Confessions amoureuses d'un batteur de charme

Robin Askwith was one of the most popular actors of the British sex comedy arc of the 70's and 80's, and there were four "Confessions" films. This one is about window cleaners (Robin and Anthony Booth) who stumble upon a band called "Kipper". Anthony's character Sid ends up managing the band, while Robin's character Timothy Lea (no pun intended, I'm sure!) ends up being the drummer. A clean comedy could have been light hearted fun, but this film is full of nudity and general mayhem. The dialouge is generally flat also. The very pretty Carol Hawkins is wasted here. I wouldn't call it an abomination, but there is a lot of sleazy stuff going on (I felt bad for the mom who discovers her daughter in the van with the band-surely the girl could have done better). This is recommended for fans of the genre mostly, and there is a 4 disc box of all of the Confessions films. Casual watchers beware.

Confessions of a Pop Performer, the second film to star Robin Askwith as randy, accident prone fanny-magnet Timmy Lea, sees our clumsy hero trying to find fame and fortune as the drummer for up and coming band 'Kipper'.

Timmy's equally libidinous brother-in-law Sid (Anthony Booth) acts as manager for the group, successfully exploiting his showbiz contacts—including the sexy wife of a music mogul—and it's not long before Timmy is being mobbed by gorgeous groupies and banging much more than his drum kit!

Offering saucy soft-core sex (including frequent, full-frontal, female nudity) and smutty seaside humour, the Confessions series is aimed squarely at those who enjoy their comedy lewd, crude, and unsophisticated, but in an effort to be more outrageous than the first film, Pop Performer takes the crassness and stupidity a little too far and loses a fair amount of the original's charm in the process.

The basic plot is rather hard to swallow (Timmy's drumming skills are non-existent), the tried and tested 'Timmy meets a nice girl' subplot is used once again but goes nowhere, and whilst the first film did at least attempt to throw in some genuinely well written jokes and inventive innuendo along with the slapstick comedy and jiggery-pokery, Pop Performer doesn't try very hard in this department: the humour in this sequel gives new meaning to the word 'lowbrow' and the result just isn't very funny.

Still, even though the format is already beginning to look tired, and the laughs are few and far between, this chapter does deliver the goods when it comes to nudity, and fans of the female form will have much to enjoy: a sexy fan mistakes Timmy for Mick Jagger and tries to seduce him; a kinky S&M swinger gets nekkid at a party; Timmy has it off with a tasty record shop salesgirl; TV star Jill Gascoine gets the not-so-gentle touch from Anthony Booth; and curvy Carry On girl Diane Langton appears as one half of a singing act called The Climax Sisters.

Other familiar faces also appearing, but keeping their clothes on, include Dads Army stars Ian Lavender and Bill Pertwee, husky redhead Rula Lenska, DJ David 'Diddy' Hamilton, and Hi-De-Hi's Linda Regan.

I saw this 1975 British comedy classic the first time in 1982 on cable. I loved it. I've seen all the "Confessions" and this one I think is the best. I see that it is no longer available as well as the others. That is too bad. I searched high and low to get it on VHS and I finally got it. Simple story of Timmy Lea, an accident-proned blunderer and his brother-in law Sid Nogget a get-rich-quick schemer decide to manage a local pop band and try to get them off the ground. Of course Timmy runs in to his share of promiscuous women in the process. Very funny British humor.

Usual ridiculous "Confessions" affair with some pretty funny moments.

Definitely worth seeing for the *incredible* look-alike of Liam Gallagher (singer from UK-band Oasis) on guitar in the band. This alone made me laugh more than the rest of the film. Seriously, it *is* him.

This film also turned a Japanese female into a big fan of Robin Askwith and the Confessions films, so there must be something good in it.

I might agree that this is the best of the "Confessions" series, but I can't agree that its at all funny. There are long stretches of inane and completely boring 'plot' scenes. But by the end of the film some decent opportunities for 'kit-off' have been exploited, which at least makes it memorable. Not likely to feature in the top 100 films.