NOTE IMDb
5,9/10
2,3 k
MA NOTE
Ajouter une intrigue dans votre langueFrederick sees a photograph of a ruined seaside castle, which triggers a strange childhood memory. He then goes on a strange quest to find the castle and the beautiful woman who lives there.Frederick sees a photograph of a ruined seaside castle, which triggers a strange childhood memory. He then goes on a strange quest to find the castle and the beautiful woman who lives there.Frederick sees a photograph of a ruined seaside castle, which triggers a strange childhood memory. He then goes on a strange quest to find the castle and the beautiful woman who lives there.
- Réalisation
- Scénario
- Casting principal
Annie Belle
- Jennifer
- (as Annie Brilland)
Jean Rollin
- Le gardien du cimetière
- (non crédité)
Avis à la une
The films of Jean Rollin will be an enigma to many who have not experiencing his work, yet for those who allow themselves to be taken elsewhere by his cinema it can prove a highly rewarding experience. The viewer is often taken to places that invoke bewilderment, unease, and sexual desire. By no means Rollin's best film, Levres De Sang (aka. Lips of Blood) is a beautifully lyrical, slow burner that has the uncanny ability to take the viewer into an ethereal, dream like world, where the erotic and the neurotic are intertwined.
The story of a photographer, upon seeing a poster, is reminded of his childhood where a mysterious female vampire. However, this being Rollin, do not expect a traditional vampire movie (although his vampire films are arguably the most faithful to the Gothic aura and mythology of the vampire). Mostly dialogue free, with the acting catatonic, this only adds a surreal edge to the proceedings. And no vampire films have a greater sense of eroticism; it is easily to succumb to female vampires whenever they are on screen.
For the uninitiated, approach with caution. But this is a fine example of the originality and unique approach which is to be found in 1970s European sex and horror cinema.
Of which, Jean Rollin was undoubtedly the master.
The story of a photographer, upon seeing a poster, is reminded of his childhood where a mysterious female vampire. However, this being Rollin, do not expect a traditional vampire movie (although his vampire films are arguably the most faithful to the Gothic aura and mythology of the vampire). Mostly dialogue free, with the acting catatonic, this only adds a surreal edge to the proceedings. And no vampire films have a greater sense of eroticism; it is easily to succumb to female vampires whenever they are on screen.
For the uninitiated, approach with caution. But this is a fine example of the originality and unique approach which is to be found in 1970s European sex and horror cinema.
Of which, Jean Rollin was undoubtedly the master.
The movies of Jean Rollin are an acquired taste. He specializes in haunting, sensual, visually impressive movies that frequently concern memory, or memory loss, and obsessively feature beautiful naked women, usually vampires. Maybe Rollin's therapist can fully explain why his movies deal with this subject matter over and over, but hey, I don't care, it sure works for me! If you haven't seen any of his work, 'Lips Of Blood' is as good a place to start as any, but frankly I've never seen a bad movie by him yet. They're all good. I'm hooked!
Jean-Lou Philippe stars (and co-scripts) as a thirty something man who becomes obsessed with a photograph which reminds him of of his almost-forgotten childhood, which is sketchy at best. He attempts to track down the location in the picture, and this brings back memories of a beautiful and mysterious girl (the lovely Annie Belle/Briand, who also worked with Deodato and D'Amato) he once met. He finds himself uncovering a family secret and his life goes in a direction he could never have anticipated.
'Lips Of Blood' is yet another wonderfully evocative, dream-like film from Jean Rollin. A truly unique film maker who creates fascinating worlds that are both seductive and dangerous. Rollin is one of the best kept secrets in horror, and a master of erotic fantasy.
Jean-Lou Philippe stars (and co-scripts) as a thirty something man who becomes obsessed with a photograph which reminds him of of his almost-forgotten childhood, which is sketchy at best. He attempts to track down the location in the picture, and this brings back memories of a beautiful and mysterious girl (the lovely Annie Belle/Briand, who also worked with Deodato and D'Amato) he once met. He finds himself uncovering a family secret and his life goes in a direction he could never have anticipated.
'Lips Of Blood' is yet another wonderfully evocative, dream-like film from Jean Rollin. A truly unique film maker who creates fascinating worlds that are both seductive and dangerous. Rollin is one of the best kept secrets in horror, and a master of erotic fantasy.
There's no question that Jean Rollin films are something of an acquired taste. His style is certainly off-putting to many. Even from someone who is fond of most of his output, I can easily understand why someone would not like Rollin's movies at all. Lips of Blood is another textbook example of the man's work with all the usual eccentric and idiosyncratic details you could reasonably expect. Its story involving female vampires is typical of the sort of thing he is most well known for. Except I have to say that I think that this film may very well be the most complete expression that Rollin ever made. I get the feeling that this movie is possibly the closest of all his pictures to the original idea he envisioned.
Quite unusually much of the action takes place in the middle of the city. But as is typical for Rollin, this also incorporates scenes in a Gothic cemetery as well as the expected crumbling castle and beach sequence. However, the night time city scenes are very probably the best parts of the entire movie. They include some strange and surreal locations such as the aquarium, the night fountains and the late night cinema (showing Le Frissons des Vampires no less). The extended scene where our hero navigates all these locations is some of the most fully-realized and effective stuff Rollin ever filmed. He photographs and lights things very well too and Lips of Blood doesn't betray its ultra low-budget origins as much as most of his other films.
The storyline, however, is as basic as usual. The characterizations are as paper-thin as always. But these considerations are just not what you would watch his films for, and if these things do bother you then his films are most probably not for you. But if you appreciate more dream-like fare or melancholic horror films, then this could well be worth your time. Lips of Blood is arguably Rollin's best film, it's certainly one of his most well made. Recommended to those who like Euro horror from the more surreal end of the spectrum.
Quite unusually much of the action takes place in the middle of the city. But as is typical for Rollin, this also incorporates scenes in a Gothic cemetery as well as the expected crumbling castle and beach sequence. However, the night time city scenes are very probably the best parts of the entire movie. They include some strange and surreal locations such as the aquarium, the night fountains and the late night cinema (showing Le Frissons des Vampires no less). The extended scene where our hero navigates all these locations is some of the most fully-realized and effective stuff Rollin ever filmed. He photographs and lights things very well too and Lips of Blood doesn't betray its ultra low-budget origins as much as most of his other films.
The storyline, however, is as basic as usual. The characterizations are as paper-thin as always. But these considerations are just not what you would watch his films for, and if these things do bother you then his films are most probably not for you. But if you appreciate more dream-like fare or melancholic horror films, then this could well be worth your time. Lips of Blood is arguably Rollin's best film, it's certainly one of his most well made. Recommended to those who like Euro horror from the more surreal end of the spectrum.
If your one who enjoys the recent surge in European horror films, by all means watch this delirious, non-sensical, erotic gem courtesy of director Jean Rollin.
From nude vampire women roaming the streets of Paris, to spooky castles and graveyards. LIPS OF BLOOD is sure to please
Be forewarned, as this film is for acquired tastes only. A must for sleazy, soft core horror buffs who enjoy their movies with an art house touch.
From nude vampire women roaming the streets of Paris, to spooky castles and graveyards. LIPS OF BLOOD is sure to please
Be forewarned, as this film is for acquired tastes only. A must for sleazy, soft core horror buffs who enjoy their movies with an art house touch.
The renowned French filmmaker Jean Rollin visits themes of childhood, nostalgia, undying love, and the vampire mythos in this typically enigmatic, striking work. Jean-Loup Philippe, who also wrote the script with the director, stars as Frederic, a maternally dominated young man. One day he chances to see a photo of some old ruins that stir in him a long buried childhood memory, when he got lost, came to those ruins, and was protected through the night by a mysterious but alluring stranger (Annie Belle). He becomes determined to solve the mysteries of his life, like for example why people such as his mother (Natalie Perrey) don't want him to know the truth. He's aided in his quest by four sexy female vampires.
Rollin films are most assuredly not for every horror fan. He keeps horror elements fairly limited, with not very much gore or scare set pieces. He does, however, include enough nudity, both female and male, to keep faithful viewers and the curious enticed. He also creates an intoxicating atmosphere here, and a genuinely compelling enigma over which our hero can obsess. One of his most affecting touches here is to develop a sense of desolation. There are never any big crowd scenes, nor are there many in the daytime. A lot of the time, there are precious few characters on screen. Almost from start to finish, Rollin gives "Lips of Blood" a true surreal nature, and the dialogue is often appealingly literate.
Our leading man isn't the most charismatic one will ever see, but he's not unlikable. His various female co-stars fare extremely well, though, especially the radiant young Belle, whom one might recognize from the far more trashy "House on the Edge of the Park".
"Lips of Blood" is wonderfully shot, and definitely romantic in its own way. It's both artful and exploitative in equal measure, making it well worth seeing.
Eight out of 10.
Rollin films are most assuredly not for every horror fan. He keeps horror elements fairly limited, with not very much gore or scare set pieces. He does, however, include enough nudity, both female and male, to keep faithful viewers and the curious enticed. He also creates an intoxicating atmosphere here, and a genuinely compelling enigma over which our hero can obsess. One of his most affecting touches here is to develop a sense of desolation. There are never any big crowd scenes, nor are there many in the daytime. A lot of the time, there are precious few characters on screen. Almost from start to finish, Rollin gives "Lips of Blood" a true surreal nature, and the dialogue is often appealingly literate.
Our leading man isn't the most charismatic one will ever see, but he's not unlikable. His various female co-stars fare extremely well, though, especially the radiant young Belle, whom one might recognize from the far more trashy "House on the Edge of the Park".
"Lips of Blood" is wonderfully shot, and definitely romantic in its own way. It's both artful and exploitative in equal measure, making it well worth seeing.
Eight out of 10.
Le saviez-vous
- AnecdotesJean Rollin based the main male character Frederic on himself.
- GaffesTwo men carry a corpse down a narrow staircase, followed by a woman with a lantern. As they emerge at the bottom of the stair, they have switched places: the woman is in the lead, followed by the two men and the corpse, despite there being only enough room for one person at a time.
- Versions alternativesX-rated version with explicit sex scenes: Suce-moi vampire (France, by 'Michel Gand') or Suck Me Vampire (USA, by 'Mike Gentle').
- ConnexionsFeatured in Eurotika!: Vampires and Virgins (1999)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Lips of Blood?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Jennifer
- Lieux de tournage
- Cimetière de Montmartre, 20 avenue Rachel, Paris 18, Paris, France(Jennifer at cemetery gate)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant