Les Dents de la mer

Jaws is very much a spiritual child of Moby Dick, with a Great White Shark inserted in place of a giant white whale.

The hunting of the shark means something different for each of the three main male leads. For Brody, killing the shark would mean ensuring the safety of his children (the relationship between parents and their children being a strong running theme in nearly all of Spielberg's films). For Hooper, the shark is just another shark. It's his job to study them and provide his expertise. That's it. Then there's Quint, a Captain Ahab like figure whose obsession places him in a fit of blind fury. To him, all sharks are the same and killing this one would operate as ultimate revenge.

And like Moby Dick, Jaws is a perfectly told straightforward story depicting believable human beings and observing human behavior. Part of the joy of Jaws is watching these characters interact with each other in ways that make them seem truly alive and real, which only serves to make the threat of the shark even more threatening. We also have the land scenes of the first half that expose the stakes at the same time as it depicts the conflict between Brody and the mayor who wants to keep the beach open.

And of course, the film is marvelously constructed by Spielberg. Much is made of the way he directs the scenes of suspense, but there's also very intelligent decisions being made in non-action scenes. Many shots burned into my eyes are something as simple as a quiet moment between a father and his son who is innocently ignorant of the danger at hand.

This is the movie that started it all. I'm not talking about the Hollywood blockbuster, or the insane madness that sent thousands of misunderstood Great Whites to their deaths, I'm talking about the beginning of my interest in movies. This is the movie that did it. I couldn't tell you how old I was when I first saw it, but I do remember this is the movie I made my parents rent time and time again when we went to the video store. This is the movie that drove my parents and some of my friends nuts while I watched it day after day after day when my mom gave it to me for Christmas. This is the movie that made me want to turn a real interest in the movies from just a hobby and into a career. For that, I owe Spielberg, Benchley, Scheider, Shaw, Dreyfuss, Williams, Fields and everyone else a sincere and heart-felt thank you. I own this movie on every format in which it is available. I love it that much. I've probably seen it between 200 and 300 times. I guess you can say it is an obsession. A sick obsession. The plot, the pacing, the editing, the score, the acting, and, oh yes, the shark. Who cares that is fake? By the time we finally get to see it, do we care? Truly, a more suspenseful movie was never made. Several come close, but none quite reaches the primal level the JAWS does. No other film so effectively taps into our fear of the unknown, and then gives it a riveting score to boot. No other movie grips us so strongly with heart stopping suspense that we find ourselves nearly falling off our seats. And no other movie leaves us feeling so spent and wasted after a viewing. And the reason for all the fear, suspense and emotional withdrawal is not top-notch special effects. It was the mid-70's. You can barely apply top -notch to anything of that era. The reason the movie does all that to us is that it is a great story. It is filled with real people, who have real jobs, and who have real fears. And who must now confront a real shark. Can you think of anything more terrifying that getting on a rickety, leaky boat to kill a 25-foot shark when you already have a paralyzing fear of the water? I can't. And Martin Brody sure can't. And so, no matter what ranking JAWS may get on AFI's list of the 100 greatest movies, or TV Guides list of the top 50 movies, or any list for that matter, JAWS will always come in number one on mine. Steven, Peter, Roy, Robert, Richard, John, and Verna -- thank you. Not for just giving me a sense of direction in my life, not for just making me want to be a screenwriter, but also for making a movie that still thrills me as much now when I watch it as when it did when I saw it for the very first time.

Back in 1975, "Jaws" made a huge splash (pardon the pun) in theaters. It set all sorts of box office records and made the covers of magazines all over the country. And, the film was seen as groundbreaking and amazing. When seen today, it's still a great film to watch even with it's very dated technology. In other words, the shark often looks very fake but the story is so good and handled so well, you really don't care. Excellent acting, a very nice script and excellent direction make this a definite must-see.

I saw this movie again after a few decades. There are a lot of movies from past eras that don't hold up over time, but this one does. It's just as suspenseful as it was in 1975. But the best reason to watch it is Robert Shaw's performance. You hardly ever see those type of personalities in movies anymore.

Reputationally-speaking, "Jaws" will forever be known for two things: director Steven Spielberg's unique "shark-eye view" camera work and building of suspense, and composer John Williams' two note "attack" motif that became as iconic as any piece of music ever created. Perhaps those two aspects alone would have been enough to make "Jaws" an iconic film--who knows. But the fact is, this 1975 effort is about so much more than just suspense/horror. It is one of the most well-rounded, complete movies ever made.

For a very basic overview, "Jaws" tells the story of the coastal town of Amity, which suddenly and inexplicably becomes the hunting grounds for a rogue Great White shark. Sheriff Brody (Roy Scheider) wants to close down the beaches until further notice, but is opposed every step of the way by city official Vaughn (Murray Hamilton), who worries about the potential loss of tourist business. When the attacks continue, however, Brody enlists the help of shark expert Hooper (Richard Dreyfuss) and grizzled boatsman Quint (Robert Shaw) to help hunt down the giant predator.

As stated, the general premise and music here are well-known. But what always strikes me with each "Jaws" re-watch is how much it is a human drama as opposed to a horror piece driven by a villain (the shark, in this case).

The first half of "Jaws" takes place almost entirely "on land", if you will, and focuses more on the politics of fear and commerce than anything supernatural or scary. If there are ever any doubts as to whether that material holds up, they can easily be put to rest after viewing the film through a pandemic context. Substitute "global contagious disease" for "mindless, unstoppable shark" and it's as relevant today as ever.

The second half leans more towards "adventure sea chase", and is buoyed by ocean scenes that, despite being filmed 45+ years ago now, do not seen old or outdated in the least. Masterful cinematography almost always holds up, and Spielberg's behind-the-camera decisions certainly do here as well. Even then though, in the midst of a brutal and thrilling chase, Spielberg stops the action for a touching scene in which the three seaman bond over song and shared experiences.

In order to fully exhibit such depth of character, great acting is required--and given here in spades. "Jaws" features a collection of unique characters that are always a joy to revisit. Scheider as the "why-won't- anyone-listen-to-me!" sheriff lets viewers relate to the story in a much more personal aspect, while Dreyfuss' Hooper is insightful, hilarious, and provides some of the best dialogue of the whole show. Of course, Shaw as Quint is singularly iconic, juxtaposing jocularity and complexity perfectly within his single character.

Perhaps the greatest compliment I can give "Jaws" is that every time I see it, I can't help but be swept away in all its winning aspects. Whether it be the drama, emotion, music, thrills, adventure, visuals, acting, or just overall heart of the piece, there is not a single scene wasted or underutilized. I have absolutely no doubt that it will remain just as visceral of an experience going forward as it was for those sitting in the theaters in 1975.