolph Dorf, the commandant of the concentration camp where Goldman's family was supposedly exterminated. In a trial scene of unrelenting intensity, crafts what the Detroit Free Press called "a white-hot lead performance," mutating from eccentric Goldman to sociopath Dorf and beyond. The riddle of Dorf's true identity becomes wrapped in an enigma of cunning self-treachery and single-minded obsession.

The first half of "The Man in the Glass Booth" makes the viewer unsure of what to expect, as Maximilian Schell's protagonist - identified as a survivor of the concentration camps - orates about his experiences and desires. That's when everything changes. But even after this change, the protagonist maintains his attitude. So what's going to become of him, you ask.

The original source was Robert Shaw's 1967 novel, but it got adapted as a play in 1968, and the movie does feel more like a play. Quite a few things in the movie catch you off guard. In the end, it's a fine piece of work. A number of the scenes have a Hitchcock level of suspense. Definitely worth seeing.