Ajouter une intrigue dans votre langueAn evil magician makes a living by casting deadly spells on people's objects of desire. He gets overly ambitious, and start to go out of control.An evil magician makes a living by casting deadly spells on people's objects of desire. He gets overly ambitious, and start to go out of control.An evil magician makes a living by casting deadly spells on people's objects of desire. He gets overly ambitious, and start to go out of control.
- Réalisation
- Scénario
- Casting principal
Lo Lieh
- Lang Jiajie
- (as Lieh Lo)
Ku Feng
- Shan Jianmi
- (as Feng Ku)
Norman Chu
- Nuo's Colleague
- (as Shao-Chiang Hsu)
Chin Chun
- Party Guest
- (as Chun Chin)
Dana
- Mistress Cursed by Shan's Patron #1
- (as Tsen Shu-Yi)
Fung Ging-Man
- Wedding Guest
- (as Ging-Man Fung)
Ping Ko
- Wedding Guest
- (as Got Ping)
Ti-Hua Ko
- Shan's Patron #1
- (as Helen Ko Ti-Hua)
Chan-Hsiung Ku
- Doctor
- (as Goo Chim-Hung)
Avis à la une
"Jiang Tou," also known as "Black Magic" (1975), directed by Ho Meng Hua, is a captivating exploration of dark sorcery and the supernatural, steeped in the rich tapestry of ancient Chinese folklore. The film presents a world where spells, curses, and dark rituals shape the destinies of its characters, delivering a blend of horror and drama that is both intriguing and flawed.
The film excels in creating a vivid and immersive atmosphere. The detailed production design, from the eerie landscapes to the elaborate costumes, transports viewers into a realm where magic and mystery reign supreme. The use of practical effects, while somewhat dated, adds a tangible authenticity to the film's many supernatural scenes, giving them a unique charm despite their occasional campiness.
"Jiang Tou" struggles with narrative cohesion and pacing. The story, while rich in potential, often feels disjointed, with certain plot points lacking sufficient development or clarity. This results in a viewing experience that can be confusing and uneven, as the film occasionally meanders and loses focus.
The balance between horror and melodrama is another area where "Jiang Tou" falters. The tonal shifts can be jarring, detracting from the film's ability to maintain a consistent atmosphere of suspense and terror. Additionally, the special effects, though innovative for the time, may appear antiquated and unintentionally humorous to modern audiences, which can undermine the film's more serious moments.
Despite its imperfections, "Jiang Tou" (1975) is a film of notable ambition and cultural significance. It offers a fascinating look at the supernatural traditions of its setting and provides a narrative that, while flawed, is still engaging and thought-provoking. For fans of classic horror and Asian cinema, "Jiang Tou" is a film worth watching, offering a glimpse into a uniquely dark and magical world.
The film excels in creating a vivid and immersive atmosphere. The detailed production design, from the eerie landscapes to the elaborate costumes, transports viewers into a realm where magic and mystery reign supreme. The use of practical effects, while somewhat dated, adds a tangible authenticity to the film's many supernatural scenes, giving them a unique charm despite their occasional campiness.
"Jiang Tou" struggles with narrative cohesion and pacing. The story, while rich in potential, often feels disjointed, with certain plot points lacking sufficient development or clarity. This results in a viewing experience that can be confusing and uneven, as the film occasionally meanders and loses focus.
The balance between horror and melodrama is another area where "Jiang Tou" falters. The tonal shifts can be jarring, detracting from the film's ability to maintain a consistent atmosphere of suspense and terror. Additionally, the special effects, though innovative for the time, may appear antiquated and unintentionally humorous to modern audiences, which can undermine the film's more serious moments.
Despite its imperfections, "Jiang Tou" (1975) is a film of notable ambition and cultural significance. It offers a fascinating look at the supernatural traditions of its setting and provides a narrative that, while flawed, is still engaging and thought-provoking. For fans of classic horror and Asian cinema, "Jiang Tou" is a film worth watching, offering a glimpse into a uniquely dark and magical world.
Excellent cinematography, well-lit and razor sharp. Insane black magic rituals loaded with gore and offal. A creepy, well-directed classic from the Shaw Group, Black Magic is packed with sickness and perversity. The Saturday morning kids' TV show optical effects at the end was a poor way to end it.
While the Shaw Brothers are definitely best-known for their martial arts flicks (as evidenced by a couple peeved reviews on this website), they did dip their fingers in other genres here and there. BLACK MAGIC was one of their forays into the horror sub-genre, telling the tale of a black magician and his various customers looking for love, murder or both.
BLACK MAGIC contains some nastiness and some awesome here and there: we've got rice given magical qualities by female genitalia, breast-milking, dead folks dissolving into maggot-infested skeletons and laser beam-shooting skulls. The problem, however, is that in between a few awesome scenes, the movie does really drag and gets quite repetitive (the black magician sets a curse, the good magician reverses the curse, then the black magician reverses it again, etc., etc.). It's all watchable, but it gets pretty run-of-the-mill near the middle. Luckily, the last 5-10 minutes are fantastic and worth wading through the mediocrity.
Overall, this is worth a look for Hong Kong horror fans, but you could do better if you looked around. For example, just a year later, the Shaw Bros. put out a (name-and-theme-only) sequel, BLACK MAGIC 2, which cranks the crazy factor up a couple notches and is basically an improvement in every way.
BLACK MAGIC contains some nastiness and some awesome here and there: we've got rice given magical qualities by female genitalia, breast-milking, dead folks dissolving into maggot-infested skeletons and laser beam-shooting skulls. The problem, however, is that in between a few awesome scenes, the movie does really drag and gets quite repetitive (the black magician sets a curse, the good magician reverses the curse, then the black magician reverses it again, etc., etc.). It's all watchable, but it gets pretty run-of-the-mill near the middle. Luckily, the last 5-10 minutes are fantastic and worth wading through the mediocrity.
Overall, this is worth a look for Hong Kong horror fans, but you could do better if you looked around. For example, just a year later, the Shaw Bros. put out a (name-and-theme-only) sequel, BLACK MAGIC 2, which cranks the crazy factor up a couple notches and is basically an improvement in every way.
This film is so essence of B. It has it all: voodoo, old hags, centipede eating, breast milk and the clichéd good versus evil battle at the end. It's so B, you can't help, but laugh through it all. No matter how much you criticize the film for its cheesy plot and sets as you're watching it, you're sure to watch it to the end!
A working class guy tired of working for a living has his sights on the wealth of a very spoiled rich woman who won't have anything to do with him. She in turn has it all, but as a rich,spoiled woman that's not enough. She wants the man she can't have, an honest working class man in love with the good working class girl. Enter evil magician who specialized in both love and death spells.
A working class guy tired of working for a living has his sights on the wealth of a very spoiled rich woman who won't have anything to do with him. She in turn has it all, but as a rich,spoiled woman that's not enough. She wants the man she can't have, an honest working class man in love with the good working class girl. Enter evil magician who specialized in both love and death spells.
Martial arts hero Ti Lung plays Hsu Lo,who runs up against an evil black magic practitioner San Kan-Mi.San Kan-Mi wants to seduce Hsu's fiancée Wang Chu-Ying and places a death spell on him and a love spell on her,hoping to kill two birds with one stone.Another veteran witch doctor comes to the rescue of the spellbound lovers...Slightly gruesome horror flick from the legendary Shaw Brothers.There is self-mutilation ,grisly black magic ritual involving freshly buried corpse and finally some people are disintegrating into masses of putrid flesh,maggots and bones in a matter of seconds.I haven't seen "Black Magic II",but it's supposedly even more gruesome.If you liked this check out also hysterically funny "Oily Maniac".7 out of 10.
Le saviez-vous
- AnecdotesThis film was originally going to be set in Thailand. This was eventually changed to Malaysia instead.
- ConnexionsFeatured in Trailer Trauma Part 4: Television Trauma (2017)
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- How long is Black Magic?Alimenté par Alexa
Détails
- Durée1 heure 36 minutes
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Black Magic (1975) officially released in India in English?
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