[go: up one dir, main page]

    Calendrier de sortiesLes 250 meilleurs filmsLes films les plus populairesRechercher des films par genreMeilleur box officeHoraires et billetsActualités du cinémaPleins feux sur le cinéma indien
    Ce qui est diffusé à la télévision et en streamingLes 250 meilleures sériesÉmissions de télévision les plus populairesParcourir les séries TV par genreActualités télévisées
    Que regarderLes dernières bandes-annoncesProgrammes IMDb OriginalChoix d’IMDbCoup de projecteur sur IMDbGuide de divertissement pour la famillePodcasts IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalSTARmeter AwardsAwards CentralFestivalsTous les événements
    Né aujourd'huiLes célébrités les plus populairesActualités des célébrités
    Centre d'aideZone des contributeursSondages
Pour les professionnels de l'industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de favoris
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'appli
  • Distribution et équipe technique
  • Avis des utilisateurs
  • Anecdotes
  • FAQ
IMDbPro

Le juge et l'assassin

  • 1976
  • Tous publics
  • 2h 8min
NOTE IMDb
7,3/10
2,5 k
MA NOTE
Le juge et l'assassin (1976)
Regarder Bande-annonce [OV]
Lire trailer2:10
1 Video
42 photos
CriminalitéDrameL'histoire

Un ancien sergent d'infanterie instable commet des crimes atroces. Un juge réfléchit à la manière dont cette affaire pourrait profiter ou nuire à sa carrière.Un ancien sergent d'infanterie instable commet des crimes atroces. Un juge réfléchit à la manière dont cette affaire pourrait profiter ou nuire à sa carrière.Un ancien sergent d'infanterie instable commet des crimes atroces. Un juge réfléchit à la manière dont cette affaire pourrait profiter ou nuire à sa carrière.

  • Réalisation
    • Bertrand Tavernier
  • Scénario
    • Jean Aurenche
    • Bertrand Tavernier
    • Pierre Bost
  • Casting principal
    • Philippe Noiret
    • Michel Galabru
    • Isabelle Huppert
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,3/10
    2,5 k
    MA NOTE
    • Réalisation
      • Bertrand Tavernier
    • Scénario
      • Jean Aurenche
      • Bertrand Tavernier
      • Pierre Bost
    • Casting principal
      • Philippe Noiret
      • Michel Galabru
      • Isabelle Huppert
    • 12avis d'utilisateurs
    • 9avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 victoires et 4 nominations au total

    Vidéos1

    Bande-annonce [OV]
    Trailer 2:10
    Bande-annonce [OV]

    Photos42

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 35
    Voir l'affiche

    Rôles principaux39

    Modifier
    Philippe Noiret
    Philippe Noiret
    • Le juge Emile Rousseau
    Michel Galabru
    Michel Galabru
    • Joseph Bouvier
    Isabelle Huppert
    Isabelle Huppert
    • Rose
    Jean-Claude Brialy
    Jean-Claude Brialy
    • Le procureur De Villedieu
    Renée Faure
    Renée Faure
    • Mme Rousseau
    Cécile Vassort
    Cécile Vassort
    • Louise Lesueur
    Jean-Roger Caussimon
    Jean-Roger Caussimon
    • Le chanteur des rues
    Jean Bretonnière
    Jean Bretonnière
    • Le député
    François Dyrek
    • Le cheminot libéré
    Monique Chaumette
    Monique Chaumette
    • La mère de Louise
    Yves Robert
    Yves Robert
    • Professeur Degueldre
    Jean Amos
    • Le gardien-chef
    Gilbert Bahon
    • Un roulant
    Arlette Bonnard
    • La fermière à la soupe
    Liza Braconnier
    • La religieuse de l'hôpital
    Jean-Claude de Goros
    • Dr. Dutourd
    • (as Jean-Claude de Gorros)
    Yvon Lec
    Yvon Lec
    • Le supérieur mariste
    Jean-Pierre Leroux
    • Radeuf
    • Réalisation
      • Bertrand Tavernier
    • Scénario
      • Jean Aurenche
      • Bertrand Tavernier
      • Pierre Bost
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs12

    7,32.5K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    7dromasca

    a serial killer story in the time of Dreyfuss

    Director Bertrand Tavernier and actor Philippe Noiret collaborated in 9 films. The 1976 'Le juge et l'assassin' is the third film they made together and is a remarkable film in many ways. The story takes place in the last decade of the 19th century, in a France that is still living through the trauma of the Paris Commune and the defeat in the Franco-Prussian war, a country deeply divided by the Dreyfuss case, crushed by social inequalities that gave impetus to the socialist movement but also encouraged anarchist groups and terrorist attacks. Against this background, Bertrand Tavernier together with Pierre Bost and Jean Aurenche wrote the screenplay of a film describing the case of a serial killer, a kind of French Jack the Ripper, focusing on the characters of the criminal and of the judge who does everything to catch and condemn him.

    Sergeant Joseph Bouvier is a veteran of the wars of France. He loves a young woman who rejects him, and in desperation he decides to kill her and commit suicide. Neither the assassination nor the suicide succeed, he is declared irresponsible, but after a few years the doctors consider him cured and release him. Adopting a vagabond life, prey to chronic physical and mental suffering and a morbid mysticism, he crosses France from North to South, killing and raping 12 victims on his way, most of them children or teenagers. Judge Emile Rousseau leads a typical bourgeois life in a provincial town, with a possessive mother and a mistress of lower social status. The Bouvier case gives him an opportunity to stand out, but to do so he must secure a conviction, prevent the serial killer from being declared insane, and turn him into a symbol of all that is rotten in France. Sort of a serial killer Dreyfuss. The confrontation between the two is not just a meeting between an accuser and a criminal. Rousseau has on his side not only the intelligence and cunning that will enable him to win Bouvier's confidence, but also a whole legal and political machine at the service of a social class that fears the changes that will sooner or later take place . In the end it is a confrontation between two faces of France, both corrupt and destructive.

    Philippe Noiret is, of course, formidable as always. The role of the cunning, ariviste and morally corrupt judge suits him perfectly. The most remarkable acting performance, however, belongs to Michel Galabru, an actor who until then had only made himself known on screens in comic roles (among them a gendarme from Louis de Funès' troupe in Saint-Tropez). The role of Bouvier allows Galabru to create a complex character, in which madness mixes with passion, mystical fervor with intellectual poetry. The cast also features Isabelle Huppert, who at 23, in the secondary role of Rose, the judge's mistress, was beautiful and already master of that mysterious expression that would mark her great roles to come. Bertrand Tavernier has always known how to collaborate with classy professionals. Pierre-William Glenn's cinematography is impressive, especially in the nature scenes. Philippe Sarde's music plays a very important role. There are several sung scenes in the film - by an officer declaiming a patriotic song about lost Alsace and Lorraine, by a troubadour singing a ballad to the murderer-turned-folk-hero, by working women demonstrating for their rights in the final scene. These, together with the very carefully designed sets and costumes, make 'Le juge et l'assassin' an extremely expressive film in rendering the atmosphere of the era. The biggest problem with the script is the overly obvious rhetoric, which doesn't want to leave any doubt about the political views of the screenwriters and of the director. I didn't think that was necessary. The story itself is quite strong and speaks for itself, and the level of acting plus the Noiret - Galabru duel are expressive enough without being explicit. Bertrand Tavernier could have let the cinema art that he mastered so well tell the whole story. It would have been sufficient.
    7ma-cortes

    interesting and brooding account of a heinous killer and his obstinate pursuer

    Intriguing courtroom drama based on true events , dealing with a nasty murderer called Bouvier : Michel Galabru , based on an actual series killer , proceeding a criminal spree throughout France and a prejudiced judge : Philippe Noiret who has his values challenged when he has to decide if the supect person is insane or no . And eventually, considering if it benefits or harms his career .

    A suspenseful, thrilling and surprising movie with historical background during Dreyfuss affaire , and the publication of Emilio Zola's J'accuse....!. A good as well as provoking flick, including drama , thrills , violence and competent performances .The peculiar relationship that develops between the murderer and the judge in the movie's focus . It results to be a nice movie shot in French with English subtitles . Duo of protagonists , Michel Galabru and Philippe Noiriet, are frankly magnificent. They are well accompanied by a fine support cast , such as : Isabelle Huppert as judge's sweetheart , Renee Faure as possessive mother , Yves Robert and Jean Claude Brialy as Procureur.

    It displays evocative and shining cinematograhy by Perre William Glenn , showing splendidly the French outdoors . As well as sensitive and moving musical score by Philippe Sarde . The motion picture was compellingly directed by Bertrand Tavernier . Bernard is deemed to be one of the best French fimmakers , writing and directing thought-provoking and interesting pictures , outstanding the following ones : "Captain Conan", "Revenge of the Musketeers" , "L627" , "Daddy Nostalgia", "Life and nothing but" , "Beatrice" , "Round Midnight", "A Sunday in the Country" , "Coup de Torchon" , Spoiled Children", "Death Watch" , "The Clockmaker" , among others . Rating : 7/10 . Better than average.
    8DukeEman

    Political wit.

    A French provincial town in the late 1890's where a Judge attempts to advance his political power by trying to prove that a soldier was not insane at the time of committing murder, which means soilder gets the guillotine and not the mad house. A movie that is more about the social turmoil in France.
    9brogmiller

    Justice is not interested in a madman.

    This stupendous film by Bertrand Tavernier is set against the background of the Dreyfus Affair and the workers' struggles which led to the formation of the Confédération Générale du Travail. Under the spotlight here is the abuse of power by institutions and the inequalities of the justice system.

    The two leading protagonists are serial rapist and murderer Joseph Bouvier, based upon real life Joseph Vacher and played to the hilt by Michel Calabru whilst judge Fourquet has here become the unscrupulous Rousseau and is personified by the immaculate Philippe Noiret. His character is not, as an earlier reviewer has suggested, based upon forensic doctor Etienne Lacassagne who is here named Degueldre and is played by Yves Robert.

    Bouvier and Rousseau could be said to represent both sides of the same coin. Bouvier is undeniably a monster but is clearly insane(or is he?) whilst Rousseau is in full possession of his faculties and is determined to have Bouvier guillotined in order to further his own ambition, even to the point of cleverly gaining Bouvier's trust so as to extract a full confession.

    Ambiguity reigns supreme here and who better to play Rousseau than Noiret whose working relationship with Tavernier, numbering nine films, is a marriage made in heaven. Tavernier not only gifted Noiret challenging roles but wisely gave him free rein in performance. It is understandably Michel Calabru's tour de force as Bouvier that earned him a well-deserved César. His is inspired casting for he was mainly known for his appearances in the popular 'Gendarme' series and there was nothing in his cinematic CV that would suggest he was capable of a performance of this magnitude. His tenure throughout the 1950's with the Comédie Francaise undoubtedly stood him in good stead for this demanding role.

    Marvellous support from Jean-Claude Brialy, veteran Renée Faure and moving up the ranks, the twenty-one year old Isabelle Huppert who would again work with Tavernier and Noiret in 'Coup de Torchon' and is here just one year away from her iconic role as 'La Dentelliere'.

    We owe Tavernier a debt of thanks for having brought legendary writing duo Jean Aurenche and Pierre Bost in from the cold and as one would expect from exponents of 'cinéma de qualité', their script is beautifully crafted, intelligent and trenchant. Tavernier's unerring sense of place and period and his eye for detail are in evidence here whilst his preferred cinematographer Pierre-William Glenn ensures gorgeous rural images. Inspired score by another of Tavernier's regulars Philippe Sarde with the final song based upon revolutionary tunes from the Commune.

    The final caption which points out that although Bouvier's unfortunate young victims numbered twelve, no less than twenty thousand children perished in the mines, serves as a stark reminder of how elusive was the concept of 'Liberté, Egalité, Fraternité'.
    theowinthrop

    A film I have always wanted to see

    I can't make a real judgment on this film, although the other reviews are rave ones. I just want to add that the story is based on an actual case of the 1890s in France. Joseph Vacher was the real life murderer who is the basis for Michel Galabrue's Joseph Bouvier. Like Vacher he was a former soldier, and he went about the countryside slaughtering young boy shepherds and young girl servants. His destruction of these victims (in terms of mutilations) rivaled his contemporary Jack the Ripper (Vacher was known as Vacher the Ripper). Although he was quite insane the public demanded a death penalty - he was guillotined in 1898. His crimes briefly took public attention off the matter of Captain Alfred Dreyfus.

    The Philippe Noiret character is partly based on the noted criminologist Professor Alexander Lacassagne, who (despite considerable evidence of insanity) determined that Vacher was sane, and deserved the death penalty.

    Vous aimerez aussi

    L'horloger de Saint-Paul
    7,1
    L'horloger de Saint-Paul
    Capitaine Conan
    7,2
    Capitaine Conan
    Que la fête commence...
    7,0
    Que la fête commence...
    Un dimanche à la campagne
    7,4
    Un dimanche à la campagne
    L.627
    7,2
    L.627
    Coup de torchon
    7,3
    Coup de torchon
    Harry Plotnick seul contre tous
    7,0
    Harry Plotnick seul contre tous
    Une semaine de vacances
    6,6
    Une semaine de vacances
    Ça commence aujourd'hui
    7,4
    Ça commence aujourd'hui
    Laissez-passer
    6,9
    Laissez-passer
    La Dangereuse Aventure
    6,7
    La Dangereuse Aventure
    La guerre sans nom
    7,6
    La guerre sans nom

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This is a fairly straight-forward account of the crimes of Joseph Vacher. "Vacher" and "Bouvier" both mean "cowherd" in French. The names of many of the characters - like Lacassagne - have not been changed.
    • Gaffes
      You can see the shadow of the microphone and the boom moving across the wall of the chapel where the priest is giving his sermon about five minutes after the beginning.
    • Connexions
      Featured in Keskiyön auringon kuvat (1987)
    • Bandes originales
      La Complainte de Bouvier l'Éventreur
      Music by Philippe Sarde

      Lyrics by Jean-Roger Caussimon

      Performed by Jean-Roger Caussimon

    Meilleurs choix

    Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
    Se connecter

    FAQ

    • How long is The Judge and the Assassin?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 10 mars 1976 (France)
    • Pays d’origine
      • France
    • Langue
      • Français
    • Aussi connu sous le nom de
      • The Judge and the Assassin
    • Lieux de tournage
      • Ardèche, France
    • Sociétés de production
      • Lira Films
      • Société Française de Production (SFP)
      • France 3
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 8 minutes
    • Mixage
      • Mono
    • Rapport de forme
      • 2.35 : 1

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    • En savoir plus sur la contribution
    Modifier la page

    Découvrir

    Récemment consultés

    Activez les cookies du navigateur pour utiliser cette fonctionnalité. En savoir plus
    Obtenir l'application IMDb
    Identifiez-vous pour accéder à davantage de ressourcesIdentifiez-vous pour accéder à davantage de ressources
    Suivez IMDb sur les réseaux sociaux
    Obtenir l'application IMDb
    Pour Android et iOS
    Obtenir l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • Licence de données IMDb
    • Salle de presse
    • Annonces
    • Emplois
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, une société Amazon

    © 1990-2025 by IMDb.com, Inc.