Ajouter une intrigue dans votre langueLight the Rock n' Roll spark with a Flame in the guise of Dave, Noddy, Jim and Don and their showcase of the rise and demise of rock band Flame.Light the Rock n' Roll spark with a Flame in the guise of Dave, Noddy, Jim and Don and their showcase of the rise and demise of rock band Flame.Light the Rock n' Roll spark with a Flame in the guise of Dave, Noddy, Jim and Don and their showcase of the rise and demise of rock band Flame.
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When Wolverhampton rockers Slade were at the top of their tree in the early Seventies, it seemed only natural that they would branch out and make a movie. The original idea was to make a sci-fi spoof called The Quite A Mess Experiment, scuppered by the fact that Dave Hill was eaten by a monster in the first half an hour.
Into their collective laps fell a script by Andrew Birkin about a band called Flame. It seemed like a perfect vehicle, although for the band, much of the script didn't ring true. So Birkin and director Richard Loncraine went on tour with the lads.
The revised script came back and was much more on the ball. The result is a rarely seen music drama, one of the bleakest and most intriguing in history which is a fascinating alternative to the Beatles offerings and the David Essex movies of the period.
Into their collective laps fell a script by Andrew Birkin about a band called Flame. It seemed like a perfect vehicle, although for the band, much of the script didn't ring true. So Birkin and director Richard Loncraine went on tour with the lads.
The revised script came back and was much more on the ball. The result is a rarely seen music drama, one of the bleakest and most intriguing in history which is a fascinating alternative to the Beatles offerings and the David Essex movies of the period.
I watched this film for the first time in around 30 years last night and was amazed at how well it stands up today.It is gritty,funny and has a good storyline.The direction by Richard Loncraine is crisp and the acting is pretty good throughout.
As the band Flame,Noddy,Jimmy,Dave and Don do a fair job as actors.Not Oscar winners but not bad at all.Tom Conti does well in his first major role as the oily manager and Johnny Shannon is convincing as their gangster like first manager.The best performance comes from Alan Lake as Jack.He is very good in every scene he is in and should have received more recognition for this role.
The film moves along at a good pace,never drags and will surprise many people with it's edginess and at times grim reality.I have seen quite a few music based films and this is most definitely right up there with the very best.It is now quite respected and this is deserved.It really should reach a much wider audience as it is a very good attempt at showing that it is not all a bed of roses when you achieve success.The soundtrack is great and there are also a couple of scenes that without a doubt influenced the makers of 'Spinal Tap',see if you can spot them.Well done Slade.They took a big risk by making a movie like this and although their career went downhill afterwards,this is a film they can be very proud of.
As the band Flame,Noddy,Jimmy,Dave and Don do a fair job as actors.Not Oscar winners but not bad at all.Tom Conti does well in his first major role as the oily manager and Johnny Shannon is convincing as their gangster like first manager.The best performance comes from Alan Lake as Jack.He is very good in every scene he is in and should have received more recognition for this role.
The film moves along at a good pace,never drags and will surprise many people with it's edginess and at times grim reality.I have seen quite a few music based films and this is most definitely right up there with the very best.It is now quite respected and this is deserved.It really should reach a much wider audience as it is a very good attempt at showing that it is not all a bed of roses when you achieve success.The soundtrack is great and there are also a couple of scenes that without a doubt influenced the makers of 'Spinal Tap',see if you can spot them.Well done Slade.They took a big risk by making a movie like this and although their career went downhill afterwards,this is a film they can be very proud of.
Forming in Wolverhampton, England, in the late sixties and coming from working class background's they originally called themselves The Vendors, after a while changing to Ambrose Slade, and finally to Slade.
The four-piece line up was to be Noddy Holder - Singer, Jim Lea - Bass, Dave Hill - Lead Guitarist and Don Powell - Drums.
Being managed and produced at the height of their career during the early 1970's by Chas Chandler, bass player to the Animals, and founder of Jimi Hendrix. After having several number one hits in England, their next phase in their career were to be the Movies.
For greater realism and to better their research, the band took the writer Andrew Birkin and the films director Richard Loncraine on tour with them to America. During Messer's Loncraine and Birkins tour of duty, they had gathered enough material to help them with their story. In fact, the vast majority of this movie is based on actual incidents that have happened to other Rock 'n Roll band's in their careers.
Released in the English Cinema's in January 1975, this is a dark and truthful translation of the Rock 'n Roll lifestyle. Deliberately shown this way to dispel the myth of the hype and glamour that the Business would want us to believe. Reselling the image as dishonest, disloyal, dirty and dangerous. Flame does a very good job here of testing your own loyalties, to be confronted with home truths that we would rather ignore, show business propaganda confronts a rude awakening.
We have it all here, a band heading from rags to riches, the double-dealing, well-heeled, and well-connected Manager, in the form of Tom Conti, his first movie. The greedy and highly psychotic back street agent, the hard tour that eats away at the bands heart and soul, which has them turning inside out and finally imploding into bitterness and resentment. Saving the best till last, we have the music, this movie has a great soundtrack that do Slade justice, having to write a completely new album to go along with Flame. It contains one of their finest songs to date: Far Far Away, reaching number two in the British charts in 1974.
There is a wonderful bit part by the late British D.J. Tommy Vance (1940 - 2005) as Ricky Storm.
Slade in Flame is not so much a parody but more of a Rock 'n Roll History lesson; it brings home the hardcore realities of the ivory-tower elite and the exploitations of what is Big Business. Showing the naivety of a Rock 'n Roll Band that want fortune and fame, but in the end pay the highest price, themselves.
The four-piece line up was to be Noddy Holder - Singer, Jim Lea - Bass, Dave Hill - Lead Guitarist and Don Powell - Drums.
Being managed and produced at the height of their career during the early 1970's by Chas Chandler, bass player to the Animals, and founder of Jimi Hendrix. After having several number one hits in England, their next phase in their career were to be the Movies.
For greater realism and to better their research, the band took the writer Andrew Birkin and the films director Richard Loncraine on tour with them to America. During Messer's Loncraine and Birkins tour of duty, they had gathered enough material to help them with their story. In fact, the vast majority of this movie is based on actual incidents that have happened to other Rock 'n Roll band's in their careers.
Released in the English Cinema's in January 1975, this is a dark and truthful translation of the Rock 'n Roll lifestyle. Deliberately shown this way to dispel the myth of the hype and glamour that the Business would want us to believe. Reselling the image as dishonest, disloyal, dirty and dangerous. Flame does a very good job here of testing your own loyalties, to be confronted with home truths that we would rather ignore, show business propaganda confronts a rude awakening.
We have it all here, a band heading from rags to riches, the double-dealing, well-heeled, and well-connected Manager, in the form of Tom Conti, his first movie. The greedy and highly psychotic back street agent, the hard tour that eats away at the bands heart and soul, which has them turning inside out and finally imploding into bitterness and resentment. Saving the best till last, we have the music, this movie has a great soundtrack that do Slade justice, having to write a completely new album to go along with Flame. It contains one of their finest songs to date: Far Far Away, reaching number two in the British charts in 1974.
There is a wonderful bit part by the late British D.J. Tommy Vance (1940 - 2005) as Ricky Storm.
Slade in Flame is not so much a parody but more of a Rock 'n Roll History lesson; it brings home the hardcore realities of the ivory-tower elite and the exploitations of what is Big Business. Showing the naivety of a Rock 'n Roll Band that want fortune and fame, but in the end pay the highest price, themselves.
This is a real slice of 70's. (Slade in) Flame tells the story of a semi mythical band that crawls out of the midlands of England and makes it into the myth of Rock and Roll. I found the album back in my salad days, and finally found the movie on DVD in my washed up years. There are pluses and minuses, as with any real slice of life film. On the plus side, the story of a band that makes it and self destructs really summarizes the mythos of the era, and realistically and sympathetically portrays the pressures and glories of fame. On the negative side, the accents are so thick you really wish there were subtitles. Notionally in English, it's in REAL English, and as an American, it might as well be Swahili.
The flick is full of authentic and believable characters. The small time manager, the pirate DJ, and the hippy dippy groupies all make the film seem as real as your own life. If you've seen Spinal Tap, you'll see more than a handful of scenes - a singer trapped in a coffin, high class and moneyed fops dealing with the low class entertainers, and the horrors of ridiculous costumes and friends knifing friends. If you like Uriah Heep, UFO, or any band who played a festival at Wolverhampton, this id worth the accents. If you think rock and roll is too loud, pass. But this is rock at its most basic. Loud, dirty, and important for the most unimportant reasons possible.
The flick is full of authentic and believable characters. The small time manager, the pirate DJ, and the hippy dippy groupies all make the film seem as real as your own life. If you've seen Spinal Tap, you'll see more than a handful of scenes - a singer trapped in a coffin, high class and moneyed fops dealing with the low class entertainers, and the horrors of ridiculous costumes and friends knifing friends. If you like Uriah Heep, UFO, or any band who played a festival at Wolverhampton, this id worth the accents. If you think rock and roll is too loud, pass. But this is rock at its most basic. Loud, dirty, and important for the most unimportant reasons possible.
Just obtained this on dvd, with an informative behind the scenes attachment - what a bargain @ £7.99.
The movie may well be regarded by many as old and therefore irrelevant. That would be a harsh judgement as it does, on a critical re-viewing, stand the test of time. To put it in perspective, Slade were Kings of their day, although this film was made toward the end of their useful life, at the fag end of glam (forget the Reading gig comeback - it was never as good as the first time around in true 70's style). In a nutshell, it is the story of a band "Flame" played by the members of Slade and it documents the transition from irreverent songsters to chart toppers, assisted along by a parasitic agent (aren't they all?) who latches on to them, promotes them as a cash cow and then dispenses with the problem by caving in to a former manager from their amateur days (played brilliantly by Johnny Shannon).
The songs from the film are not bad either: "Far Far Away" is still memorable, but all of them are totally eclipsed by the single release "How Does It Feel" - their first in this fame period not to make the top ten. That still stuns me as it is by far the best thing they ever did, and they had plenty of quality to underpin it (Buy "Sladest" or "Old New Borrowed & Blue" - all on CD). Slade in Flame uses the Black Country's darkness (pardon the pun) to its full effect and the story of individual personalities does unfold and develop with credibility - particularly Stoker & Paul. I also agree with Chris Murray re Don Powell - he had a scene down by the canal with an old mate from the foundry, inviting him to a swish recording industry party - that was a good scene and Don Powell did well as he was still recovering from a near death car crash at the time - he had to learn everything moments before it was filmed as he had no memory retention (gladly he fully recovered). Overall, the acting is good, the direction is tight and although the sound is poor (they had to subtitle it in English for the USA release as the accents were so broad) there is a charm to the film. Its a good tale well told.
The movie may well be regarded by many as old and therefore irrelevant. That would be a harsh judgement as it does, on a critical re-viewing, stand the test of time. To put it in perspective, Slade were Kings of their day, although this film was made toward the end of their useful life, at the fag end of glam (forget the Reading gig comeback - it was never as good as the first time around in true 70's style). In a nutshell, it is the story of a band "Flame" played by the members of Slade and it documents the transition from irreverent songsters to chart toppers, assisted along by a parasitic agent (aren't they all?) who latches on to them, promotes them as a cash cow and then dispenses with the problem by caving in to a former manager from their amateur days (played brilliantly by Johnny Shannon).
The songs from the film are not bad either: "Far Far Away" is still memorable, but all of them are totally eclipsed by the single release "How Does It Feel" - their first in this fame period not to make the top ten. That still stuns me as it is by far the best thing they ever did, and they had plenty of quality to underpin it (Buy "Sladest" or "Old New Borrowed & Blue" - all on CD). Slade in Flame uses the Black Country's darkness (pardon the pun) to its full effect and the story of individual personalities does unfold and develop with credibility - particularly Stoker & Paul. I also agree with Chris Murray re Don Powell - he had a scene down by the canal with an old mate from the foundry, inviting him to a swish recording industry party - that was a good scene and Don Powell did well as he was still recovering from a near death car crash at the time - he had to learn everything moments before it was filmed as he had no memory retention (gladly he fully recovered). Overall, the acting is good, the direction is tight and although the sound is poor (they had to subtitle it in English for the USA release as the accents were so broad) there is a charm to the film. Its a good tale well told.
Le saviez-vous
- AnecdotesAlan Lake was sacked on the first day of filming, after getting drunk at lunchtime. He was only reinstated after his wife, actress Diana Dors, undertook to keep him sober during the film's shoot.
- Citations
Jack Daniels: [shouts over the din of a poor drum solo audition] Not your actual Gene Krupa is he?
Barry: Who's she?
Jack Daniels: Before your time.
- Crédits fousAt the end of the film black and white stills of each actor are shown with their name.
- ConnexionsFeatured in It's Slade (1999)
- Bandes originalesHow Does it Feel?
Performed by Slade
(uncredited)
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- How long is Slade in Flame?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 81 609 $US
- Durée
- 1h 31min(91 min)
- Mixage
- Rapport de forme
- 2.35 : 1
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