Ajouter une intrigue dans votre langueA young woman goes home to New York after a long stay in Europe. Her former schoolmate introduces her to the decadence of New York and she ultimately falls in love with an older man who's a ... Tout lireA young woman goes home to New York after a long stay in Europe. Her former schoolmate introduces her to the decadence of New York and she ultimately falls in love with an older man who's a stand-in for her father, before tragedy strikes.A young woman goes home to New York after a long stay in Europe. Her former schoolmate introduces her to the decadence of New York and she ultimately falls in love with an older man who's a stand-in for her father, before tragedy strikes.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 1 victoire et 1 nomination au total
Avis à la une
The saddest credits on this number: "Producer--Howard Koch. Assistant Director--Howard Koch, Jr." Imagine the agony of poor Guy Green, an aging British yeoman who had just finished work on a biography of Martin Luther, as he struggled with the correct way to shoot a sex scene between Alexis Smith and Melina Mercouri. It's all not quite as peacocklike as it sounds, but Susann certainly had a pop style--the raspy voice of an old Broadway bawd telling an ingenue (i.e., her hausfrau-ly reader), how it really is in the big, ugly, grown-up world. The freaky, non-contradictory mix of camp, obsession and melodrama a la fromage has a sweetness a half century later: the biggest-selling woman author of all time really did just want to be a pampered shiksa teenager stroking some graying temples.
When the story begins, a famous but down and out movie producer (Kirk Douglas) learns that his daughter (Deborah Raffin) was badly injured in an accident. Apparently, she was in a Swiss clinic for years recovering and when she is released, she moves in with her father in a fancy New York apartment. She soon learns, however, that her father essentially sold himself to get her this apartment, as he's practically broke and married a rich woman (Alexis Smith) to give his daughter a fancy life. But over time, the daughter finds that living in this apartment isn't for her and she sets out to find herself in a new job, new apartment and, of course, sex.
The film certainly is very blunt when it comes to sex, so some viewers might be turned off by this. Of course, some also might find the plot terrific! I just mention this because this certainly isn't a movie for the prudish or conservative viewer. It also, at times, comes off as crass....and this, of course, depends on the viewer.
So is it any good? Some of the dialog is a bit cheesy...and some is simply fabulous. The acting is generally very good and the film looks lovely. As for the plot, subtle is ain't! I found the film entertaining but also pretty shallow and glossy. It's tough to love a film when you dislike pretty much everyone in the story! Worth seeing if you like that sort of thing...and far, far better than "The Valley of the Dolls", which was a bit of a bomb.
By the way, it is strange that Deborah Raffin receives 8th billing, as she is clearly the star of the movie and the plot centers around her. Of course, at the time, she was a 'nobody' and a lot of 'somebodies' were billed above her...even if they were barely in the movie.
Raffin eventually falls in love with alcoholic writer David Janssen (as Tom Colt), after he fails to copulate with her best friend, promiscuous "Gloss" magazine editor Brenda Vaccaro (as Linda Riggs). Mr. Janssen thinks Douglas' film version of his "Pulitzer Prize"-winning novel was awful. Douglas disapproves, naturally, of his daughter's affair with Janssen...
The main theme of "Once Is Not Enough" appears to be the borderline incestuous love between Raffin and Douglas. Also, most of the couples have at least one bisexual partner; although there is no overt indication Janssen has any sexual interest in handsome astronaut Gary Conway (as Hugh Robertson), it's difficult to ascertain another reason for his inclusion in the storyline. Apparently, much was cut from Jacqueline Susann's best-selling novel. She and Irving Mansfield began by assembling good production values, but lost control as the story was turned into something hesitating and vacuous.
Some trashy fun remains.
***** Once Is Not Enough (6/18/75) Guy Green ~ Deborah Raffin, Kirk Douglas, David Janssen, Brenda Vaccaro
Le saviez-vous
- AnecdotesLana Turner was offered to play the of Deidre but she balked at a scene where she kisses her female lover on the lips. The part was offered to Alexis Smith and she accepted.
- Citations
January: [January contemplates renting her own apartment] I wouldn't ask Mike for the money. I have none of my own.
Linda Riggs: You'll work for Linda Riggs and Gloss magazine. With the circles you're traveling in, honey, you're an asset.
January: Linda, I can't write!
Linda Riggs: Neither can I! All you do is research. We have an entire staff of underpaid schmucks who do the writing. Oh, my dear, it's so lucky for you you've fallen into my hands. I'll teach you everything: writing, screwing, everything! Do you know what a man said to me last night? He said, "Linda, you have a ten fingers like a mouth and a mouth like ten fingers!" Now, you couldn't ask for a better reference than that, could you?
- Bandes originalesOnce Is Not Enough
Lyrics by Larry Kusik
Music by Henry Mancini
Sung by The Mancini Singers
courtesy of RCA Records
Meilleurs choix
- How long is Once Is Not Enough?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Une fois ne suffit pas de Jacqueline Susann
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 15 700 729 $US
- Montant brut mondial
- 15 700 729 $US