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La Cecilia

  • 1975
  • Tous publics
  • 1h 44min
NOTE IMDb
7,2/10
93
MA NOTE
La Cecilia (1975)
Drama

Ajouter une intrigue dans votre langueAt the end of the nineteenth century, Italian anarchists, ten men, one woman, libertarian, collectivist emigrate to Brazil to start a leaderless community, without hierarchy, without a boss ... Tout lireAt the end of the nineteenth century, Italian anarchists, ten men, one woman, libertarian, collectivist emigrate to Brazil to start a leaderless community, without hierarchy, without a boss without police, but not without conflict nor passion.At the end of the nineteenth century, Italian anarchists, ten men, one woman, libertarian, collectivist emigrate to Brazil to start a leaderless community, without hierarchy, without a boss without police, but not without conflict nor passion.

  • Réalisation
    • Jean-Louis Comolli
  • Scénario
    • Eduardo de Gregorio
    • Marianne di Vettimo
    • Jean-Louis Comolli
  • Casting principal
    • Massimo Foschi
    • Maria Carta
    • Vittorio Mezzogiorno
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    93
    MA NOTE
    • Réalisation
      • Jean-Louis Comolli
    • Scénario
      • Eduardo de Gregorio
      • Marianne di Vettimo
      • Jean-Louis Comolli
    • Casting principal
      • Massimo Foschi
      • Maria Carta
      • Vittorio Mezzogiorno
    • 1avis d’utilisateur
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Photos1

    Voir l'affiche

    Rôles principaux15

    Modifier
    Massimo Foschi
    Massimo Foschi
    • Giovanni Rossi
    Maria Carta
    Maria Carta
    • Olimpia
    Vittorio Mezzogiorno
    Vittorio Mezzogiorno
    • Luigi
    Bruno Cattaneo
    • Longhi
    Piero di Jori
    • Alfredo
    • (as Piero di Jorio)
    Beppe Loparco
    • Enzo
    Giancarlo Pannese
    • Rocco
    Biagio Pelligra
    • Tullio
    Giuliano Petrelli
    • Tosti
    Gabriele Tozzi
    • Piero
    Francesca Libertucci
    • Angela
    Adriana Bruno
    Renato Pereira
    • Le 'postino'
    Marco Vinicio Pereira
    • Le 'capanga'
    Mario Bussolino
    • Ernesto Lorenzini
    • (non crédité)
    • Réalisation
      • Jean-Louis Comolli
    • Scénario
      • Eduardo de Gregorio
      • Marianne di Vettimo
      • Jean-Louis Comolli
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs1

    7,293
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    Avis à la une

    10Rodrigo_Amaro

    Utopic dreams for a better world

    Socialism has become such a dirty word over the decades that most people forget its actual intent, fundaments or even the possibility of application as a form of government. Sure, the experience when applied didn't work on most nations due to its unpractibility on many issues and capitalists always find a way to impose their views and diminish the valuable things socialism has to offer. Jean-Louis Commoli's film offers an interesting perspective on the ways of socialism, not as a form of government but as an ideal followed by a community escaping from opression, hatred and trying to survive with a new set of goals where they can prosper without greed and exploitation getting in the way and how everyone can help each other in simple ways.

    "La Cecilia" is a small but seminal film about an experiment given to Italian anarchists in the late 19th century by Brazilian emperor Dom Pedro II where he gave lands to the Italian group so they could conduct a socialist experience while working on the land, producing from it and living from it. It's not necessarily the idea of spreading socialism all over Brazil, it was more about the group living among themselves in a better way than they used to live in Italy where they were constantly repressed by authorities. While they reject the notion of having a leader, it's obvious that Giovanni (Massimo Foschi) is the one chosen for such task since he's the only who can speak Portuguese and get involved with the local merchants and others.

    Obvious that they'll face a series of problems among themselves, as slowly things become problematic in their working and social views, and when the women are brought from Italy along with the kids it becomes a more serious issue since they also advocate from a free love society where no one's married to anyone, they can change partnerships and even choose the children for each country household. And they'll also face problems with the Brazilian, a matter of bad timing as they emperor was kicked out and the presidential republic has just started, and their ideals are the opposite from the monarchy.

    This is a perfect film to understand socialism, ways of implementation and how it worked (or could work). You get to see the experiences tried by the group, their sense of union and togetherness while forming this ideal community and how they struggled to mantain all the good things when trouble came along.

    It takes a step further from the free love thing but it gives plenty of food for thought with such topic - a clear paralel with the 1960's hippies. I'm not sure if the actual socialist scenario happened in Brazil during Pedro II era (the film is slighlty accurare about some historical events, the problem is that they jump ahead with some facts and one gets the impression the story takes place in two years. It goes from 1887 to 1892). The immigration part did happened with many people coming from Europe and Japan around that time, and they formed their own communities and spread all over the nation. But the film made me think about that period, and that the emperor actually could see this as a favorable thing, unlike the republicans fully supported by businessmen.

    It's a very beautiful film, filled with many great moments and it provides many interesting insights as for the reasons the ideals of Marx, Engels and a certain Thomas More (why people forget that the inspiration for the movement began with this Englishman in 1500's?) are noble, valuable and interesting but hardly ever work when put into effect. There's always something in the way, either from the community itself or from exterior forces. And when you watch the group working the land and hardly ever bickering with each other, you almost think for a second that it could work without obstacles and a dream world would exist. Empashis on the world "dream". 10/10.

    Histoire

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    Le saviez-vous

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    • Gaffes
      The film begins in 1887 and a few scenes later during the introduction the anarchists meet a group of slaves who say they were just freed. Slavery would only be abolished in 1888.
    • Bandes originales
      Amore ribelle
      Performed by Maria Carta

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    Détails

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    • Date de sortie
      • 14 janvier 1976 (France)
    • Pays d’origine
      • France
      • Italie
    • Langues
      • Italien
      • Portugais
    • Sociétés de production
      • Centre Européen Cinéma-Radio-Télévision (CECRT)
      • Filmoblic
      • Nuovi Orientamenti Cinematografici
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 44 minutes
    • Mixage
      • Mono

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