Funny Lady

I first saw "Funny Lady" in 1979, when it was in heavy rotation on Showtime. At the time I loved it. Not a surprise: I was 12, in the early stages of my Barbra Streisand obsession and it was the first one of her movies I had ever seen. When it appeared on TCM recently I decided to take another look now that more than 30 years have passed, my Streisand obsession has cooled and I've since seen "Funny Girl," as well as everything else in the Streisand filmography save "Little Fockers" (you have to draw the line somewhere). I still enjoyed it, but I saw it for what it was: a contractual obligation.

Streisand didn't want to make the movie — reportedly only agreeing to it when threatened with a lawsuit — and it shows in her performance, the star often appearing annoyed and impatient with the proceedings. But then, who could blame her? The story, loosely based on Fanny Brice's marriage to Billy Rose, isn't fully developed here, lazily told and clumsily directed by Herbert Ross, with montages filling in the cracks between a few dramatic moments and musical numbers. In fact, "Funny Lady" at times plays like one of those vapid vehicles Hollywood sticks singers in just to cash in on his/her popularity, like "Burlesque," to cite a recent (and much worse) example. James Caan, as Rose, is good but he and Streisand never quite click, as if the stars were filmed in separate sound stages and spliced together in the editing room. Roddy McDowell flits at the periphery in the thankless role of Fanny's gay friend/assistant; Omar Sharif reprises his role as Nicky Arnstein in what's little more than an extended cameo, his character now a money grubbing cad; and Ben Vereen is in one musical number and quickly dismissed (the rest of his role landed on the cutting room floor).

I was also struck by how thrown-together the movie looked, with sets and costumes looking like castoffs from "The Sonny & Cher Comedy Hour" (the "Great Day" musical number in particular could just as easily have been part of Cher's Vegas performances in the '70s). And how about that final scene, set more than a decade later, with Streisand in a horrible helmet of gray hair and Caan's hair and mustache sprayed white, yet neither star looking a day older than 35.

And yet Streisand can still enthrall. I loved her musical numbers, particularly her bitter rendition of "How Lucky Can You Get," the ballad "If I Love Again," and the "Don't Rain on My Parade"-wannabe, "Let's Hear it for Me." Barbra even has some good dramatic moments, particularly a somber scene where Fanny and Rose discuss their relationship after she's catches him in bed with the star of his aquatic revue, Eleanor Holm. "Funny Lady" is less a sequel to "Funny Girl" than a star vehicle. Luckily, Streisand has enough power to drive it, even though this star vehicle doesn't have much under the hood.

Barbra Streisand reprised her Oscar-winning role of Fanny Brice in 1975's FUNNY LADY, a big splashy musical that centers around Fanny at the height of her stardom and her stormy relationship with second husband, Billy Rose (James Caan). Much has been written about how unnecessary this sequel was and how it wasn't very factual regarding Fanny and Billy's marriage. First of all, Hollywood has always had sequel-itis. Any movie that makes a decent profit at the box office is going to have a sequel sooner or later. Second, as far as accuracy is concerned, does anyone really think FUNNY GIRL stuck to the facts? FUNNY GIRL was about as close to a factual biography of Fanny Brice as a Harlequin romance novel, but people loved it and Barbra won an Oscar. For what it is, FUNNY LADY is a very entertaining movie with a charismatic starring performance by Streisand as an older, wiser, and more savvy Fanny who is definitely in charge of her own life now...that is, until Nick Arnstein (Omar Sharif, in a gratuitous cameo)briefly re-enters her life. The film really focuses on Fanny's relationship with Rose, antagonistic at first but it does grow into a relationship based on mutual respect and affection, but not love or passion, which Fanny had with Nick. I love the scene where Billy proposes to Fanny because it's more like a business merger than a marriage proposal. These people are clearly not in love with each other but they are both lonely and need each other so they agree to a marriage they don't really want. The musical numbers, for the most part, are well-staged if not terribly original. There's a definite "been there done that" feel to some of the numbers. Fanny on stage in an empty theater belting out "How Lucky Can You Get?" reminded me of Fanny on stage in an empty theater belting out "I'm the Greatest Star." And many comparisons have been made to "Let's Hear it from Me" to "Don't Rain on my Parade", except that Fanny takes off in a plane instead of chasing a tugboat. Barbara shines in the "Big Day" production number and her take on two lovely ballads "Isn't this Better?" and "If I Love Again" is memorable. The score effectively combines songs from Fanny's era as well as new songs by John Kander and Fred Ebb (CABARET). Cann is charming as Billy Rose and Sharif has aged surprisingly well. Kudos also to Ben Vereen for his one-show-stopping number, "Clap Hands, Here Comes Charlie". Not historically accurate or terribly original, but FUNNY LADY is an entertaining musical with Barbra in top form and her fans will not be disappointed.

FAN......TAS......TIC !

Well,not quite, but still very watchable. There's a sort of hollow feeling to the whole thing, but then I sort of think that adds new character to an already well told story. We'd have certainly been cheated if they tried to re-do "funny girl" all over again. I have played the soundtrack so many times and really have never felt cheated in any way. The sequel portrays Fanny Brice as more worldly and cynical. She couldn't have possibly remained the same naive, dewy-eyed girl portrayed in the first movie. I think, as sequels go, this is well done and enjoyable...but, a sequel nevertheless. A little less magic than the original, but enjoyable on several levels.

There's one big musical number by an otherwise underused Ben Vereen that shows why he became a household name despite little screen work. Oh, if only that sparkle was evident in the rest of this movie! Barbra has one good splashy musical number, and a song toward the end that propels the story to its conclusion (the only song to almost live up to the music in Funny Girl).

The character of Fanny Brice is brasher and not as likable than she was in 1968. Even less likable is James Caan as the overconfident producer Billy Rose who shoves his way into Fanny's career and life. Omar Sharif he ain't, but he does have chemistry with Streisand. The fact that Billy insults Roddy McDowall (also underused) in his first scene sets the tone for how he comes across for the remainder of the film, and that's tough to endure. There's also no Kay Medford and no Walter Pigeon.

However, if one were to watch this at face value NOT KNOWING that a near-perfect original preceded it--it'd be okay, worth seeing once anyway just to know how Brice's story turns out.

As for Sharif reprising the role of Nicky Arnstein, well, his presence only reminds the viewer how much BETTER and more HEART the original film had. Their relationship could not be a more fitting metaphor for this sequel: the magic just isn't there anymore.

Ray Stark as son-in-law of Fanny Brice continued his wife's mother's saga in Funny Lady. This film picks up where Funny Girl left off with Fanny Brice now split with Nicky Arnstein and trying to carve a career out again. Barbra Streisand as Fanny is now facing the Depression and possible ruin. Performers like Eddie Cantor and Groucho Marx were ruined by the stock market crash. When we first meet her she's in the office of Bernard Baruch who is played by Larry Gates and a good friend to have in those times, she also by chance meets his former office boy and stenographer Billy Rose who's carving quite a career of his own now.

Rose possibly because of his working with Bernard Baruch may have learned to stay out of the stock market, but he was a gambler, a conman, a promoter, all these requirements to be a Broadway producer. Apparently Brice had a thing for these kind of people. But Rose as played by James Caan isn't quite as smooth an article as former husband Nicky Arnstein.

In real life these two knew each other and worked together before the show Crazy Quilt which was a flop on Broadway only running for 79 performances. That actually because 1931 was mid-Depression wasn't bad for the time. Still the way it was a flop is as funny as either a Mack Sennett short or an extended I Love Lucy episode, you take your choice.

Omar Sharif appears again as Nicky Arnstein who Rose no matter what he does can't seem to compete against. Brice has gone on to radio and film, but still can't find the elusive personal happiness in her relationships. Her closest friend is Roddy McDowall, a fictional gay character brought into the story and he functions the way Daniel Massey does as Noel Coward in the Julie Andrews biographical film about Gertrude Lawrence, Star. Ben Vereen's character Bert Robbins is a combination of Bert Williams and Bill 'Bojangles' Robinson. Bert Williams certainly did appear with Fanny Brice in the Ziegfeld Follies, but he died in 1922. Bill Robinson so far as I know never did work with Fanny Brice.

One thing I do remember about Billy Rose, his name is on all kinds of song lyrics, a lot of which are incorporated here. Now his contributions to the writing of these songs is debatable, but he certainly could promote them, especially if they were part of a show he was doing. I do recall Vincent Youmans's family complaining bitterly about Funny Lady, saying he wrote the music for Great Day and More Than You Know and wasn't given a mention on screen.

The original songs for Funny Lady were written by John Kander and Fred Ebb. One of the Oscar nominations that Funny Lady got was for Best Original Song, another Streisand classic How Lucky Can You Get. The song was done that year also in a duet album in a nice version by Bing Crosby and Fred Astaire.

The enduring popularity of the decade's greatest star Barbra Streisand appearing once again in the role that made her career, pre-sold Funny Lady to a built in audience. It holds up very well and Barbra has made Fanny Brice come alive again for another generation, even if there's more Barbra than Fanny in this film as opposed to Funny Girl.