Michèle, une étudiante française en sculpture, qui s'occupe du fils d'un homme riche. Il est impliqué dans l'enlèvement du garçon et est laissé entre les mains d'Ann, une actrice italienne a... Tout lireMichèle, une étudiante française en sculpture, qui s'occupe du fils d'un homme riche. Il est impliqué dans l'enlèvement du garçon et est laissé entre les mains d'Ann, une actrice italienne au chômage et son complice.Michèle, une étudiante française en sculpture, qui s'occupe du fils d'un homme riche. Il est impliqué dans l'enlèvement du garçon et est laissé entre les mains d'Ann, une actrice italienne au chômage et son complice.
- Réalisation
- Scénario
- Casting principal
Carl Möhner
- Cyrus Franklin
- (as Karl Mohner)
Maria Cumani Quasimodo
- Princess Ruspini
- (non crédité)
Margherita Horowitz
- Maid
- (non crédité)
Avis à la une
This film was almost universally panned at the time of its release. It was the final film of distinguished French director Rene' Clement and clearly not one of his best. But....
There is something about this film that is quite compelling. Agreed, the plot is full of holes and certainly stretches belief and logic. But there is a melancholy mood that few films ever achieve. One has to credit Clement for this (non-trivial) achievement. Generating and communicating melancholia is hard to do and somehow Clement manages it.
Credit must also go to French actress Maria Schneider who plays the role of the confused and trapped Michelle, just right. Her acting is minimalistic, and ultimately believable. In a smaller role, Italian comedian Renato Pozzetto, playing the scruffy Gianni ( Michelle's friend), brings just the right seediness, innocence and melancholy to his scenes. Worth a look. Worth a partial revaluation.
There is something about this film that is quite compelling. Agreed, the plot is full of holes and certainly stretches belief and logic. But there is a melancholy mood that few films ever achieve. One has to credit Clement for this (non-trivial) achievement. Generating and communicating melancholia is hard to do and somehow Clement manages it.
Credit must also go to French actress Maria Schneider who plays the role of the confused and trapped Michelle, just right. Her acting is minimalistic, and ultimately believable. In a smaller role, Italian comedian Renato Pozzetto, playing the scruffy Gianni ( Michelle's friend), brings just the right seediness, innocence and melancholy to his scenes. Worth a look. Worth a partial revaluation.
What a cast! Maria Schneider, Sydne Rome, two absolute beauties, Nadja Tiller, another beauty, Vic Morrow, Robert Vaughn and the unique Renato Pozzetto, who kind of steals the film with his role of an involuntary comic, excellently played by the actor. The story is trivial, the kidnapping of a boy for a ransom. The implications between the characters are interesting though. Worth seeing especially for Maria Schneider and Renato Pozzetto.
I was not disappointed by this last René Clément's film. It's an international cast, as he did for LA COURSE DU LIEVRE A TRAVERS LES CHAMPS, a couple of years earlier. Not a bad movie which the topic reminded me Yves Boisset's FOLLE A TUER. The nanny and the wealthy kid about to be abducted. Not a masterpiece but certainly not a garbage movie. You would not find such features now. Yes, it's a typical downbeat scheme, as we often saw forty years ago, especially from France. And not only. Good performances too, despite the fact that there was no great actors in the cast. It's also a rather rare film, hard to find and no often released even on French channels.
I love watching such movies from time to time, gloomy and so sad.
I love watching such movies from time to time, gloomy and so sad.
This is a great little thriller with some fine performances but I understand Leonard Maltin dumped on it upon its release and it seems to me a lot of folks have followed his lead. There is nothing wrong with this film at all. Granted it is confusing at the start (intentionally) but most exhilarating when we catch up with the events and discover just what a tangled plot we have here. I guess some are surprised and disappointed that the super Maria Schneider keeps her clothes on in this but we catch a glimpse of the equally beautiful Sydne Rome, so all is not lost. John Whittington is especially effective as the little boy and can only imagine how terrible this might have been had this been an American picture. No sentimentality then and possibly another cause for upset in that the interaction between he and Schneider is so adult. Robert Vaughn also appears and is very effective in aggressive mode. Compelling, amusing and thrilling. Sadly, Rene Clement's last film and perhaps we can thank Mr. Maltin for that.
The movie has been released on treeline films ( www.treelinefilms.com ) and I bought it at the store for .99 and worth every penny! They also had many other films including Mr. Wong Detective starring Boris Karloff. More on that in another review. The film is in colour and the soundtrack is a little catchy. Its in English but the voice seem to be out of sync. I am a fame of Robert Vaughn and wanted to see what he was up to. Well for most of the movie he is not present. The ending was a little surprising. Seriously I just bought it to kill time while I programming and found myself watching it to the end just because it was so bad...you know like a car wreck...
Le saviez-vous
- AnecdotesRené Clément's final film at age 62, although he would live another 21 years; he also co-wrote it.
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- Durée1 heure 50 minutes
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