Chupke Chupke

Today is 14th September, known as Hindi Day as per the Indian constitutional provisions. On this occasion, I am reviewing a classic comedy whose theme is the usage of the two languages - Hindi and English whose propagators are mostly seen at loggerheads in India. Yes, no prizes for guessing. It is Chupke Chupke (1975) which is unarguably one of the best Bollywood commedies of all times.

Chupke Chupke (quietly) is the story of Parimal Tripathi (Dharmendra), the professor of Botany who falls in love with a student of Botany - Surekha (Sharmila Tagore). After marriage, he comes to know of her fondness towards her brother-in-law or Jijaji (elder sister's husband) - Raghavendra (Om Prakash) who has not been able to attend their marriage. Just to prove himself before his wife, he masquerades as a driver speaking pure Hindi (without any use of English words) and enters Raghavendra's household. What follows is a two hours long laugh-riot for the audience in which, in addition to the mentioned ones, several characters get involved viz. Parimal's friend - Sukumar (Amitabh Bachchan), his another friend - Prashant (Asrani), Prashant's sister-in-law (wife's sister) - Vasudha (Jaya Bhaduri) and many more. Comic situations keep on coming before the spectators till the finale is reached with the truth being revealed before Raghavendra who acknowledges the wittiness of his brother-in-law, i.e., Parimal.

Legendary director - Hrishikesh Mukherjee has directed this movie whose script and dialogues have been written by another Bollywood legend - Gulzaar. It's not a slapstick comedy. It's a situational one whose brilliant script makes it a winner. Right from the very start to the very finish, there is no dearth of laughs for the audience. And the perfect comic timings of the lead characters, especially Dharmendra complement the script to serve its purpose to make the audience laugh again and again.

The inherent message is no less useful and worth remembering. No language is superior or inferior to any other one. Language is a medium of communication for the human-beings who have no business making fun of any language. The way Hindi is respectable, the same way English is. Each one of the two has its own positives (and negatives too) and it's in the interest of the Indians to appreciate the worth of both without mocking any of them.

Sachin Da (S.D. Burman) has composed pretty good music for the movie. The best song is - Abke Sajan Saawaan Mein sung by Lata. Other songs are also apt according to the mood of the movie. Anand Bakshi has penned appropriate lyrics for them.

Performance wise talking, this movie is definitely one of the best movies of Dharmendra. This versatile actor has proved quite emphatically that he is not only skilled in serious roles but he has no match in comedy also. Interestingly, Bollywood's most popular movie -Sholay which contains Dharmendra's another memorable comic performance was released in the same year. Dharmendra has left no stone unturned in making the audience laugh right from the beginning to the end. Om Prakash is the second best and Amitabh Bachchan is the third best in this work. Asrani, Sharmila Tagore, Jaya Bhaduri, David, Keshto Mukherjee etc. all have done their parts well and generated showers of laughter for the viewers.

The technical and production value aspects of the movie adhere to the simplicity doctrine of Hrishi Da. Editing is good. Length is also perfect. Summing up, Chupke Chupke is a flawless movie.

Surprisingly, Chupke Chupke was not a box office hit when released. However, now it is considered a classic comedy which has unlimited repeat value. The way, the admirers of Sholay can watch it umpteen number of times, the same way Chupke Chupke can also be watched countless number of times and every time the laughter is guaranteed for the viewer.

This film is evenly paced throughout, though it turns out to be a Dharmendra show! Prominent among the hilarious scenes are, when Dharmendra, as a chauffeur, seeks clarification from Om Prakash as to why 'go', 'so' are pronounced in the same way and why not 'to', and the other is that Amitabh Bachchan (English Professor) is shown memorising some aspects of Botany using a college botany textbook under dim-lit table-lamp, because he has to take 'botany tuitions' for his sweetheart (Jaya Bhaduri)! Gulzar's screenplay and dialogues take the cake in this film! A must-have among the VCD collection! 'Chupke-Chupke Chal Ree Purvaiya' is the pick of songs of this film, which too are melodious.

The wikipedia defines FARCE thus: A farce is a comedy written for the stage or film which aims to entertain the audience by means of unlikely, extravagant and improbable situations, disguise and mistaken identity, verbal humor of varying degrees of sophistication, which may include sexual innuendo and word play, and a fast-paced plot whose speed usually increases, culminating in an ending which often involves an elaborate chase scene.

Was it Hrishi Da's intention to create a farce in Chupke Chupke? The situation was unlikely, the set-up improbable, there was mistaken identity, lots of verbal humor in many different languages, there was sexual innuendo and some quite explicit goings on for a Hrishikesh film. In fact except for the chase seen all other elements were in place.

A few things that I found particularly hilarious: 1. The fixation on the Jeeja Saali relationship.

2. The hilarious use of Botany - and particularly Corolla! LOL! Jaya wanted the Botany Prof to teach her about the corolla, and it took him all night to study that up! And everyone would walk about with a flower in their hand.

3. The students who were most fascinated by corollas and by the handsome professor were ALL women. Was this Hrishi Da's wink wink nudge nudge at Botany being a pursuit for women? In fact a classy British store has a women's cardigan line called BOTANY! 4. Dharm was simply awesome. "Main jab ghabra jaata hoon to haklaata hoon, aur haklaata hoon to Urdu bolne lagta hoon!' His comic timing was perfect.

5. Amitabh was excellent too - his over-hyped nervous impersonator who studies up corollas all night and then starts off in a booming Shakespearean mode "There are ten types of.." only to be cut off by Jaya as she tell him she studied that part already! The film ended on a slightly unsatisfactory note but I don't know how else it could have culminated. All in all I gave it a 8/10, a lot of laughs and fine acting by the lead due. The ladies did very well too.

A newly married professor implements an amusing plan for getting introduced with the family of his elder brother-in-law under false pretense. It is approved by his wife and actively supported by a few friends. The couple doubly enjoys the secrecy. They continue the whole plan of joking tricks until it becomes enough. Otherwise, they enjoy the desperate love relation in a climate of adventurous hiding.

A prolonged play of secret humor--the broad connotative meaning of the title-- does not lose its relish due to the compact screenplay, the excellent performances of the casts, proper editing, wonderful music by Sachin Deb Barman and a few other supportive constituents of the film. Though the social composition of the characters, the social nature of turns and twists of the sequences focus on the educated urban Indian middle class, the lucid narrative seems to communicate a stable flow of comedian pleasure to all viewers. The final revelation of the true identities among the characters is accelerated because of the maturity of a new love relation. The narrative seems to challenge softly some insensible social norms. It also expresses its deep conviction about love and honesty of individuals and obviously its trust on the creative capacity of intelligent and humorous individual.

Any regular Indian film lover would enjoy the nice acting of at least four film stars--Dharmendra, Sharmila Tagore, Amitabh Bachchan and Jaya Bhaduri-- in simple social images and appreciate director Hrishikesh Mukherjee for another successful experiment. The film makes the spectator reminiscent of the genre, which rarely used the very close and the very long shots and rapid cuts. In spite of a theatrical design of the screenplay it could provide the actors and the actresses with the greater scope of establishing their performing talents. The use of bright light and sustained delight of the romantic characters in the family drama--initiated by an unconventionally sensitive, urban, academic personality--makes the film a bright entertainment.

Chupke Chupke - 1975

Here is a cute comic romantic story by Hrishikesh Mukherjee to chill your mind and heart. In 1975 where it was the era of big action drama films, Chupke Chupk made a humble effect and soothes the mood. One of the most effective things in Hrishikesh Mukherjee's films are creating a simplicity level for the audience out of that confusing stories which is a perfect example of creative writing and paying attention to the audience. All characters are playing a cute side of them with acting another side as well which is very well executed and not just comedy but the romance is also up to the mark created with the sense of good music.