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The Ghoul

  • 1975
  • R
  • 1h 28min
NOTE IMDb
5,3/10
2 k
MA NOTE
John Hurt and Peter Cushing in The Ghoul (1975)
HorreurThriller

En panne d'essence, perdu dans la campagne britannique, un groupe de jeune part à la recherche de carburant. Ils tombent sur la demeure d'un ancien prêtre cachant un étrange secret dans sa m... Tout lireEn panne d'essence, perdu dans la campagne britannique, un groupe de jeune part à la recherche de carburant. Ils tombent sur la demeure d'un ancien prêtre cachant un étrange secret dans sa mansarde.En panne d'essence, perdu dans la campagne britannique, un groupe de jeune part à la recherche de carburant. Ils tombent sur la demeure d'un ancien prêtre cachant un étrange secret dans sa mansarde.

  • Réalisation
    • Freddie Francis
  • Scénario
    • Anthony Hinds
  • Casting principal
    • Peter Cushing
    • John Hurt
    • Alexandra Bastedo
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,3/10
    2 k
    MA NOTE
    • Réalisation
      • Freddie Francis
    • Scénario
      • Anthony Hinds
    • Casting principal
      • Peter Cushing
      • John Hurt
      • Alexandra Bastedo
    • 51avis d'utilisateurs
    • 23avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire au total

    Photos15

    Voir l'affiche
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    + 9
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    Rôles principaux10

    Modifier
    Peter Cushing
    Peter Cushing
    • Doctor Lawrence
    John Hurt
    John Hurt
    • Tom Rawlings
    Alexandra Bastedo
    Alexandra Bastedo
    • Angela
    Gwen Watford
    Gwen Watford
    • Ayah
    Veronica Carlson
    Veronica Carlson
    • Daphne
    Don Henderson
    Don Henderson
    • The Ghoul
    Ian McCulloch
    Ian McCulloch
    • Geoffrey
    Stewart Bevan
    Stewart Bevan
    • Billy
    John D. Collins
    John D. Collins
    • Young Man
    Dan Meaden
    • Police Sergeant
    • Réalisation
      • Freddie Francis
    • Scénario
      • Anthony Hinds
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs51

    5,31.9K
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    10

    Avis à la une

    6ma-cortes

    Decent Tyburn terror with shocks, tension, chills and eerie as well as gory scenes

    We are in the world of Hammer Production now subtly calling themselves Tyburn , dealing with some drivers after a local auto race begin disappearing . Violin player ex-missionary : Peter Cushing arrives back from India with a mystical Hindu servant and a horrible secret. Bright young things crash their motor outside the front gate and are whisked away in by poor man : John Hurt. The unfortunate youngsters are lost on the marshes that long time ago were used by the army as a training area. But they wind up at a worst place, at the dark mansion where stalks terrible secrets.

    This Horror film contains thrills, chills , brisk frames, blood and gore. A familiar script full of shocks, screams and surprises by John Elder and remarkable presence by the splendid Peter Cushing , as he enhanced everything he was in . Nice settings and production design, including moorland scenes completed with smoke bomb billowing away just out of camera . Cast is pretty good, the always great Peter Cushing as a defrocked clergyman, the picture improves immensely once he shows up, he was born to act in movies like this , the Hammer girl Veronica Carlson, Alexandra Bastedo , Ian McCulloch , Glenn Watford as a religious Hindú and sadly wasted John Hurt as the lunatic family gardener .

    The picture displays a colorful but dark cinematograhy by John Wilcox with full of foggy ambient . As well as thrilling and suspenseful musical score by Harry Robertson and conducted by regular Philip Martell . The motion picture written by John Elder or Anthony Hinds was professionally directed by Freddie Francis who usually worked with Peter Cushing . He was a good director and a prestigious cameraman . Freddie made a lot of terror films , many of them starred by Peter Cushing , such as : The Creeping Flesh, Craze, Paranoiac, The Skull , Witness madness , Son of Dracula, Legend of the Werewolf , Trog , The Deadly Bees , Dracula Has risen from the Grave , Tortura garden , Hysteria , Docotor Terror , Nightmare , The Evil of Frankenstein, The Brain, Doctor and the Devils , Tales from the crypt , Crypt tales . Rating : 6/10 . Passable and acceptable . The flick will appeal to Peter Cushing fans .
    8HumanoidOfFlesh

    Creepy British horror flick with great central performance of Peter Cushing.

    England during the 1920s.At a party, two bored men challenge each other to a car race to Land's End.But one of the cars breaks down.Daphne Wells-Hunter walks to the nearby country estate to find help and meets Dr Lawrence,a former missionary to India,who lives in seclusion there. But then she is killed by the bald,cadaverous man that Lawrence keeps locked in an upstairs room and her companion is pushed over the cliff in the car.Their friends come looking for them and refuse to believe Lawrence's explanation that it was an accident.Interesting British production from Tyburn Films,founded by Kevin Francis.Not much is ever explained about cannibalistic ghoul hidden on the attic.The atmosphere of strangeness amid the mist-flowing moors is certainly well evoked and Peter Cushing gives a memorable performance as always.I have seen this film for the first time as a kid and it really creeped me out.8 out of 10.
    6chev-errant

    Great acting, superb atmosphere, deserves to be a cult-classic

    I have noticed a lot of rubbish written about this movie: its NOT a Hammer production (it's from Tyburn) although a lot of Hammer-regulars are involved in it; director Freddie Francis is NOT the brother of producer Kevin Francis, but his father; the only similarities between Alfred Hitchock's Psycho and this movie are a female lead-actress (Veronica Carlson of Hammer's Dracula Has Risen from the Grave and Frankenstein Must be Destroyed-fame) who is killed halfway through the movie after we have become to root for her and who's disappearance is investigated by people who knew her, and an atmospheric house which contains a supposedly hideous secret. Peter Cushing gives a great performance, mixing real-life emotions with acting (his sadness about his departed wife of which he show photographs to Veronica Carlson and which are photographs of his real wife who had died in 1971, is really hard to watch if you are familiar with the background-information); John Hurt is also great although his character is nothing more then a red herring; Gwen Watford gives a nice performance of a Hindu-housekeeper which is not sinister in herself but treated as sinister because Hindoes were considered sinister in the time-period the movie is set in. The Ghoul himself will be undoubtedly a let-down for gore-seekers; although he is cannibalistic, he turns out to be more of a sad retard than a monster. The element which makes this film a cult-classic is the sadness which pervades every scene once we have made entrance to the house; not any other movie, to my knowledge, makes the same impact of sadness and doom which are presented here through characterizations, surroundings and even time-period. It's a gem, worthy to seek out, but be warned: only one viewing may not be enough to appreciate it ! You have to take your time for it and watch it several times (with intervals)... It may haunt you...
    9josephbrando

    A Must-See For Hammer Fans

    "The Ghoul" was produced by Tyburn Films - one of the British Horror Companies that spurted up in response to Hammer Studio's worldwide Gothic horror movie success. This one should be of immediate interest to anyone who likes those films as it stars Hammer veteran Peter Cushing, Hammer starlet Veronica Carlson and is written and directed by Hammer stalwarts Anthony Hinds and Freddie Francis.

    Ghoul begins at a roaring 1920's party where four bored guests decide to go drag racing and wind up at a strange mansion in the forest where a former priest (Cushing) resides with his creepy Indian housekeeper (brilliantly portrayed by Gwen Watford), and sadistic groundskeeper (a very early role by John Hurt). Now, I'm sure some of you may be raising your eyebrow and thinking "that tired story again?" - but as anyone who likes these kinds of movies knows, its all about the execution and this one's got it nailed down perfectly.

    There are some gory surprises, nice Gothic stylings, and excellent performances nestled inside of this very vague, very familiar story. Alexandra Bastedo, is particularly wonderful as one of the feisty teenagers, ethereally beautiful Carlson is always a joy to watch and Cushing gives one of his finest turns ever here. Anyone who likes Hammer movies or Gothic horror in general would be well-advised in seeking out this lost treasure that for some reason, in spite of its stellar cast and production crew, has escaped a genuine DVD release in any country.
    7kensworld-135-305975

    A must for fans of Peter Cushing

    I must be one of the few people on earth that likes this film, for in general terms it has been dismissed by critics and fans alike. I guess therefore, it is down to me to explain the appeal of 'The Ghoul'. Well, first and foremost it has Peter Cushing, who makes the film, and gives one of his best ever performances. Filmed when he had recently lost his wife, this must have been a difficult time for him, but he nevertheless rises to the occasion and gives a most sensitive performance. There is one touching scene where you see him look at an actual photo of Helen whilst talking to Veronica Carlson. Apart from Veronica Carlson, the film also benefits from some fine performances from John Hurt and Gwen Watford. It's a film supposedly set in Cornwall with swirling mists from the moors, adding to the atmosphere of the house itself. The opening of the film is quite unique and conjures up an atmosphere right from the start, even if there is a certain amount of deception involved. Peter Cushing was one of my favourite actors and it is unfortunate to say the least, that this film has not been issued on DVD, supposedly because Tyburn Films have gone out of production and nobody else has the rights to issue anything from that catalogue. This means that the excellent interview with Peter Cushing called 'One Way Ticket to Hollywood' (only on video) also remains unissued. The two things together would make an admirable issue onto DVD. It would be a shame if these films were lost forever. Peter Cushing doesn't deserve this, nor do his fans! As for now, I make no apology for heaping some overdue praise on a film which has been unfairly ignored and deserves to be re-evaluated.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The photograph of Dr. Lawrence's wife is a photograph of Peter Cushing's own wife. She died suddenly in 1971 and Cushing mourned for the twenty years he survived her, often commenting that his only real joy in life was contemplating being reunited with her after death.
    • Gaffes
      At c. 27 minutes we see Peter Cushing tuning his violin but he is not playing the open strings that we hear. Furthermore, later shots of his violin playing are extremely badly mimed.
    • Citations

      [after Dr. Lawrence mentions his wife's suicide]

      Daphne Welles Hunter: I'm sorry, I shouldn't be so inquisitive. It must be very painful for you to talk about it.

      Dr. Lawrence: The pain is there, whether I talk about it or not.

    • Versions alternatives
      The Ghoul was originally certified by the UK BBFC at 93m following cuts to (a) remove the third close-up of the knife embedded in Geoffrey's face (b) remove a knee to the groin delivered by Veronica Carlson to John Hurt. However, the subsequent theatrical version was only 87m following some last minute snipping by the distributors. The full 93m version, with BBFC cuts restored, was subsequently released on UK video on the Taste of Fear label. The differences are as follows:
      • the opening party sequence is extended by about 2m 30s via several additional dialogue extensions that largely serve to explain Carlson's character. In particular the conversation between her and Ian McCulloch when she is sitting in the car is nearly a minute longer and the subsequent three way conversation by another car involving Stewart Bevan is extended by about 40s.
      • About 35m into the film, directly after Peter Cushing asks Carlson whether there is anything she would like before dinner, the extended version has a new sequence lasting about 2m 30s in which Carlson is escorted upstairs to her bedroom and takes a bath (fans of the lady should note that her left breast is briefly visible). This sequence is missing entirely from the theatrical print.
      • After Bach's tocatta and fugue strikes up on the soundtrack the extended version has an extra 1m showing Carlson emerge from the bedroom, clothed again, and go down the stairs where she then peeks in on Cushing in his chapel. In the theatrical version it's a bit odd that Cushing is surprised by her given that in the previous scene they'd been together in his drawing room.
    • Connexions
      Referenced in Le manoir de la peur (1983)
    • Bandes originales
      Nocturne No. 2, Op. 9 in E-Flat Major
      (uncredited)

      Written by Frédéric Chopin

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    FAQ

    • How long is The Ghoul?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 1 juin 1975 (Royaume-Uni)
    • Pays d’origine
      • Royaume-Uni
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Night of the Ghoul
    • Lieux de tournage
      • Heatherden Hall, Pinewood Studios, Iver Heath, Buckinghamshire, Angleterre, Royaume-Uni(opening party sequence)
    • Société de production
      • Tyburn Film Productions Limited
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 28 minutes
    • Mixage
      • Mono
    • Rapport de forme
      • 1.85 : 1

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