Le bras armé de Wang Yu contre la guillotine volante

A justly famous martial arts epic from the post-Bruce Lee, pre-Jackie Chan period, "Master of the Flying Guillotine" knows how to satisfy its audience. Writer / director / star Jimmy Wang Yu delivers tons of violent action at a breakneck pace; once his film has reached its fever pitch, he simply does not allow you to catch your breath.

The story takes place against a historical backdrop. Set in 1730, it tells us that Han revolutionaries are rebelling against the tyranny of their Manchurian oppressors. One such revolutionary is "The Teacher", or "The One-Armed Boxer", played by our star / director. Presiding over a martial arts school, he incurs the wrath of a demented, aged "monk" (Kang Chin) who seeks revenge for The Teachers' killing of his disciples.

However, not all that much time is devoted to story. Instead, Jimmy concentrates on his set pieces, and they truly are invigorating. One major sequence of the film focuses on a tournament that is observed by The Teacher, who declines to participate himself. Meanwhile the blind monk goes around killing *anybody* he runs into that has only one arm, creating some priceless black comedy. He is truly psychotic, and an extremely formidable opponent. His killing device of the title is quite an inventive touch, and it's a hoot to watch this thing decapitate its victims. One of the handful of villains giving our hero trouble is an Indian with extendable arms (I kid you not). This is a VERY amusing sight gag.

"Master of the Flying Guillotine" begins on a very atmospheric note, features a highly enjoyable music score, parcels out its gore carefully, and also has a disarming sense of humour to let you know that it's never taking itself too, too seriously. The performances are right on the money and effective, with Chin stealing the show as the main villain. This is a true tour de force for Jimmy as a filmmaker and fighter.

Eight out of 10.

This is a fun one. Master of the Flying Guillotine sets up the vengeance angle and then, it's pure fights from there on. Besides Flying Guillotine and the One Armed Swordsman, you've got a martial arts tournament to boot! Fights feature armed and unarmed combat and lots of styles; there's a thai boxer who makes concrete blocks cringe in fear. Plus, any gal who can bust out Eagle Claws and shred clothing or skin is awesome in my book! A more amusing fighter is the Indian whose Yoga style earns him the nickname `Extendar'. You've got guys who can fight and the enemies come one after the other and they're no pushovers.

Jimmy Wang playing the One Armed Boxer is the real deal. His movements are fluid and what he lacks in appendage, his kung fu skills more than compensate for (look at him climb those walls!). Despite all obstacles, he never panics and does what he can to survive. Even though the battle in the Hotfoot Hut seemed unfair, I guess it's no hold barred when killers are after you. On a fun note, notice the hidden arm or a hand peeking out behind the guy's back in some fight scenes?

Flying Guillotine is a cut above the rest. He won't stop till he gets his revenge. His finely toned senses make him a deadly opponent especially when his hat goes flying. It also folds up nice and neat. There's a bit of dark humor when FG's search for a one armed man leads to several victims…of which he has NO remorse for killing.

Just watch this!

Master of the Flying Guillotine aka One Armed Boxer 2 is one of the greatest old school kung fu movies ever made, it is an absolute classic of the genre. Jimmy Wang Yu's sequel to "The One Armed Boxer" aka "The Chineese Professionals" is perhaps better than the original and is a strong enough film to stand on its own.

A blind assassin, a one armed martial arts master and a Yoga instructor with stretching limbs are just a few of the elements that make this film one of the most creative and memorable martial arts films ever! One of the most interesting aspects of this movie is all of the many different martial arts styles that are displayed. There is a great tournament sequence were martial arts experts from all over the world compete in a fight to the death. You see various styles of Kung Fu, Muy Thi kick boxing, Karate and more. There are also many different weapons used in the film, from the three section staff to the outrageous flying guillotine.

The fights in the film are a bit slower and "looser" than some big studio movies (Shaw Bros, Golden Harvest) but they are still well choreographed and executed. The special effects and fight sequences still hold up well after 30+ years. This movie has been called Quentin Tarantino's favorite kung fu film, and when you see it you'll know why. You are no movie buff until you have seen this true cult masterpiece!

One Armed Boxer 2 aka "Master of the Flying Gullitine" is one of the most unique stories ever told on film. The characters and visuals are truly unbelievable. Jimmy Wang Yu's "One Armed Boxer 2" is perhaps his finest work and one of the greatest independently produced films in the martial arts genre. With great action and characters, Master of the Flying Gullitine is definitely a top 10 film of the kung fu genre and is a definite must see (or buy) for any martial arts junkie.

Martial Arts Genre Rating: 10/10 (classic)

Overall Movie Rating: 7/10

once again another awesome movie from a genre that can do no wrong. The chpo socky samurai and ninja movie of the late 60's to the early 80's where a genre of movies that never were big on substance but they more than made up for it with an overabundence of style. Here we have a colorful cast of token good and bad guys each with some unique charecter aspect that allows them to stand out. I'm sure that in the early nineties when the Mortal Kombat and Street Fighter games where coming out the makers had had some of this movie's charecters in mind. Most notably the future street fighter charecter who is Indian and can stretch his limbs way out of proportion. The movie moves along through some really wonderful fight sequences with the usual array of weird weapons and fighting techniques. Thank god Quentin Tarantino has done enough name dropping to single handedly bring this genre back to life. For most of the eighties and early nineties finding these movies was next to impossible. Now their occasionaly even on cable. Way to go.

This is a sequel to director Yu Wang's 1971 film One-Armed Boxer (Dop bey kuan wan). Fung Sheng Wu Chi (Kang Kam), as the master of the flying guillotine, is a blind Ching Dynasty assassin, with a directive to quell potential rebels. After his two disciples were killed by Tien Lung (Yu Wang), the one-armed boxer (in the prequel), Fung has sworn revenge.

Although many rightfully consider this film a masterpiece, if you're not much of a fan of martial arts fight sequences in films, you probably shouldn't bother with Master of the Flying Guillotine. That's because there isn't much screen time taken up by anything else. Beside the fights, there is very little action or dialogue. Every fight in Master of the Flying Guillotine is engaging, but the last two are probably the best. These are two of the best fight scenes I've seen in any film.

We know right out of the gate that Master of the Flying Guillotine is going to be something special. The opening cinematography is beautiful, the introduction to Fung captivating, and we're quickly introduced to an ingeniously odd and sinister "growling/grinding" musical leitmotif for Fung, which is achieved by slowing down a musical recording (it's actually a song by the German band Neu!) As a leitmotif, the music reappears whenever Fung reappears, with all the impact and then some of Darth Vader's leitmotif music in the Star Wars films.

There are two factors that make this film so remarkable overall. The first is the fantastic and brutal nature of the martial arts. In a lesser film, the fantasy aspects could easily be unintentionally funny. Here, they're just enthralling. Every fighter has some unique style and/or skill, and the extended "kung fu gladiator" tournament focuses on these, to our benefit. The second, less obvious factor, is the depth of characterization and implied, complex plot and backstory achieved by Yu Wang solely through the fight sequences. Even though 90-something percent of the film is just fight sequences, nothing is lacking.

A 10 out of 10 from me.