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Ajouter une intrigue dans votre langueTwo bumbling hustlers in the 1920s attempt to gain the fortune of an heiress. Nothing will stop them, not even murder.Two bumbling hustlers in the 1920s attempt to gain the fortune of an heiress. Nothing will stop them, not even murder.Two bumbling hustlers in the 1920s attempt to gain the fortune of an heiress. Nothing will stop them, not even murder.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Catlin Adams
- Girl Lover
- (as Nira Barab)
Avis à la une
'The Fortune' is a crime comedy, centred around the dubious exploits of two 1920s conmen, promisingly played by Jack Nicholson and Warren Beatty. Their job is to cheat a wealthy woman out of her fortune, and the film starts off positively. The film's song, 'I Must Be Dreaming', is quite enjoyable, and I was glad to see Nichols reuse it in the credits at the end. Unfortunately, it all goes downhill from the hopeful first scene. The premise was interesting, but it may have been performed better if the film was more serious. It felt a little like a rom-com, road movie version of 'The Great Gatsby', and the effect wasn't very good. The script was a little off at times, and I think that, in places, Beatty failed to remain on Nicholson's level during their usually fun exchanges. There were a few genuinely funny scenes, but I don't think there were enough of them to justify watching this. Other scenes degenerated into mind- numbing silliness, almost to the point where the viewer forgets the plot or the premise of 'The Fortune'. Overall, I was quite disappointed with this film. Nicholson, as ever, delivered a great performance, but I don't think that 'The Fortune' operated along the right lines. It could have channelled the atmosphere of 'McCabe & Mrs. Miller', or been a serious Prohibition crime film, but its direction steered it into becoming a very mediocre comedy.
Jack Nicholson, Warren Beatty, and Stockard Channing are at their comedic best in this movie. It's kind of one of those goofy 'buddy' movies where Nicholson and Beatty play off each other marvelously with Channing thrown into a great ditzy role. If you want to see comedy acting at its finest...
Boasting two of the biggest male superstars (Jack Nicholson, Warren Beatty) in their prime along with a major director (Mike Nichols) The Fortune isn't worth a plug nickel. Smug, abrasive, shrill it attempts to bowl you over with its heavyweight roster but instead trips over itself and falls flat on its face with one forced routine after the next.
Nicky (Beatty) runs off with sanitary napkin heiress Freddie (Stockard Channing)but in order to do so must employ the dim witted Oscar to tag along in order to get around The Mann Act and the fact Nicky is still married. Acting as a stand in until Nicky gets his divorce Oscar marries Freddie and the trio head for sunny California. When the living situation causes a schism between Nicky and Oscar the boys agree to off Freddie to get at the fortune.
There is hardly a laugh to go around in Fortune as Beatty looking like a slick gigolo and Nicholson a cross between Larry Fine and Professor Irwin Cory show a complete lack of comic timing or any chemistry between each other even though Nichols intention seems to be an attempt at a homicidal Laurel and Hardy. Channing starts out promising enough but even she catches what the boys have (crass comic timing) by pictures end.
Nichols who up until this point had directed some seminal 70s performances allows his stars to lurch in every direction as he places more emphasis on camera movement and toying with ellipsis including not one but two long runway takes that remind us how well he did it in Catch 22 but not here.
John Alonso lenses capably while Richard Sylbert's production design applies a thick coat of lipstick to this pig but the end result is an arrogant display of contemporary might who felt reputation alone would carry this turkey. Instead it chops its head off.
Nicky (Beatty) runs off with sanitary napkin heiress Freddie (Stockard Channing)but in order to do so must employ the dim witted Oscar to tag along in order to get around The Mann Act and the fact Nicky is still married. Acting as a stand in until Nicky gets his divorce Oscar marries Freddie and the trio head for sunny California. When the living situation causes a schism between Nicky and Oscar the boys agree to off Freddie to get at the fortune.
There is hardly a laugh to go around in Fortune as Beatty looking like a slick gigolo and Nicholson a cross between Larry Fine and Professor Irwin Cory show a complete lack of comic timing or any chemistry between each other even though Nichols intention seems to be an attempt at a homicidal Laurel and Hardy. Channing starts out promising enough but even she catches what the boys have (crass comic timing) by pictures end.
Nichols who up until this point had directed some seminal 70s performances allows his stars to lurch in every direction as he places more emphasis on camera movement and toying with ellipsis including not one but two long runway takes that remind us how well he did it in Catch 22 but not here.
John Alonso lenses capably while Richard Sylbert's production design applies a thick coat of lipstick to this pig but the end result is an arrogant display of contemporary might who felt reputation alone would carry this turkey. Instead it chops its head off.
It is easy to see why i had never heard of this movie before because it is so bad and it's hard to see a cast this great in a movie so bad. Hard to believe this was directed by Mike Nichols and stars Warren Beatty and Jack Nicholson. The movie is set in the 1920's in which there is a law that saw you cannot take a woman across state lines for immoral purposes. Beatty is in love with Stockard Channing and has Nicholson get married to her and the movie doesn't make it clear why Beatty didn't marry her in the first place. Beatty is going to pose as her brother and they are going to California. It then turns out that both of them are only interested in her money and she isn't too happy about that. The movie is pretty bad and this movie deserves to be unknown.
When I read about "Silkwood" in a movie encyclopedia, the caption said that Mike Nichols's career had come to a halt eight years earlier with "The Fortune". Watching the latter, I laughed but also felt like the movie was a little bit low for the director of "The Graduate" and "Catch-22". Portraying uptight Warren Beatty and over-conspicuous Jack Nicholson transporting Stockard Channing to California for what were deemed immoral purposes by the Mann Act in the 1920s, it seems like much of the flick consists of Beatty getting angry at Nicholson for not taking their predicament too seriously. But the last twenty minutes were a hoot, I will say that.
So, this may be Mike Nichols's only movie that you sit around in your underwear and watch. I gotta pity the characters for having a landlady like the one portrayed in the movie. Also starring Scatman Crothers (that's right, the cook from "The Shining") and a very young Christopher Guest.
So, this may be Mike Nichols's only movie that you sit around in your underwear and watch. I gotta pity the characters for having a landlady like the one portrayed in the movie. Also starring Scatman Crothers (that's right, the cook from "The Shining") and a very young Christopher Guest.
Le saviez-vous
- AnecdotesThe White-Slave Traffic Act, better known as the Mann Act after its main sponsor Rep. James R. Mann (R-IL) (1856-1922). It was signed into law in 1910 by President William Howard Taft. It quickly became a tool for wives and others to blackmail men. It remained essentially unchanged until 1978 when provisions were added to cover child pornography. In 1986 the law's language was changed to make it gender neutral. Since these amendments, the law has been applied almost exclusively to child trafficking cases.
- GaffesThe TAT Ford Trimotor the trio flies to Los Angeles in has the modern tail number N9651. In the 1920s it should read NC9651.
- Citations
Nicky Wilson: [To Frederica who's screaming because Oscar is walking on the plane's wing during flight] Just ignore him.
- ConnexionsReferenced in The Lion Roars Again (1975)
- Bandes originalesI Must Be Dreaming
(uncredited)
Written by Al Sherman, Pat Flaherty and Al Dubin
Performed by Stockard Channing
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- How long is The Fortune?Alimenté par Alexa
Détails
Box-office
- Budget
- 3 500 000 $US (estimé)
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