Le Cimetière de la morale

The late Kninji Fukasaku is arguably most widely known for the more recent "Battle Royale" (2000), but the films that have earned him the deserved status as a true master of uncompromising cinema are arguably his gritty Yakuza films from the 70s. Such as the famous "Battles Without Honor And Humanity" films or this disturbing gem called "Jingi No Hakaba" aka. "Graveyard of Honor" (1975). Produced by the great Toei company "Graveyard of Honor" must be one of the most uncompromising and depressing Gangster portraits ever brought to screen, and it is also easily one of the most memorable Yakuza films I've seen. Unlike many other gangster films which somewhat glorify the Mafia, this is a a brutal, uncompromising utterly grim portrayal of organized crime and one criminal in particular. Set in Japan of the late 1940s, "Graveyard of Honor" tells the story of real-life Yakuza Rikio Ishikawa (I don't know how accurate it is, though) in a disturbing and highly memorable manner.

Tokyo, 1946: thug Rikio Ishikawa (Tetsuya Watari) outshines all of the fellow members of his Shinjuku Yakuza family - in madness, brutality and irascibility. His spontaneous outbursts of violence are dreaded by both enemies and associates. When he increasingly begins to attack associates and even superiors, he becomes an outcast... Unlike many Gangster characters Ishikawa isn't really likable in any way. He is portrayed as a violent madman who rapes, brutalizes and murders apparently for no reason. However, in a way, one does feel sorry for him. Overall, this tough and seemingly soulless beast of a man who is feared by even his criminal peers, is also a pitiable creature unable to find any joy in life. Tetsuya Watari is brilliant in his role of the uncontrollably violent yet pitiable maniac criminal. The only truly likable character in the film is Ishikawa's girlfriend (played by the beautiful Yumi Takigawa), who sticks with Rikio, the man who has raped her and made her a prostitute. Her story is the doubtlessly most heart-breaking part of the film. The supporting cast includes many familiar faces for fans of Japanese cinema, including Eiji Go ("Tokyo Drifter", "The Executioner", etc.) and the beautiful Exploitation-Princess Reiko Ike ("Sex And Fury", "Female Yakuza Tale", "Criminal Woman: Killing Melody",...) of whom I'm a big fan. The film is brilliantly shot in a very unique style, and seems very realistic and authentic. The violence is brutal, blood and uncompromising as the film itself. Overall, "Graveyard of Honor" is a truly remarkable film that must not be missed. Takashi Miike made a remake in 2002, but although I am a (moderate) Miike-fan I doubt that it's anywhere near as good as this one. This brutal, disturbing, sad and often depressing portrait of a violent madman must be one of the most uncompromising crime films ever made and no lover of Japanese cinema can afford to miss it.

Kinji Fukasaku is worldwide known for his Yakuza movies, different from the typical overall view the cinema had from Yakuzas. This movie is a good example of how far some yakuzas are from honor or pride.

Fukasaku films Jingi no hakaba (Graveyard of Honor) as a mockumentary (fake documentary) which gives more emphasis to the actual yakuza situation. This movie follows the story of Ishikawa, the archetypical post-war gangster (as it's defined in the film). The character development is great, and very surprising. However, you may loose the plot in some points if you don't have an overall knowledge of the Yakuza organization.

In conclusion, a very entertaining gangster movie the Japanese way. I hugely recommend for anyone looking for the roots of most of the Japanese and Hong Kongese gangsters movies nowadays (Takashi Miike, Takeshi Kitano, John Woo, etc.), you won't get disappointed.

Graveyard of Honor is one of the best and most influential Japanese gangster movies ever made. If it had been more popular abroad, this movie might have the same reputation as The Godfather, Once Upon a Time in America and The Untouchables have today. This film was later on re-imagined by legendary Japanese director Miike Takashi.

The original movie by Fukasaku Kinji is an adaptation of Goro Fujita's novel of the same title and partially based upon real-life gangster Ishikawa Rikio. The film's antagonist starts as an ambitious gangster who assaults and steals money from numerous families but is unfit to be a permanent member of any family due to to his unconventional and violent behaviour. Things spiral out of control when the antagonist assaults the boss of his current family and is banished from Tokyo for ten years. The gangster spends some time in prison before moving to Osaka and becoming a drug addict that hangs around with unreliable junkies and sick prostitutes. He quickly returns to Tokyo and brutally clashes with the only friend he had left who has become an influential gangster boss. The antagonist is now hunted down by two gangster families and the police as he fights for survival while trying to organize some changes in his life.

There are many brutal Japanese gangster movies released between the late sixties and late seventies but Graveyard of Honor stands out for multiple reasons. The movie features numerous interesting characters such as the sick prostitute who accompanies the antagonist or his estranged friend that he met in prison. The movie has many violent action scenes that have aged surprisingly well but also some quiet dramatic parts that emotionally portray the downfall of the ambitious antagonist. The cinematography is absolutely outstanding with parts of the movie filmed in black and white as well as in sepia to introduce changes and flashbacks that give the final result an experimental mockumentary style. Despite these unconventional elements, the movie is coherent, entertaining and fluid from start to finish.

To keep it short, anyone who likes gangster movies should know, buy and appreciate Graveyard of Honor. The movie has recently been reissued in a boxed set with Miike Takashi's re-imagined version by Arrow Films. This boxed set is a little bit expensive but crafted with much care and certainly worth every single penny.

It's an unusual Yakusa picture, according some Fukasaku's most closest work friends interviewed on bonus material explained that Rikio Schikawa a wild persona portrayed by Tetsuya Watari is meaning the compassion whereby Fukasaku felt by those losers in the society, thus the story spans since his tender years just narrated by someone until post WWII when the acting really starts properly, exposing a kind of mad dog criminal character entering in a Yakusa gang making great damages whatever he goes, thus has been punished by banishment for ten years in agreement of Yakusa's law, however he dares go back in few years.

Another interesting point is about the fully chaos carried out there by lost the war, followed by American military intervention which wasn't any novelty, although countless people from nearby countries raided the Japanese ground as reprisals over the fierce and ruthless deployed by Japanese Army on previous years on the continent, also inserting those drugs displayed on story, brought massively aftermaths the war and all black market over an economy in ramshackle.

Aside some overacted implied by Kenji Fukasaku on the narrative, the picture in fully interesting by a character study, also understanding how Japan overcame those chaotic environment post WWII, where the Yakusa's mobsters took the political power in many territory thru "good looking civilians" a true achievement by the underrated master Kenji Fikasaku.

Thanks for reading.

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First watch: 2025 / How many: 1 / Source: DVD / Rating: 8.

The bittersweet irony of Fukasaku was that he was a talented man that only became known to us through his last film. So it's enthralling to discover small gems like this when in the West we were praising Scorsese for his grittiness.

It helps to know a bit about this type, the yakuza film. Fukasaku's The Yakuza Papers series offer all the introduction you're going to need.

If you are acquainted this will come as a pleasant surprise. The plot is nowhere near as convoluted, the barrage of constant name-dropping that made the former occasionally hard to follow is absent. Instead we get the distilled energy, with hand-held cameras peering from the most improbable angles, filming the numerous fights not from a distance but in the middle of the swirl. We get stills, narration, clever use of sepia, fast forwards and so on, years before Tarantino made it cool.

Yet what sets Graveyard of Honour apart from other yakuza movies is the protagonist. He's not the typical rags to riches and back figure seen in gangster movies. He doesn't hit the good time before falling down, he's not Tony Montana. No, it's all down-hill for him; a self-destructive yakuza without a care in the world who brings about his own misery and challenges his bad karma at every corner. His nihilistic stare reminded me of Ryonosuke Tsukue from Sword of Doom.

Strongly recommended for crime drama fans.